Download Exam II Review Sheet - History of Rock and Roll | MUSC 309 and more Study notes Music in PDF only on Docsity! MUSC 309 History of Rock and Roll Review sheet for Exam II Note: It is assumed that you have already mastered those terms that appeared on the last exam, like “style beat,” “end-weighted,” “riff,” and so on. If you have questions about the definition of any of these terms or how they are applied to music, ASK! 1. Understand the meaning of each of the following terms, and be able to associate it with a specific artist or musical style, if applicable: drone feedback composite harmony effects pedal fuzztone modal harmony power chord Soulsville, U. S. A. Newport Folk Festival super group Stax skiffle power trio double time studio band/musicians Marshall stack groove Monterey Pop Hitsville, U. S. A. soul sixteen beat style beat lead sheet/head arrangement distortion rebound backbeat garage rock Stratocaster Rickenbacker concept album avant-garde Gibson Les Paul musique concrete minimalism Haight-Ashbury 2. Be able to identify characteristics of each of these musical styles, prominent artists that performed in this style, and its influence on rock and roll. For those marked with an asterisk, be able to identify the style from an unfamiliar musical excerpt of approximately one minute in length. *Motown *folk rock *acid rock hard rock *art rock San Francisco Sound *blues rock *Stax soul *surf rock British Invasion glam rock garage rock 3. Be able to associate the following people or groups with the appropriate musical styles and compositions, and/or their importance in rock and roll: Bob Dylan George Martin Cream Berry Gordy Isaac Hayes Jimi Hendrix Andrew Oldham James Brown Janis Joplin Beatles Marvin Gaye Eric Clapton Yardbirds Beach Boys Holland-Dozier-Holland Rolling Stones Isaac Hayes The Funk Brothers The Byrds Temptations Dick Dale Supremes Brian Wilson Booker T. and the MGs Aretha Franklin Otis Redding Pink Floyd The Doors The Who Yes Frank Zappa Jefferson Airplane Grateful Dead