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Appunti di visual communication, Appunti di Sociologia Visuale

Appunti prime lezioni, scritto

Tipologia: Appunti

2025/2026

Caricato il 19/04/2026

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VISUAL COMMUNICATION, BORDER POLITICS AND HUMAN RIGHTS
JOHN BERGER: published ways of seeing, questioning the way we see the
world, because when we watch the temporal, social and historical contest
influence what we watch
In 1972 he used money to follow some migrants from the south of Europe
moving to Northern Europe, in order to understand what they were leaving and
what they were expecting. Then he publishe a book about it in 1975, which
starts with a poem. First of all this book is very innovative, bcs of its
anthropological and sociological contest. The poem’s Titol is the seventh. When
we are talking about visuals and communication, we are referring to imaginary
and imagination, but also an expression of absence, of what there is not in a
photograph: all photographs are a form of transport and an expression of
absence. The meaning is in the relationship between the image and the
spectator, nothing is already established (Foucault).
Berger in his book writes in a sociological but very poetical way.
There are also a denotative and connotative levels: ex a divided photo into a
page, means maybe a separation between his past and his present-future.
Especially in case of asylum seekers or refugees, which is forced to leave its
country; maybe a migrant decides to leave its country, for many reasons, even
if in many cases who escapes has the necessity to do it.
Sayad call it the double absence, bcs the migrants don’t belong to the
homeland they leave anymore and they will never belong to their new country.
Also Bruno Catalano represents this absence in his statues.
Emigrations of Italians to other places, the money they sent home was the real
advantage of becoming a developed country. Not really the Marshall plan
promoted by usa after 2WW. In terms of migrants, with remittances, they really
helped the country to develop. This also helped the migrants to become richer
and able to buy their own land, and this also lead to the abolition of Mezzadria
in Italy in 1982.
There are also the illegal migrants, invisible, without identity. But there is a
differtence: the act is illegal but the person is not, the person is irregular. Only
the 10% of the irregular are arrived by boat, but the rest are overstayers.
There is also a differential inclusion.
Berger’s book is divided into three part: departure, work and return.
The return is usually divided in voluntary return and forced return (10000£), but
in several cases they are not different.
There is a company in Italy, the assisted voluntary return, which offers to
migrants an economic support in order to go back home, costs 2000-3000£.
This in Italian is called: rimpatrio volontario assistito, which is different from
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VISUAL COMMUNICATION, BORDER POLITICS AND HUMAN RIGHTS

JOHN BERGER: published ways of seeing, questioning the way we see the world, because when we watch the temporal, social and historical contest influence what we watch In 1972 he used money to follow some migrants from the south of Europe moving to Northern Europe, in order to understand what they were leaving and what they were expecting. Then he publishe a book about it in 1975, which starts with a poem. First of all this book is very innovative, bcs of its anthropological and sociological contest. The poem’s Titol is the seventh. When we are talking about visuals and communication, we are referring to imaginary and imagination, but also an expression of absence, of what there is not in a photograph: all photographs are a form of transport and an expression of absence. The meaning is in the relationship between the image and the spectator, nothing is already established (Foucault). Berger in his book writes in a sociological but very poetical way. There are also a denotative and connotative levels: ex a divided photo into a page, means maybe a separation between his past and his present-future. Especially in case of asylum seekers or refugees, which is forced to leave its country; maybe a migrant decides to leave its country, for many reasons, even if in many cases who escapes has the necessity to do it. Sayad call it the double absence, bcs the migrants don’t belong to the homeland they leave anymore and they will never belong to their new country. Also Bruno Catalano represents this absence in his statues. Emigrations of Italians to other places, the money they sent home was the real advantage of becoming a developed country. Not really the Marshall plan promoted by usa after 2WW. In terms of migrants, with remittances, they really helped the country to develop. This also helped the migrants to become richer and able to buy their own land, and this also lead to the abolition of Mezzadria in Italy in 1982. There are also the illegal migrants, invisible, without identity. But there is a differtence: the act is illegal but the person is not, the person is irregular. Only the 10% of the irregular are arrived by boat, but the rest are overstayers. There is also a differential inclusion. Berger’s book is divided into three part: departure, work and return. The return is usually divided in voluntary return and forced return (10000£), but in several cases they are not different. There is a company in Italy, the assisted voluntary return, which offers to migrants an economic support in order to go back home, costs 2000-3000£. This in Italian is called: rimpatrio volontario assistito, which is different from

ritorno. But how voluntary is this? You’re gonna lose the VISA and you cannot ton back to that country at least for the future 5 years. But, a lot of states want to do the voluntary bcs it costs less. But why they accept to risk their lives to go another country? If they succeed they elevate their status symbol. Also the migration makes you see difference and you are also seen different. Berger: to be homeless is to be nameless. He. The existence of a migrant worker. Remigration: new word to define the desire of northern states to make migrants go back to their home.

30 sept 2025

Stuart Hall: differences between connotative level (meaning-symbols) of an image and denotative level (superficial). Ethic of seeing and ethic of showing, bcs maybe not everything you see and

photograph you have to show to the public too. Ex. The image of The Vulture

and the Little Girl.

The way we choose to frame something impacts to the the way we feel about it. So, the emotions are the doors in which the facts are narrated and also leads to different decisions about how to react.