Ancestors Philippines, Essays (high school) of Art

This ancestors are the discrimination of being Filipino

Typology: Essays (high school)

2025/2026

Uploaded on 05/16/2026

mycel-rodelas
mycel-rodelas 🇭🇰

1 document

1 / 1

Toggle sidebar

This page cannot be seen from the preview

Don't miss anything!

bg1
Darhata Sawabi
Born: March 4, 1943
Died: March 12, 2005 (age 62 years)
Style: Pis syabit weaving
Nationality: Filipino, Philippine
Known for: Textile
Awards: National Living
Treasure Award; 2004
In Barangay Parang, in the
island of Jolo, Sulu province,
women weavers are hard at
work weaving the pis syabit,
the traditional cloth tapestry
worn as a head covering by
the Tausug of Jolo. This is
what weve grown up with,
say the weavers. It is
something weve learned
from our mothers. Darhata
Sawabi is one of those who
took the art of pis syabit
making to heart.
° In 2004, Sawabi's
dedication to the art of
Pis Syabit weaving as
well as her resilience
during the struggle
earned her recognition
as the National Living
Treasures or the Gawad
sa Manlilikha ng Bayan
(GAMABA) awardee. The
Pis Syabit tapestry
became the official
representation of the
Tausug spirit and
resilience.
Pis syabit weaving is a difficult art. Preparing the warp alone
already takes three days. It is a very mechanical task,
consisting of stringing black and red threads across a
banana and bamboo frame to form the base of the tapestry.
At 48, and burdened by years of hard work, Sawabi no longer
has the strength or the stamina for this. Instead, she hires
one of the neighboring children or apprentice weavers to do
it at the cost of P300. It is a substantial amount, considering
the fact that she still has to spend for thread. Sawabi’s
typical creations feature several colors, including the basic
black and red that form the warp, and a particular color can
require up to eight cones, depending on the role it plays in
the design. All in all, it comes up to considerable capital
which she can only recover after much time and effort.
She recognizes the need for her to remain in the
community and continue with her mission to teach the
art of pis syabit weaving. She had, after all, already
been teaching the young women of Parang how to
make a living from their woven fabrics. Some of her
students are already teachers themselves. She looks
forward to sharing the tradition of pis syabit weaving
to the younger generations.

Partial preview of the text

Download Ancestors Philippines and more Essays (high school) Art in PDF only on Docsity!

Darhata Sawabi

Born: March 4, 1943

Died: March 12, 2005 (age 62 years)

Style: Pis syabit weaving

Nationality: Filipino, Philippine

Known for: Textile

Awards: National Living

Treasure Award; 2004

In Barangay Parang, in the

island of Jolo, Sulu province,

women weavers are hard at

work weaving the pis syabit,

the traditional cloth tapestry

worn as a head covering by

the Tausug of Jolo. “This is

what we’ve grown up with,”

say the weavers. “It is

something we’ve learned

from our mothers.” Darhata

Sawabi is one of those who

took the art of pis syabit

making to heart.

° In 2004, Sawabi's dedication to the art of Pis Syabit weaving as well as her resilience during the struggle earned her recognition as the National Living Treasures or the Gawad sa Manlilikha ng Bayan (GAMABA) awardee. The Pis Syabit tapestry became the official representation of the Tausug spirit and resilience.

Pis syabit weaving is a difficult art. Preparing the warp alone already takes three days. It is a very mechanical task, consisting of stringing black and red threads across a banana and bamboo frame to form the base of the tapestry. At 48, and burdened by years of hard work, Sawabi no longer has the strength or the stamina for this. Instead, she hires one of the neighboring children or apprentice weavers to do it at the cost of P300. It is a substantial amount, considering the fact that she still has to spend for thread. Sawabi’s typical creations feature several colors, including the basic black and red that form the warp, and a particular color can require up to eight cones, depending on the role it plays in the design. All in all, it comes up to considerable capital which she can only recover after much time and effort.

Sawabi remains faithful to

the art of pis syabit

weaving. Her strokes are

firm and sure, her color

sensitivity acute, and her

dedication to the quality of

her products unwavering.

She recognizes the need for her to remain in the community and continue with her mission to teach the art of pis syabit weaving. She had, after all, already been teaching the young women of Parang how to make a living from their woven fabrics. Some of her students are already teachers themselves. She looks forward to sharing the tradition of pis syabit weaving to the younger generations.