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\ Ra London William Blake Songs of Experience 1794) One of his greatest, this poem conveys Blakes view of the city, Miro) of the disease and suffering brought about by industrialisation. 5.3 I wander thro" each sn 3 ORSTICISH RERRED , ATT_ cea Near where thexcharterd Thames does flow, J T9 © ) < vers And:markin every face 1feet > ) ALSO NAFUR 1S CHAf TO, e ani_Marks of Keakness, Marks offioe. N ONDON 1 Ruyne scheme: (1848 coco] 5 Ineveryerpof every Man, Ln. SIGHT AND In every Infant'sicry.of fear, uan ‘In every voice, in every b; Themind-forgd manackeT hear. =; MemaPHoRS THEMC © CRITICISM OP 7 THE SOCIETY HSPERBALI! + sosPIRO INSANGUINERÌ How the Chimney-sweeper* cry, to Every blackningChurch appallsN And the hapless Soldier sigh® | A? He CoRRe (UNSO (E Runs.in blood down Palacewall® 1 — l 1 thro. Lungo. But most thro” midnight streets I hear ; dn Licata How the youthful Harlots curse! 4 curse. Maledizione. 15. Blasts the new born Infant' tear, 3 blights. Rovina, danneggia. È serie ° E) 6. plagues. Pestilenze, infezioni (possibile And blights* with plagues® thexMatTage hearse. accenno alla cecità causata dalla sifilide). FORH, STRUCTURE, STYLE * REPETITION OP | - “MaRK" (3-0) PESSIMISTIC UIEW : = ZINVORY' (5-6-) - CUCRY BODY /S SUPPERING AND CRY (NG, = CHARTER! (4-2) MOB9DY /5S HAPPY DA IMMAGINE OP_WE, - "cRy" (5-6) SORROW, WRAKNOSS + a 4 CVERYTHING ISTCHARTED': THIS 15 A e AUITERATION: “Ma (wa 4-5) eSOCIOTY WARP ONLY MONEY COUNT CRITIGISM_OF_CORROPTION < o] 3: THE CUURLH: Fi SeRONS Tue CUMDREN insréab OP HACPING Suc DEREND: 2 * MONAKU2S CREATED BY REASON (Lis & ps: *CHIMNMBW -SWEeRERS " | 7HEY WERE BLACK BECAUSE DP_THE SMOKE ANS THE CHURH 15 PORINSABLE OP _THRIR DRATH , IT DIDN?T DO ANYTHING TO SAVE THIS POR CHILDREN, IN CONDON CHILD IS EXPIOITED è 18 DEFINED "TUC FATHER. OF THE MAN! = ADULTE SHOUD LBARN TO CHILDREN TO Live NATURAL UFE, TO BR PURE AND INCORRUPTED. TUE PROGRESS STOLE IMASINATION PROM QUI HMNDS i WE ARE AND ALSO OUR 7HOUSHT IS UNTED AND CHAINSD By REA SON. e POLITICAL INSFITUTION è CRITIC AGAINST 7HE AUTORITICS THAT ARE RESPONSIBLE FOR TH@ DEATH Anò THO BD OP 7HE SADIORS AND SO THE BLOOD 15 al THEIR PALACE S (Luna 12: RUN IN BC0OD DOWN AALOCE VOUS") CRUTIC. TO SOCIETY: DURING INDISPRIAL REVWLWTTION PEAFLE me FROM MUNTRYSIDE IN To 7H@ CITIOS © PAR MEN WAS PASIER. BECAUSE THEY WERE MORE PIT PAR RATORY WORKING, WHILE POR. UDQNENI (IUITTE RATE ZWD MORE WEAK) WAS VERY DIPPICAT SO | — HARLOT:THOY BECOME PROSTITUTES è POR 7HIS IPASON HORLOT QURSES TR SOCICTI THAT PPRRS HRR TO DO (T AND DOING 7H1S (7 MAKES OTHOR VICTIMS 
