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SOC 202 Popular Culture study guide 2025
Typology: Exams
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SOC 202 Popular Culture study guide 2025 Gender ID in the 1950's - domesticity , nuclear family, rise of suburbs, harmony, strict gender roles, mom and pop Gender ID in the 1960's-70's - Rise of women's movement (feminism) Gender ID in the 1980's - Pop culture was forced to respond increasingly effective feminism and did so via the "out of control" feminist. The independent woman was seen as unappealing. Labelling Theory - Examines how deviance and conformity result not so much from what people do as from how others respond to those actions Charles Cooley's Looking Glass Theory - We imagine how others see our appearance. We imagine other's judgement of our appearance. Our feelings - pride or shame - are determined by our imagination of judgments of us. Gender Representation - Both masculinity and femininity are in many ways performed gender identities. Gender is something we do, perform, respond to, maintain and subvert. Judith Butler's Gender Trouble (1990) - Gender is "the repeated stylization of the body, a set of repeated acts within a regulatory frame that produce the appearance of a natural sort of being" Gayle Rubin - Connects gender expectations to both performance and deviance. For example, "patriarchy has determined the acceptable meaning of female behaviour and categorized it accordingly". Central to restrictions of female autonomy over representations, freedom and behaviours are repressive ideologies categorizing sexual behaviour as good or bad.
Laura Mulvey - Popular culture - and art historical - images largely operate within a system of erotic spectacle. These images have historically worked within a patriarchal structure of society. Nussbaum: Society of Gender - Without objectification, there can be no desire. Without subjectification of the objectification, there can be no pleasure. Feminist Film Theory - was developed in the 1970s with the aim of understanding cinema as a cultural practice that represents and reproduces myths about women and feminity. took up issues of female spectatorship. "woman's cinema that allowed for representations of female subjectivity and female desire" Who introduced Feminist Film Theory? - Laura Mulvey's visual pleasure and narrative cinema (1975) Visual Pleasure in Narrative Cinema - Popular cultural images "are structured so as the spectator is made to identify with the male look and take on that point of view". Active Male Gaze - The gaze contains the female body within the confined space of a movie screen, literally and conceptually. The female body is then consumed as "an object the male viewer is detached from". Passive Male Gaze - The female viewer recognizes herself as the subject (viewer) but also sees herself on screen as the object. Scopophilia - a pleasurable male gaze consuming a female body on display as it connotes a to-be-looked-at-ness Narcissistic Scopophilia - as mode of the mirror phase, the female viewer sees her role in double: as both subject (viewer) and as object (viewed upon) as she then consumes her own self.
Lisa Duggan: Early Queer Theory reflects Heteronormativity - A social structure employing a "framework that does not contest dominant heteronormative assumptions of the norm but instead upholds and sustains them" Post Modernism - the age of modernism had become elitist, rarely containing the subversive impulse it once did, and in effect, had become divorced from any subversive inclination. Susan Sontag - Postmodernism beginning in the 60s was marked by a "new sensibility" following a collapse (or dislodging) of the binary of high and low Fredric Jameson - postmodernity has transformed the historical past into a series of emptied-out stylizations easily commodified and consumed. The result is what he deems "the death of the subject, the end of individualism." Jean-Francois Lyotard - The postmodern condition (1979) propelled the term postmodernism into general circulation. The postmodern condition is marked by "a crisis in the status of truth, or singular truths of modernism". Metanarratives - These were argued as social constructions that operate through inclusion and exclusion: for example, "freedom, and you're either with us or you're with terrorists" re post 9/11 America Lyotard (metanarratives) - "marshal us into ordered realms, silencing and excluding oppositional voices and ideologies" Jean Baudrillard's 3 levels of simulation - Simulation, Simulacrum, Hyperral simulation - The point when the distinction between original and copy is not destroyed, but is compromised. Simulacrum - An identical copy of an original text - the copy has circulated to the point the original source is lost or unknown
Hyperral - When reality and it simulations & simulacrum are experienced as without difference we're entered into the realm of the BLANK Ex. Disneyland, Las Vegas.