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James Joyce, Dubliners (Eveline, The Dead), Ulysses, A Portrait of the Artist as a Young Man
Tipologia: Sintesi del corso
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Joyce was the perfect embodiment of the modernist artist; although he was a poet and wrote also one play ( Exiles ), he is the colossus of modernist fiction. In his works he aimed to organize reality into an aesthetically unified and perfect form. ↳ This can be seen in Dubliners, where Joyce unifies the various stories in the volume around the theme of paralysis, shaving this condition in youth, adolescence, maturity and public life. The work Dubliners is divided into four parts: I. Three short stories about childhood II. Four short stories about adolescence III. Four short stories about mature life IV. Four short stories about public life A portrait of the artist as a young man is an autobiographical novel based on Joyce’s early life in Du- blin. Here the events of the story are not arranged in strict chronological order but follow the more unpre- dictable pattern of the protagonist’s memory as it returns to key moments in his life. In this work, Joyce developed his theory of the epiphany (moments of revelation caused by an object or a particular event or action).
isolation and detach- ment of the artist from society
Dubliners (1914):
- Realism → disciplined prose → different points of view → free-direct speech A portrait of the artist as a young man (1916): - Third person narration → minimal dialogue → language and prose used to portray the protagonist’s state of mind → free-direct speech Ulysses (1922): - (^) Interior monologue with two levels of narration → extreme interior monologue
In the Dubliners , even though the 15 stories are set in the same city, each one has a singular location. In the Portrait of the artist as a young man , the evocation of his town is deeply influenced by his di- stance: Dublin is filtered through Stephen’s mind. In Ulysses , Dublin overwhelms the reader.
It was the oppressive effects of religious, political, cultural and economic forces on the lives of lower- middle class Dubliners that provided Joyce with the row material for a psychologically realistic picture of Dubliners as afflicted people. Dubliners consists of fifteen stories: they all lack obvious action, but they disclose human situations and moments of intensity and lead to a moral, social or spiritual revelation. The last story, The Dead ,can be considered Joyce's first masterpiece: it is at once the summary and the climax of Dubliners. What holds all these stories together is a particular structure and the presence of the same themes, symbols and narrative techniques.
Michael and Gabriel are named after the two archangels:
This novel departed radically from traditional narrative techniques: features like
- Leopold Bloom represents Odysseus; - (^) Stephen Dedalus (young and lonely) → Telemachus - (^) Barmaids → Sirens - Irish nationalist blinded by his own chauvinism → reunion of Telemachus and his father - (^) The madam of a brothel → Circe - (^) His wife Molly → Penelope ⎯⎯⎯⎯⎯⎯⎯⎯ As Bloom moves around Dublin in the course of the day, his encounters and visits to different places correspond to the adventures of Odysseus on his journey to Ithaca.
In 1930 was published James Joyce’s Ulysses , which also contained Joyce’s own diagram of the cor- respondences between the Odyssey and his novel. Joyce developed a technique that reflected the chaos of life and human perception and he used myth as a unifying element to find coherence in the chaos. All the episodes are not only associated with specific parts of the Odyssey but they are associate with all aspects of human experience (vedi tabella p.71). The city is recorded with obsessive realistic precision → Joyce sent letters to friends and family in Du- blin asking for minute details about the city. The novel was criticized because of Joyce’s treatise of the theme of sexuality, both in its heterosexual and autoerotic forms. ↳ The characters, especially Bloom and his wife Molly, spend a lot of time thinking about sex. For this reason it was initially banned in the USA and Britain. In Ireland, on June 16th, is annually commemorated the Bloomsday, where lovers of Joyce’s master- piece follow Bloom’s route through the city. At the end of the novel Molly begins a 20.000-word interior monologue, considered one of the high- points of modernist fiction.
A portrait of the artist as a young man is an autobiographical novel because it is largely based on the writer’s own life. Joyce manages to strike a balance between sympathy and objectivity in his treatment of Stephen De- dalus: he is sympathetic to his struggle to express himself in a repressive society; he admires his de- fence of his conviction and his search for truth. He is often ironical about Stephen’s vanity, pomposity and romantic attitudes. As he grows, Stephen Dedalus comes into conflict with key aspects of Irish life and culture like the Roman Catholic Church ↳ described as physically repressive, mentally constricting and emotionally inhibiting. Other aspects are: Ireland’s history and nationalism ↳ He realizes it is only an alternative system to imprison the individual. This novel is also symbolic: It refers to the myth of Dedalus, who escaped from imprisonment on the island of Crete and creates the wings that allowed him to fly to his homeland. Throughout the novel he uses symbols that refer to elements in the myth:
- Flight → to signify the escape from imprisonment - (^) Water → to signify danger - (^) Mazes and labyrinth → to signify the imprisoning world of Crete-Ireland Stephen’s first name refers to St.Stephen, the first Christian martyr. ↳ Stephen is often associated with martyrs or with animals that are being hunted.