12 Angry Men: A Case Study in Jury Deliberation and the American Justice System, Lecture notes of Business Accounting

But Juror number 8 (Henry Fonda), despite believing that the defendant is probably guilty, feels that the facts merit a cursory review before the jury hands in ...

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12 Angry Men
A teenaged Hispanic boy has just been tried for the murder of his father, and the case is
now in the hands of the jury. A guilty verdict will send the boy to the electric chair.
The case looks, on the surface, cut and dried. But Juror number 8 (Henry Fonda), despite
believing that the defendant is probably guilty, feels that the facts merit a cursory review
before the jury hands in a guilty verdict. His insistence on a brief examination of the case
seems to rub many on the jury the wrong way, as they continue to see the matter as open
and shut.
Fascinatingly, as they examine the testimony and facts of the case, the experiences,
personalities, limitations, and biases of the jurors weave in and out of the deliberation
process, at times to its benefit and at times to its detriment.
To the benefit of the deliberation process, 1) the very elderly juror (Joseph Sweeney) is the
only one who can see a possible motive explaining why an elderly witness may have
misled the court in his testimony; 2) the one fellow (Jack Klugman) who grew up in a rough
neighborhood, where he witnessed numerous knife fights, is the only one who sees a
problem in assuming that the defendant made the stab wound found; and 3) the juror
who had done contract work by the elevated subway (Edward Binns) was the only one in
a position to question what one of the witnesses might or might not have heard.
To the detriment of the deliberation process, 1) one juror (Ed Begley) is so consumed by his
personal prejudices that he sees value in ridding the streets of the Hispanic defendant
whether or not he is guilty, and 2) another, Juror number 3 (Lee J. Cobb), is impervious to
reason because he has been physically harmed by his teenaged son, and, consequently,
views every teenaged boy, including the defendant, as capable of patricide.
The number of obstacles on the path to honest assessment of the facts is a constant threat
to the deliberation process. If the jury fails to unanimously agree on a verdict of either
"guilty" or "not guilty," it will become a hung jury (a jury that cannot reach a decision, and
must retire from the case without declaring a verdict). Watching how this matter is
resolved is a riveting study in the nature, and ultimate beauty, of the trial by jury process.
One by one the jurors change their minds and decide the boy is not guilty. Juror number 3,
the man at odds with his teenaged son, is the last one to change his mind. The jurors, at
last, are able to vote unanimously for acquittal. As the jurors leave the court building, Juror
number 8 and Juror number 9, the elderly man, introduce themselves to each other as
Davis and McArdle, respectively. McArdle says "so long" as he takes leave of Davis,
knowing that they will never meet again, that their lives had crossed only for a single
purpose.
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12 Angry Men

A teenaged Hispanic boy has just been tried for the murder of his father, and the case is now in the hands of the jury. A guilty verdict will send the boy to the electric chair.

The case looks, on the surface, cut and dried. But Juror number 8 (Henry Fonda), despite

believing that the defendant is probably guilty, feels that the facts merit a cursory review before the jury hands in a guilty verdict. His insistence on a brief examination of the case

seems to rub many on the jury the wrong way, as they continue to see the matter as open and shut.

Fascinatingly, as they examine the testimony and facts of the case, the experiences,

personalities, limitations, and biases of the jurors weave in and out of the deliberation process, at times to its benefit and at times to its detriment.

To the benefit of the deliberation process, 1) the very elderly juror (Joseph Sweeney) is the

only one who can see a possible motive explaining why an elderly witness may have misled the court in his testimony; 2) the one fellow (Jack Klugman) who grew up in a rough

neighborhood, where he witnessed numerous knife fights, is the only one who sees a problem in assuming that the defendant made the stab wound found; and 3) the juror

who had done contract work by the elevated subway (Edward Binns) was the only one in a position to question what one of the witnesses might or might not have heard.

To the detriment of the deliberation process, 1) one juror (Ed Begley) is so consumed by his

personal prejudices that he sees value in ridding the streets of the Hispanic defendant whether or not he is guilty, and 2) another, Juror number 3 (Lee J. Cobb), is impervious to

reason because he has been physically harmed by his teenaged son, and, consequently, views every teenaged boy, including the defendant, as capable of patricide.

The number of obstacles on the path to honest assessment of the facts is a constant threat

to the deliberation process. If the jury fails to unanimously agree on a verdict of either "guilty" or "not guilty," it will become a hung jury (a jury that cannot reach a decision, and

must retire from the case without declaring a verdict). Watching how this matter is

resolved is a riveting study in the nature, and ultimate beauty, of the trial by jury process.

One by one the jurors change their minds and decide the boy is not guilty. Juror number 3, the man at odds with his teenaged son, is the last one to change his mind. The jurors, at

last, are able to vote unanimously for acquittal. As the jurors leave the court building, Juror number 8 and Juror number 9, the elderly man, introduce themselves to each other as

Davis and McArdle, respectively. McArdle says "so long" as he takes leave of Davis, knowing that they will never meet again, that their lives had crossed only for a single

purpose.

