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Come gli elementi tecnici e estetici della fotografia influenzino la costruzione dei valori delle notizie. Vengono esaminati gli effetti di elementi come l'angolazione della fotocamera, la serializzazione delle informazioni, le comparazioni, le emozioni, gli elementi negativi, i riferimenti temporali e spaziali, le etichette di ruolo e gli elementi estetici. Vengono anche esplorati i modi in cui le immagini in movimento possono sfruttare metodi simili per costruire i valori delle notizie.
Tipologia: Schemi e mappe concettuali
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having high status by photographing them in the middle of a media scrum with microphones and cameras pointing at them, or surrounded by bodyguards, military or a police escort, thus construing the news value of Prominence. Technical elements that could also contribute to the positive or negative evaluation of image participants include camera angle. When a photograph is taken from a very low angle (looking up towards the image participants), unequal power relations are said to be enacted between the image participants and the viewer, with the image participants said to be in the more powerful position. This technique is commonly used to photograph politicians or military officials and may construe the news value of Prominence in the image participants. The opposite is true when the camera angle is very high, photographing the image participants from above, and putting the viewer in a dominant position. Such an angle may construe the news value of Negativity , as it is commonly used in photographs of young offenders or prisoners of war.
image frame is a device for intensification and as such can construe Superlativeness. Similarly, photographs depicting the aftermath of natural disasters can be intensified by including many, repeated participants. Such images not only construe Impact , but also Superlativeness.
placing elements of differing sizes next to each other, again construing Superlativeness and possibly Novelty. The effect of such comparisons can be further intensified and even exaggerated by manipulating technical elements in the camera.
can construe a variety of news values, ranging from Negativity (depicting negative emotions) to Personalization (an individual’s emotional response especially when combined with the use of a close-up shot), Novelty (depictions of surprise/shock in facial expressions/gestures), Impact (in terms of caused emotions) and Superlativeness (depicting strong emotional responses)
injuries) and their effects (traffic congestion, the detritus of natural/man-made disasters) construes the news value of Negativity and/or Impact. These are, indeed, the most common of depictions in hard news photography, as photographers typically attend the scene of a disaster after it has occurred. Thus, while construing Negativity , this is commonly combined with Impact.
less easily depicted in images. Easily recognizable geographical landmarks and architecture included in a shot may be used to construe. Seasons can be depicted through the inclusion of certain typical weather conditions or flora/fauna as well as cultural artefacts and may thus construe Timeliness , Proximity and even Consonance.
recognizable) celebrities and politicians construes Prominence. However, other elites, like academics or police officers may not be so easily recognizable. Thus, the depiction of such actors/sources may be enhanced by photographing them in a particular context
construes Personalization by rendering an abstract issue more personal, especially when that individual comes to represent an entire event
impact on the balance and aesthetic quality of the image. A ‘balanced’ and hence aesthetically pleasing image can construe the event as newsworthy because of its beauty. Aesthetics may thus be considered as an additional news value. Moving images can also exploit other methods of construing news value. Camera shake (that causes images to blur) is rarely tolerated in still images; however, excessive movement and blurring in moving images, combined with camera people moving around, running, ducking to avoid missiles, bullets, debris with the cameras still rolling can certainly convey Negativity and Superlativeness. Also, the time-based nature of moving images allows the cameras to capture image sequences that may be able to convey both cause and effect , which can emphasize the consequences of an event and thereby construe Impact ..