MC440 Final Exam 100% VERIFIED ANSWERS 2024/2025 CORRECT, Exams of Business Administration

Download MC440 Final Exam 100% VERIFIED ANSWERS 2024/2025 CORRECT and more Exams Business Administration in PDF only on Docsity! MC440 Final Exam 100% VERIFIED ANSWERS 2024/2025 CORRECT How is film similar to other visual arts in its compositional elements? It employs line, form, mass, volume, and texture Film exploits the subtle interplay of light and shadow (like painting and photography) Film manipulates 3 dimensional space (like sculpture) Film focuses on moving images(like pantomime) for rhythm (like in music and poetry) FILM COMMUNICATES THROUGH IMAGERY, METAPHOR and SYMBOL The technological evolution of film? can in fact be viewed as a continual evolution toward greater realism, toward erasing the border between art and nature. drawings > photographs > projected images > sound > color > wide screen > 3-D > beyond How does the text book differentiate Plot? in adventure stories and detective stories, the filmmaker focuses on the plot(on what happens) How does the text book differentiate Emotional Effect/Mood? primary concern is to convey a certain mood, get the audience to feel and react a certain way. How does the text book differentiate Character? the film's primary concern is with portraying a unique character and tracing his/her development. How does the text book differentiate Style, Texture and Structure? these films are most concerned with the visual representation of the story and experimenting with style and structure. How does the text book differentiate Ideas? the film's primary concern is to convey an idea about life, human relationships, the human experience, and/or society. The film's central idea is open for interpretation and there may be several opinions as to what the film's central idea is. What is Film's universal appeal and its value? A universal theme is one of lasting interest, one that is meaningful not just to people here and now but to all human beings in all ages. Therefore, a theme with universal appeal may be considered superior to one with an appeal strictly limited in time and place. What are the three concepts of different types of truth? Externally Observable Truths: The way things really are Visible evidence of the world around us Internal Truths of Human Nature: The way things are supposed to be (what viewers want or need to believe is true) Artistic Semblance of Truth: The way things were and never will be Internal vs. External/Physical actions External - struggles between characters or outside forces Internal - psychological conflict within the central character Concepts of different types of character? Types of Characters: Stock characters - minor characters whose actions are predictable Developing characters - major characters affected by the plot; undergo some sort of change Static characters - remain the same throughout the film What are the different methods of characterization? Different methods of characterization: Characterization through Appearance Characterization through Dialogue a production technique in which the designer physically distorts certain aspects of the set and diminishes the size of objects and people in the background to create the illusion of depth. what are the different types of settings? the time and place in which a film's story occurs; composed of temporal, geographic, social, and behavior-based factors. 1. Setting as Determiner of Character (sometimes, environment can function as antagonist) 2. Setting as Reflection of Character 3. Setting for Verisimilitude (semblance of reality) 4. Setting for Sheer Visual Impact 5. Setting to Create Emotional Atmosphere 6. Setting as Symbol 7. Setting as Microcosm (the world in little, in which human activity in a small and limited area is representative of human behavior or the human condition in the world as a whole) Studio vs. Shooting Location Studio: Films are turning to studio-shooting. Reason: background of the directors; competition from television; most importantly, complete control of the environment Location: the decision to go on location is usually dictated by the script Low-key lighting vs. High-key lighting vs. Natural lighting Low-key lighting (mostly in shadow, with a few highlights to define subjects) High-key lighting (little areas in shadows, suitable for comics and light moods) Natural lighting (Sunlight) What are the cinematic points of view? 1. Objective Point-of-view 2. Subjective Point of View 3. Indirect-Subjective Point of View 4. Directors Interpretive Point of View What is Objective Point of View? The camera is a "window," and the audience it outside the window looking in at the action. What is Subjective Point of View? The camera shows us various details as the character sees or experiences them so that we share the character's emotions. What is Indirect-Subjective Point of View? Not the character's actual point of view, but brings us close enough to the action that we are able to experience the character's emotions as if we did see the action from their p.o.v. What is Directors Interpretive Point of View? A manipulation by the director that forces us to concentrate on a specific detail, such as special camera angles, slow motion, close-ups, etc. Describe the principles of visual compositions: vertical, diagnol and curved lines Vertical lines: strength, authority, dignity