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Contesto storico, movimento letterario del Romanticismo (appunti di letteratura inglese)
Tipologia: Appunti
Caricato il 28/06/2016
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Historical background From 1760 to the middle of the 19th^ century, the Industrial Revolution marked the shift from manual labour to new manufacturing methods, which were made possible by the invention of power-driven machines. It was in England that the Industrial Revolution had its earliest and most substantial foundation, and it was the immediate consequence of a technological revolution. A Scottish engineer and inventor, James Watt, perfected the steam engine in 1765. The American Robert Fulton invented the steamship and in 1811 steam trains were patented by George Stephenson. Soon many industries were converted to mills and factories, where machines did the work, and where workers came to serve the machines. But this wave of industrialization meant that numerous towns and cities became dirty, polluted, and insanitary, as smoke from the factories, bad housing, poor sanitation and long hours for little pay made life for the newly formed urban working class intolerable. During the 18th^ century, there was a shifting of population from the agricultural and commercial areas of the south to the north and the midlands, where new factories were built near the coal fields. “Mushroom towns” were built to house the workers. Women and children were employed because they could be paid less and were easier to control. Industrial cities lacked elementary public services; the air and water were polluted by smoke and filth; the houses were overcrowded. The workers' lives were revolutionized because of the mechanization and the rational division of labour. The life expectancy was well below twenty years because of the toil, disease and heavy drinking to bear the fatigue and alienation. At the beginning of the 19th^ century the level of unemployment rose in consequence of the new technologies and the Napoleonic wars. The first three decades of the century were a period of political stagnation and repression. The Romantic movement Romanticism was a literary and artistic movement that emerged during the second half of the 18 th century as a reaction against the extreme rationality prevailing during the period of Enlightenment. The term "Romanticism" was first coined by the German Romantic poet Friedrich Schlegel, who stated " that which is 'Romantic' conveys emotional matter in an imaginative form ." Romanticism had its origins in Germany in the 1770s. The Sturm und Srang (Storm and Stress) movement was a revolutionary literary movement that reflected anti-Enlightenment and anti- Classicism attitudes, and its adherents stressed the importance of inspiration rather than reason. Expression was everything to the Romantics – expression in art, music, poetry, drama, literature and philosophy. These ideas were created by a sense of dissatisfaction with the dominant ideals of the Enlightenment and the society that had produced them. In the last thirty years of the 18th^ century a new sensibility became dominant which came to be known in literature as Romanticism. It included elements of introspection, nostalgia, emotion and individualism. The new appeal to the heart and to the relationship between reason and emotions expressed itself in various ways. There was a grown interest in everyday life and great attention was paid to the countryside as a place where there could still be a relationship with nature, as opposed to the industrial town. A new taste for the desolate was part of a revival of a past perceived as contrasting with present reality. There was also a revolution in the concept of nature. Nature began to be perceived as a manifestation of a divine power on earth. Imagination assumed a key role as a means of giving
expression to emotional experience. The will to explore less conscious aspects of feelings was accompanied by a serious concern about the experience of childhood. To a Romantic a child was purer than an adult because he was unspoilt by civilisation. He was closer to God and the sources of creation. The Romantics thought that the universe was organic and alive. They looked for their soul in the experience of life. The Romantics were fond of introspection. They saw the individual in a solitary state; they exalted the atypical, the outcast, the rebel. This attitude led, on one hand, to the cult of the hero and, on the other hand, to the view that the habits, values, rules and standards imposed by civilisation had to be abandoned. Rousseau regarded primitive man as the "noble savage", man as uncorrupted by civilization. This primitivism inspired a new interest in peasant poetry and the cult of nature, as well as a belief in man's intrinsic natural goodness and his consequent corruption by society. The current of thought represented by Rousseau encouraged the idea that the conventions of civilization represented intolerable restrictions on the individual personality and produced corruption and evil. It followed that “natural” behaviour, that is unrestrained and impulsive, was good. Rousseau's theory also influenced the “cult of the exotic”, the veneration of what is far away both in space and in time. The remotest parts of Europe and the Near East had the appeal of being strange and unpredictable; danger and disaster, adventure and the inexplicable became symbols for other modes of human experience. A characteristic feature of the developing Romantic movement was the call for greater freedom of the expression of emotions, sentiments and fantasy and for greater spontaneity in thoughts and actions. An important concept was the Sublime. The Sublime was an idea associated with fear, natural magnificence, vastness and intense emotion. There was a distinction between the "sublime" and the "beautiful". The "beautiful" was associated with harmony, delicacy and balance whereas the "sublime" indicates strenght, fear, obscurity, solitude and vastness. For the Romantics, imagination was fundamental, because they thought that poetry was impossible without it. The poets were conscious of a wonderful capacity to create imaginary worlds, and they felt that their task was to shape fleeting visions into concrete forms and pursue wild thoughts until they captured and mastered them. They saw imagination as the very source of spiritual energy, regarding it as divine and believing that when they exercised it, they were, in some way, partaking of the activity of God. Through the imagination, they tried to find some trascendental order which explained the world of appearance. English Romanticism covers the period between the French Revolution and the coronation of Queen Victoria in 1837. Where the Enlightment had emphasised objectivity and reason, Romanticism valued the subjective and irrational parts of human nature: emotion, imagination, introspection and a relationship with nature. Apart from the poet William Blake, in English literature there were two generations of poets: Wordsworth and Coleridge in the first; Byron, Shelley and Keats in the second.