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Conventional and 21st Century Genres explores the evolution of literary genres from traditional forms to contemporary 21st-century styles. It aims to help students understand and differentiate various literary genres, their elements, structures, and traditions. Module Objectives: 1. Differentiate between 21st-century literary genres and traditional genres. 2. Enumerate the elements, structures, and traditions of each genre. 3. Appreciate the unique features of each genre. This module offers a comprehensive overview of both traditional and contemporary genres, helping students appreciate the diverse forms of literary expression available today.
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Quarter 1 – Module 2: Conventional and 21st Century Genres This module is a standalone section that you can use based on your needs and interests to enhance your competency on how to differentiate the various 21st century literary genres and the ones from the original genres, citing their elements, structures and traditions. After going through this module, you are expected to:
An Illustrated Novel is a story or narrative told through words complemented by illustrated images. In most illustrated fiction, 50% of the narrative is presented without words while some may not contain any text at all, so the reader must interpret the images to comprehend the story completely. Some examples include The Invention of Hugo Cabret by Brian Selznick and The Arrival by Shaun Tan. DIGI-FICTION Digi-Fiction is also called Triple Media Literature. It uses the combination of three media: book, movie/video, and internet website to tell a narrative, so readers must engage in navigating, reading, and viewing in all three forms to comprehend the full story. Examples of digi-fiction include Patrick Carman’s Skeleton Creek and Anthony Zuiker’s Level 26. GRAPHIC NOVEL Graphic novels are narratives told in comic-strip formats and published as a book. To differentiate from illustrated fiction, graphic novels tell a story using a combination of words and pictures in a sequence across the page. The term is employed in a broad manner, encompassing non-fiction works and thematically linked short stories as well as fictional stories across several genres. Archie Comics by John Goldwater and illustrator, Bob Montana, and The Death of Captain Marvel by Jim Starlin are good examples. MANGA Manga is the Japanese word for comics. It is used in the English-speaking world as a generic term for all comic books and graphic novels originally published in Japan. Manga-style comics created by American artists are sometimes called Amerimanga. Some Manga categories include the following: ● Shonen-Boy’s Manga (Naruto, Bleach, One Piece) ● Shojo-Girl’s Manga (Sailormoon) ● Seinen-Men’s Manga (Akira) ● Josei-Women’s Manga (Loveless, Paradise Kiss) ● Kodomo-Children’s Manga (Doraemon, Hello Kitty) DOODLE FICTION Doodle Fiction is a literary presentation where the author incorporates doodle writing, drawings, and handwritten graphics in place of the traditional font. Doodles are simple drawings or random shapes and lines that may or may not have concrete representational meanings. These enhance the story, often adding humorous elements. Examples include The Diary of a Wimpy Kid by Jeff Kinney and Timmy Failure by Stephan Pastis. TEXT-TALK NOVELS Text-Talk Novels are stories told almost entirely in dialogue simulating social network exchanges. Narratives are usually presented in blog, email, and IM
(instant messaging) format. Jenny Ruth Almocera’s Vince and Kath released by ABS-CBN publishing is a good example of this genre. CHICK LIT or CHICK LITERATURE Chick Lit is an often humorous and lighthearted fiction which addresses issues of modern womanhood. Stories may include romantic relationships, friendships, and issues in the workplace. It generally targets young women readers. Scarlet Bailey’s The night before Christma s and Miranda Dickinson’s It started with a Kiss are examples of this. FLASH FICTION Flash Fiction is a story narrated in an extremely brief way, but still offers plot and character development and implies a larger story. It could range from a word to a thousand. Varieties of flash fiction identified by word count include six-word stories (6 words), dribble or minisaga (50 words), 280-character story or twitterrature (280 words or a story in one tweet) drabble or microfiction ( words), sudden fiction (750 words) and flash fiction (1,000 words). Here are examples of flash fictions specifically six-word stories: ● For sale: baby socks, never worn. (Written by Ernest Hemingway) ● Longed for him. Got him, Shit. (Written Margaret Atwood) CREATIVE NONFICTION Creative nonfiction is also known as literary nonfiction or narrative nonfiction. It is a genre of writing that uses literary styles and techniques to create factually accurate narratives. In contrast with other nonfiction, such as technical writing or journalism, which is also rooted in accurate fact, it is not primarily written in service to its craft. As a genre, creative non-fiction is still relatively young and is only beginning to be scrutinized with the same critical analysis given to fiction and poetry. 1000 Gifts by Ann Voscamp and Wind, Sand, and Stars by Antoine de SaintExupery are examples. SCIENCE FICTION Science Fiction is a genre of speculative fiction dealing with imaginative concepts such as futuristic science and technology, space travel, time travel, faster than light travel, a parallel universe and extraterrestrial life. It often explores the potential consequences of scientific and other innovations and has been called a “literature of ideas”. Examples include Suzanne Collins’ Mockingjay and Sarah Maas’ Kingdom of Ash. BLOG A Blog (shortened form of Weblog) is a website containing short articles called posts that are updated regularly. Some blogs are written by one person containing his or her own opinions, interests and experiences, while others are written by
different people. Kryz Uy’s Break My Style which includes stories of her travel and style is one of the most followed blogs in the country. HYPER POETRY Hyper poetry is digital poetry that uses links and hypertext mark-up. It can either involve set words, phrases, lines, etc. that are presented in variable order but sit on the page much as traditional poetry does, or it can contain parts of the poem that move and transform. It is usually found online, but CD-ROM and diskette versions exist. The earliest examples date to no later than the mid-1980s.