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Discourse Analysis and Multimodality in Media Communication, Schemi e mappe concettuali di Lingue

This document provides an overview of critical discourse analysis (CDA) and multimodal discourse analysis (MDA) in the context of media communication. It covers key concepts such as the relationship between discourse and social structures, the ideological effects of discourse practices, and the rhetorical devices used in persuasive discourse. The document also discusses multimodality, the use of multiple modes to create meaning, and its increasing prevalence in contemporary communication. Additionally, it introduces important terminology related to newspaper discourse, including masthead, lead-in, angle, readership, headline, layout, coverage, hard news, soft news, and news values. This comprehensive overview could be valuable for students and researchers interested in understanding the complex interplay between language, visual elements, and social contexts in media content production and consumption.

Tipologia: Schemi e mappe concettuali

2020/2021

Caricato il 09/08/2024

martibotti001
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GLOSSARY
Types of discourse:
a. Media discourse;
b. Persuasive discourse.
Critical approaches:
a. Critical discourse analysis CDA / Critical discourse studies CDS (the current term);
b. Multimodality and multimodal discourse analysis MDA.
Discourse: CDS views discourse (language use in speech and writing) as a form of SOCIAL PRACTICE
(context is very important).
It implies a dialectical relationship between a particular discursive event and the situation,
institution and social structure which frame it.
The discursive event is shaped by the situation / institution / social structure but also it shapes
them.
Discourse practices can have ideological effects, producing, reproducing, or enforcing unequal
power relations, for example with regard to social class, gender, race, and minorities.
Rhetorical devices to describe the persuasive discourse:
a. Pathos (emotional appeal for an audience);
b. Ethos (moral character of the speaker);
c. Logos (logical organisation of argument, purpose, structure, substance, evidence).
Framework for CDA: Fairclough’s Dimensions of Discourse and Discourse Analysis.
Multimodality: it’s not a theory or a method, but a phenomenon of contemporary communication,
and we know that changes in communication are constant all the time, particularly in the last
decades there have been fast changes. Multimodality is not quite the same as multimedia, you
don’t have to be multimediatic to be multimodal. Multimodality analyses what happens when
different modes come together to make meaning. People working in all these disciplines can
conduct a multimodal approach frame analysis.
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GLOSSARY

Types of discourse: a. Media discourse; b. Persuasive discourse. Critical approaches: a. Critical discourse analysis CDA / Critical discourse studies CDS (the current term); b. Multimodality and multimodal discourse analysis MDA. Discourse: CDS views discourse (language use in speech and writing) as a form of SOCIAL PRACTICE (context is very important). It implies a dialectical relationship between a particular discursive event and the situation, institution and social structure which frame it. The discursive event is shaped by the situation / institution / social structure but also it shapes them. Discourse practices can have ideological effects, producing, reproducing, or enforcing unequal power relations, for example with regard to social class, gender, race, and minorities. Rhetorical devices to describe the persuasive discourse: a. Pathos (emotional appeal for an audience); b. Ethos (moral character of the speaker); c. Logos (logical organisation of argument, purpose, structure, substance, evidence). Framework for CDA: Fairclough’s Dimensions of Discourse and Discourse Analysis. Multimodality: it’s not a theory or a method, but a phenomenon of contemporary communication, and we know that changes in communication are constant all the time, particularly in the last decades there have been fast changes. Multimodality is not quite the same as multimedia, you don’t have to be multimediatic to be multimodal. Multimodality analyses what happens when different modes come together to make meaning. People working in all these disciplines can conduct a multimodal approach frame analysis.

Mode: it is a word that helps us avoid using “language” all the time. Gesture can be placed on the same level as speech  interview with Gunter Kress (controlla). Mode density: the concentration of modes in any specific moment in the communication. Multimodal turn: a phenomenon that affects all sides of society and communication, that is why it isn’t a theory. It’s something that’s all around us, we change all the time, and we realise that now there is an increasingly multimodal world. Visual turn: it denotes a shift in emphasis on and an increasing concern with the “visual” as well as a scholarly interest in visual culture. It is consistent with an intensification of visual technologies over the last two decades. Affordances: the communicative potential. These resources allow some kind of meaning to be made, they have sort of capabilities of potential for meaning making. Newspaper – key words: masthead (the top, both in the digital and in the print edition. It’s the name of the newspaper and it has graphic features); lead-in (the very first sentence of the article or of the story, also called lead ); angle; readership (the people who read a particular publication, the audience, the market, it can be big or small); headline (title of the article placed in the front page, they might be more than one headline); broadsheet; layout (the design of a page, how the articles, images, advertisements, and other graphic elements are arranged); coverage (the extent of reporting of an event of subject); tabloid; editorial space of advertising space; news values or newsworthy; hard news and soft news; circulation (it applies to print); banner (in the digital version with advertisement, it’s a loose strip between the masthead and the headline); angle (the point of view or theme of a news article, a way of looking at a news event, it is usually clear in the lead). Stories: the common way news article are referred to. Hard news: a news breaking story, it announces some news, it is major news. Tabloid: a particular feature of the British media landscape, which is different from the Italian one

  • celebrities and gossip – and it covers politics, news about the Royal Family. Broadsheet: much less emotional and more about what actually happened (very dense text, no images apart of a small map), while the tabloid has a very big image in foreground and vivid colours, massive headline. This kind of less emotional response (broadsheet) seems to be removing some of the emotion and reaction that could affect the stockings. Tabloid vs broadsheets: a. The terms tabloid and broadsheet relate to the size of newspapers. Broadsheets are large- format and tabloids smaller-format newspapers. They are both NEWS publications; b. The term tabloid and broadsheet have also become synonymous with different styles of language and presentation of information. Even though newspapers that were once published as broadsheets are now often available in more compact formats (The Guardian),

News structure: