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Modernist narrative techinques
Tipologia: Sintesi del corso
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o Modernist writers rejected romanticism and realism in order to create work that demonstrated, in their opinion, a genuine reaction to the turbulent events of the world. Modernist writers acknowledged the destruction happening right in front of them and wanted somehow to make sense of it. They experimented with form, syntax, and structure, and challenged conventional ways of life as well as conventional ways of writing. They no longer felt the traditional ways were sufficient to reflect the drastically altered state of the world. o Their efforts to reflect the world resulted in works that are non-liner in plot- line and non-traditional in discourse, narration, and overall structure. Modernist literature focuses on psychological realism, which explores the inner workings of characters’ minds to tell stories, instead of the realism popular during the Victorian Period, which focuses on external descriptions. Psychological realism includes free indirect discourse and stream of consciousness.
o DIRECT DISCOURSE (DD) Speaker is directly quoted Quotation marks It is clear who the speaker is. Martine thought, “Fran will get angry if I borrow her shoes.” o INDIRECT DISCOURSE (ID) Speaker is identified, but not directly quoted No quotation marks It is clear who the speaker is. Martine thought that Fran would get angry if she borrowed her shoes. o FREE INDIRECT DISCOURSE (FID) Speaker is not directly quoted or identified No quotation marks It is not clear who the speaker is. Fran would get angry if she borrowed her shoes. Here the third person narration combines with first person narration. The combination includes shifts that change without signal. It is often unclear if the thoughts of the narrator or the thoughts of a character are being expressed, allowing a flexible and sometimes ironic interaction of internal and external perspectives. Even if the speaker or thinker is not named, it is often possible to infer his or her identity by examining the statements and using clues of characterization.
Stream-of-consciousness is a literary technique which seeks to describe an individual's point of view by giving the written equivalent of the character's thought processes. Stream-of-consciousness writing is strongly associated with the modernist movement (for example James Joyce's Ulysses , in particular,
Molly Bloom's soliloquy and Virginia Woolf's Mrs. Dalloway ). Stream-of-consciousness writing is characterized by associations of ideas that can make the prose difficult to follow. Typically, writers employ very long sentences, which move from one thought to another. Sometimes, writers avoid punctuation altogether in order to prevent artificial breaks in the "stream." Stream-of-consciousness not only presents reality from the minds of characters, but it presents how they arrive from thought to thought. It presents thoughts as they occur and can give greater insight into how a character arrives at conclusions and makes decisions. This technique provides authentic representations of psychological reality