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Appearance and reality, Dispense di Inglese

realazione di letteratura inglese di quinto anno di liceo

Tipologia: Dispense

2019/2020

Caricato il 08/06/2020

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Appearance and reality.
The thematic core I have to talk about is "appearance and reality".
This topic brings together many subjects that we have studied, particularly in English.
I have looked at the program from September onwards and I found many authors
who have dealt with this concept.
In fact, since the beginning of this year we have been dealing with this theme of
reality behind appearances, even in two stories read in the book "Culture Clash".
We read "Lispeth", by Rudyard Kipling.
In this story we saw how the Pakistani girl Lispeth falls in love with an English man
and thinks she knows him well enough to marry him. After a few months, however,
she realizes that what she thought for sure was all appearance and in fact the English
man was married.
Also in the story of Katherine Mansfield, "How Pearl Button was Kidnapped" we can
see how the girl was taken to an island where she can spend wonderful moments and
be very happy, but despite this, the women who took her there were actually
kidnappers. This theme, however, is not only about literature, but also about society
itself.
We have studied the Victorian age, reigned by a constitutional monarchy.
A period of progress, colonial expansion, important political and social reforms.
But behind this lies the true reality of society.
The Victorian were great moralisers: they supported personal duty, hard work,
respectability and chastity.
However, the respectability is a mixture of morality and hypocrisy: the negative side
of society was hidden under outward respectability.
You have to look respectable in what concerns your class, as the way you dress, your
conduct, being a good Christian etc...
Poverty was seen as a crime and it had to be faced with hard work.
For example, a new Poor Law was introduced in 1834 according to which poor people
had to be carried into some institutions (parishes) called Workhouses, where they
had to work for free.
The government made sure that people feared the workhouses in order to encourage
them to work.
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Appearance and reality. The thematic core I have to talk about is "appearance and reality". This topic brings together many subjects that we have studied, particularly in English. I have looked at the program from September onwards and I found many authors who have dealt with this concept. In fact, since the beginning of this year we have been dealing with this theme of reality behind appearances, even in two stories read in the book "Culture Clash". We read "Lispeth", by Rudyard Kipling. In this story we saw how the Pakistani girl Lispeth falls in love with an English man and thinks she knows him well enough to marry him. After a few months, however, she realizes that what she thought for sure was all appearance and in fact the English man was married. Also in the story of Katherine Mansfield, "How Pearl Button was Kidnapped" we can see how the girl was taken to an island where she can spend wonderful moments and be very happy, but despite this, the women who took her there were actually kidnappers. This theme, however, is not only about literature, but also about society itself. We have studied the Victorian age, reigned by a constitutional monarchy. A period of progress, colonial expansion, important political and social reforms. But behind this lies the true reality of society. The Victorian were great moralisers: they supported personal duty, hard work, respectability and chastity. However, the respectability is a mixture of morality and hypocrisy: the negative side of society was hidden under outward respectability. You have to look respectable in what concerns your class, as the way you dress, your conduct, being a good Christian etc... Poverty was seen as a crime and it had to be faced with hard work. For example, a new Poor Law was introduced in 1834 according to which poor people had to be carried into some institutions (parishes) called Workhouses, where they had to work for free. The government made sure that people feared the workhouses in order to encourage them to work.

So here we can clearly see this two faces country. Charles Dickens has been very clear on this subject in his novels by describing the life in factories and in general the conditions of the poor and the workings class. He wanted to make the middle classes aware of the reality of the facts that England tended to hide, namely that people are victims of industrialization. Another author we have studied and who has dealt with this subject is Robert Stevenson. He described the mood of change of the last decade of 19th century and expressed the moral bipartition between good and evil in his novel “Dr Jekyll and Mr Hide”, in which the main theme is the double nature of human beings, so somehow the reality that lies behind the appearance of the individual. The author who has dealt more with this concept of reality behind the appearance is Virginia Woolf. According to her, what mattered was the impression that the events made on the characters who experienced them. In her essay “A Sketch of the Past” she wondered why some moments are so powerful and memorable that they can be vividly recalled. According to her, there are this kinds of experiences called moments of being, that are acts experienced intensely and with awareness. Woolf asserted that a moment of being is a moment when an individual is fully conscious of his experience, a moment when he is not only aware of himself but catches a glimpse of his connection to a larger pattern hidden behind the surface of daily life. In other words, rare moments of insight during the characters daily life when they can see reality behind appareances. To conclude, I also wanted to make an interdisciplinary connection. When we talk about appearance and reality, we also have to talk about Schopenhauer's philosophy. Schopenhauer compares life to something intermediate between sleep and wakefulness. According to him, phenomenal reality is like Maya's veil, that is, the appearance that covers the essence of things. This veil can be torn, and if we did so, beyond appearance we would find the "voluntas", a cosmic, blind and irrational force.