Cast

  • Martin Balsam Juror # Complete credited cast:
  • John Fiedler Juror #
  • Lee J. Cobb Juror #
  • E.G. Marshall Juror #
  • Jack Klugman Juror #
  • Edward Binns Juror #
  • Jack Warden Juror #
  • Henry Fonda Juror #
  • Joseph Sweeney Juror #
  • Ed Begley Juror #
  • George Voskovec Juror #
  • Robert Webber Juror #

ladies... well, you're not getting through to me, I've had enough! WHAT'S THE MATTER WITH YOU GUYS? You all know he's guilty. He's got to burn! You're letting him slip through our fingers. Juror #8: Slip through our fingers? Are you his executioner? Juror #3: I'm one of 'em! Juror #8: Perhaps you'd like to pull the switch? Juror #3: For this kid? You bet I would! Juror #8: I feel sorry for you... what it must feel like to want to pull the switch. [ baiting him ] Juror #8: Ever since you walked into this room, you've been acting like a self-appointed public avenger! You want to see this boy die because you personally want it, not because of the facts! You're a sadist! [ Three lunges wildly at Eight, who holds his ground. Several jurors hold Three back ] Juror #3: I'll kill him! I'LL KILL HIM! Juror #8: You don't really mean you'll kill me, do you? this little display takes the cake. = questa scenetta le batte tutte

Juror #8: Look, there was one alleged eye witness to this killing. Someone else claims he heard the killing, saw the boy run out afterwards and there was a lot of circumstantial evidence. But, actually, those two witnesses were the entire case for the prosecution. Supposing they're wrong? Juror #12: What do you mean, supposing they're wrong? What's the point of having witnesses at all? Juror #8: Could they be wrong? Juror #12: What are you trying to say? Those people sat on the stand under oath. Juror #8: They're only people. People make mistakes. Could they be wrong? Juror #12: Well, no, I don't think so. Juror #8: Do you 'know' so? Juror #12: Oh, come on. Nobody can know a thing like that. This isn't an exact science. Juror #8: That's right, it isn't. alleged eye witness = presunto testimone oculare; circumstantial evidence = prove circostanziali; What’s the point… = a che cosa servono…; under oath = sotto giuramento

Juror #3: What do you mean you want to try it? Why didn't his lawyer bring it up if it's so important? Juror #5: Well, maybe he just didn't think about it huh? Juror #10: What do you mean didn't think of it? Do you think the man's an idiot or something? It's an obvious thing. Juror #5: Did you think of it? Juror #10: Listen smart guy, it don't matter whether I thought of it. He didn't bring it up because he knew it would hurt his case. What do you think of that? Juror #8: Maybe he didn't bring it up because it would of meant bullying and badgering a helpless old man. You know that doesn't sit very well with a jury; most lawyers avoid it if they can. Juror #7: So what kind of a bum is he then? Juror #8: That's what I've been asking, buddy. that doesn't sit very well with a jury = non è che la giuria se la beva tanto facilmente; bum = (qui) tipo

Juror #3: That business before when that tall guy, what's-his-name, was trying to bait me? That doesn't prove anything. I'm a pretty excitable person. I mean, where does he come off calling me a public avenger, sadist and everything? Anyone in his right mind would blow his stack. He was just trying to bait me. Juror #4: He did an excellent job. Anyone in his right mind would blow his stack = chiunque fosse sano di mente avrebbe cercato di fargli saltare i nervi; He was just trying to bait me. = stava solo cercando di farmi arrabbiare.

[ after Juror #10 explains that he believes the boy is guilty because of the testimony of the woman across the street ] Juror #8: I'd like to ask you something: you don't believe the boy's story; how come you believe the woman's? She's one of 'them', too, isn't she? Juror #10: You're a pretty smart fella, aren't you? how come you believe the woman's? = com’è che crede alla donna?; You're a pretty smart fella, aren't you? = Lei crede di essere proprio uno in gamba, vero?

[ after Juror #8 has established that the old man witness could not have heard the killing over the noise of the elevated train ] Juror #3: Why should he lie? What's he got to gain? Juror #9: Attention, maybe. Juror #3: You keep coming in with these bright sayings. Why don't you send 'em into a paper - they pay three dollars apiece. Juror #6: What are you talkin' to him like that for? Guy talks like that to an old man really oughta get stepped on, you know. You oughta have more respect, mister. If you say stuff like that to him again... I'm gonna lay you out. I'm gonna lay you out = ti sistemo io/ti concio io per le feste

[ after another vote is taken, the count is six to six ] Juror #10: Six to six... I'm telling you, some of you people in here must be out of your minds. A kid like that... Juror #9: I don't think the kind of boy he is has anything to do with it. The facts are supposed to determine the case. Juror #10: Don't give me that. I'm sick and tired of facts! You can twist 'em anyway you like, you know what I mean? Juror #9: That's exactly the point this gentleman has been making. [ indicates Juror #8 ] I'm sick and tired of facts! = Non ne posso più dei fatti!

[ Juror #9 has pointed out that the woman witness across the street had marks on her nose indicating she normally wore glasses ] Juror #8: [ to Juror #4 ] Do you wear glasses when you go to bed?