Diagonal lines: action and dynamic movement Curved lines: fluidity, sensuality, evoking feelings of exaltation, euphoria, joy What is the mobile camera? steadicam: remains steady for the cameraman running around with it skycam: remains steady while flying or while moving on cords What are the special lenses and describe them fish eye: A special type of extreme wide-angle lens that bends both horizontal and vertical planes and distorts depth relationships. wide-angle lens: exaggerates the perspective, so that distance seems greater than it is telephoto lens: compresses depth so that the distance seems less than it is Describe rack focus, deep focus and soft focus Rack Focus: Focusing the camera lens, in turn, on objects in different planes of depth in one continuous shot. Deep Focus: A technique of cinematography with great depth of field, using special lenses to render in sharp focus near and distant planes simultaneously. A deep-focus shot includes foreground, mid- ground, and extreme-background objects, all in focus. Soft Focus: A slight blurring of focus for effect What is a "take"? Variations of the same shot. In the cutting room, the editor assembles the film from the best take of each shot. What are "dailies"? raw, unedited footage of a particular day's shooting What is a "shot"? strip of film produced by a single continuous run of the camera. What is a "sequence"? a series of scenes that constitutes a significant part of the film's dramatic curve, much in the same way an act functions in a play. What is a "scene"? Created by joining or splicing a series of shots so that they communicate a unified action taking place at one time and place. What is a "form cut"? Advancing colors (red, yellow, lavender)When given high intensity and dark value, they seem to advance, making objects appear larger and closer to the camera than they actually are Receding colors (beige, green, or pale blue) Makes objects seem to recede into the background. Warm colors The colors that advance (red, orange, yellow, lavender) Cool colors The colors that recede (blues, greens, and beiges) Analogous harmony Results from the use of colors adjacent to one another on the color wheel, such as red, red-orange, and orange. Such colors create a soft image with little harsh contrast. Triad harmony Results from the use of three colors equidistant from one another on the color wheel, such as the primary color: red, yellow, and blue Complementary harmony Results from the use of color directly opposite each other on the color wheel, such as red and green. Complementary colors react with each other more vividly than do other colors. Monochromatic harmony Results from a scheme based on variations in the value and intensity of one color Color associated with characters Expressionism (characters innermost feelings) Black and White strongest in emphasizing where the highlights and shadows are in a film (also freed from the reality of color) Points of view in sound Objective POV: remote observer who looks on the events but isn't emotionally or physically involved Subjective POV: is emotionally or physically involved in the events (Most common: alternate between the two) Dead screen Screen area in which there is little or no interesting visual information ambient sounds Sounds natural to the scene's environment sound links Aural bridges between scenes or sequences (changes in place or time), are created through the use of similar or identical sounds in both sequences (ex: an alarm clock at the end of one sequence becomes a telephone at the start of another sequence) dead track complete absence of sound invisible sound Sound emanating from sources not on the screen visible sound Sound emanating naturally and realistically from the images on the screen voice-over narration to provide a first person pov Problems with voice dubbing and subtitles in foreign language films separates actors from their voices (making acting seem stiff) precision is often off in lip movements emotional obstacle (natural power of the actor on an audience) Film acting vs. stage acting Primary difference results from the relative distance between the performer and the spectator. A film actor may speak softly, or even whisper because the audience will hear every word. Film actors can be more subtle while stage actors can't without losing the audience. Action acting vs. dramatic acting Action acting: emphasize on reactions, body language, physical exertion, special skills Dramatic acting: intense dialogues, emotional and psychological depth Types of actors: impersonators leave real personalities behind and assume the personalities of a character. Roles? Almost unlimited. Types of actors: interpreters and commentators actors resemble characters, a comprise between actor and the role Types of actors: personality actors actors project essential qualities of themselves The star system and the changes that took place in the 60s and 70s The film industry turned to actors who are more flexible in their roles: Dustin Hoffman, Robert De Niro, Jodie Foster, Meryl Streep, etc. Movie stars became "free agents" with more independence, but less job security. Basic concepts: typecasting, foils, ensemble acting Typecasting: consigns an actor to a narrow range of almost identity roles. ensemble acting: cast members are assigned roughly equal amounts of importance and screen time Autuer