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Max brooks' world war z: an oral history of the zombie war is a critically acclaimed novel that uses the fictional zombie apocalypse to explore real-world issues such as disaster mobilization, network effects, and global pandemics. Published in 2006, the book spent four weeks on the new york times best-seller list and delves into themes of infectious disease and public health, oral history, individual and society, and dystopian and apocalyptic literature.
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For the first time in history, we faced an enemy that was actively waging total war. They had no limits of endurance. They would never negotiate, never surrender. They would fight until the very end because, unlike us, every single one of them, every second of every day, was devoted to consuming all life on Earth. That's the kind of enemy we had waiting for us beyond the Rockies. That's the kind of war we had to fight. ‐‐General D'Ambrosia, commander the airship Mauro Altieri, p. 273
As an oral history in the tradition of Studs Terkel, novelist Max Brooks challenges readers to examine how our global society reacts when faced with crisis. His book, World War Z: An Oral History of the Zombie War, unfolds through the words of the survivors of a fictitious zombie apocalypse who provide chilling details to a global pandemic that transforms the infected into bloodthirsty monsters. Like all great works of science fiction, World War Z uses the imagined future to explore issues we are facing today. In the face of crisis, how do we react? How quickly can science, government, and emergency personnel cope with a growing crisis? What are the network effects of an increasingly globalized world?
Max Brooks paints a stark picture of a global pandemic which is fictional, but, like all great horror and science fiction stories, has reality buried within the fiction. The novel brings forth a range of themes, including disaster mobilization, network effects, and global pandemics to name just a few.
In recent years, discussions of pandemics and global public health has been of concern. SARS, H1N1, and other diseases have tested how well countries can prevent outbreaks from occurring. Misinformation about vaccines has caused the reemergence of diseases that were almost wiped out a generation ago. World War Z uses a fictitious zombie virus to explore how our health systems function.
As an oral history, World War Z is modeled after Studs Terkel’s WWII history, The Good War. In World War Z’s introduction, Brooks delineates between the cold hard facts of official reports and the emotions, opinions, and personal accounts of oral histories. Brooks asks us to consider how we tell stories and how we remember the past‐even a fictional past.
The Individual and Society
In film and literature, zombies are often used as a metaphor for followers and the lack of identity. The mindless zombie hordes stumble forward overrunning everything in their path. The zombie metaphor asks us to consider when we act as individuals and when we follow the crowd. When we consider environmental impacts, consumer cultural trends, and political debates, how often are we part of the mindless hordes?
Zombies, Monsters, and The Profane in Art and Literature
Monsters and tales of tragedy have been part of art and literature at every step of human history. How do modern zombie stories (and horror stories) represent the mythologies of the past? How are they different?
Disaster Mobilization and Government Interventions
Natural disasters such as Hurricane Katrina and humanmade disasters such as the attacks of 9/11 call on our society to mobilize to help vast numbers of people. How effective have our efforts been? How much money are we prepared to invest in preparing for the next disaster? If we are struck by disaster, what do we expect in terms of services? When disasters strike in other countries, do we have responsibility to intervene?
Networks, Knowledge, and Infection
Mathematicians show that disease, information, and technologies like Facebook operate along the principles outlined by network theory. The network connects nodes and hubs so that these connections build a larger structure. Studying networks can help us understand how disease spreads, how knowledge grows, and the individual coordinates with the larger society. World War Z demonstrates that it can be impossible to contain outbreaks that spread across the networked world.
Dystopian and Apocalyptic Literature
From novels such as I Am Legend, 1984 , and Canticle for Leibowitz, dystopian literature takes us into disturbing, invented realities that teach us about our own realities. The dystopian future is just over the horizon. One wrong decision, one unfortunate disease, or one war that rages out of control could take humanity down that path. What are the lessons of dystopian and apocalyptic literature? How do these works of fiction impact society?
Beliefs, Evidence, and Science
Brooks makes it clear in the early chapters of World War Z that the zombie plague could have been prevented, but people refused to believe the experts, and government leaders did not have sufficient public support to act. What obstacles prevent expert opinions from being heard? What political factors influence decision making?
Just War, Genocide and Holocaust
At the end of World War Z, the solution to end the plague inflicted casualties on the uninfected. Brooks sets up a scenario that echoes debates in past wars of collateral damage in civilian populations. Is there a time when civilian casualties are justified? What costs are we willing to pay for security? At the end of the book, Brooks draws connections between the zombie apocalypse and the Holocaust of WWII. He notes that “no one on Earth survived this war.” What commentary is he offering about genocide and the Holocaust?
Tony Horwitz's Confederates in the Attic: Dispatches from the Unfinished Civil War (2012‐2013)
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