Bless Me Ultima, Slides of Voice

Plot Summary​​ The story is of Antonio Marez, his coming of age, and his experiences with his family, with his aunt Ultima, who is a curandera—a healer—and with ...

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Bless Me Ultima
by Rudolfo Anaya
Plot Summary
Published in 1995, Bless Me, Ultima, though not a complete autobiography, is based on Rudolfo
Anaya’s memories of his childhood in Pastura, New Mexico. The story is of Antonio Marez, his
coming of age, and his experiences with his family, with his aunt Ultima, who is a curandera—a
healer—and with his friends and teachers. The narrative unfolds with Antonio witnessing the
vigilante slaying of a crazed WWII veteran, Lupito, by townspeople. Antonio is traumatized by
this event and does not understand such violence against a man who is so clearly not in full
possession of his faculties.
Readers also witness Antonio’s initially difficult transition into school and then his ultimate
success. Paralleling Antonio’s experiences in school is a feud between Ultima and the local,
evil brujo, or witch, Tenorio, whose daughters have put a curse on Antonio’s uncle Lucas. Of
course Ultima, who has healed members of Antonio’s family before, determines to heal Lucas,
but not before apprising Tenorio of the situation and allowing him time to ask his daughters to
lift the curse. He does not. He does, however, seek revenge upon Ultima, whom he blames for
the subsequent deaths of his three daughters.
What emerges as ironic for Antonio lies in the townspeople’s reactions to Ultima, many of whom
she has healed; they fail to come to her defense. In one of his efforts to save Ultima, Antonio
becomes seriously ill, and it is Ultima with her knowledge of healing who saves him. In his
delirium Antonio repeatedly tells of his witnessing Narcisco’s death at the hands of an enraged
Tenorio. Narcisco is the town drunk who tries in vain to save Ultima and who respects the old
ways. It is in Antonio’s delirium that we see the emerging artist/writer and not the priest
Antonio’s mother so hopes he will become.
Although Tenorio does kill Ultima, he himself is killed by Antonio’s uncle, Pedro. Tenorio not
only kills Ultima but also her familiar, the owl. Antonio must bury the owl in the place and in
the manner Ultima requested. The novel concludes with Antonio’s emerging consciousness as to
who and what Ultima and her owl were and who he is becoming.
Strengths of the Work
This novel possesses a number of important themes and explores issues in Latino culture that no
other novel during this time period does. In one way, Bless Me, Ultima is a coming-of-age novel:
we follow Antonio as he is becoming aware of himself and his heritage. Interestingly, we also
follow Antonio’s older brothers who have returned from war. In this way, Anaya provides
readers with a dual perspective of young people—the very young, emerging boy-child and the
more experienced, war-weary, older brothers. Into this dichotomy Anaya places Antonio’s
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Bless Me Ultima

by Rudolfo Anaya

Plot Summary

Published in 1995, Bless Me, Ultima , though not a complete autobiography, is based on Rudolfo Anaya’s memories of his childhood in Pastura, New Mexico. The story is of Antonio Marez, his coming of age, and his experiences with his family, with his aunt Ultima, who is a curandera —a healer—and with his friends and teachers. The narrative unfolds with Antonio witnessing the vigilante slaying of a crazed WWII veteran, Lupito, by townspeople. Antonio is traumatized by this event and does not understand such violence against a man who is so clearly not in full possession of his faculties.

Readers also witness Antonio’s initially difficult transition into school and then his ultimate success. Paralleling Antonio’s experiences in school is a feud between Ultima and the local, evil brujo , or witch, Tenorio, whose daughters have put a curse on Antonio’s uncle Lucas. Of course Ultima, who has healed members of Antonio’s family before, determines to heal Lucas, but not before apprising Tenorio of the situation and allowing him time to ask his daughters to lift the curse. He does not. He does, however, seek revenge upon Ultima, whom he blames for the subsequent deaths of his three daughters.

What emerges as ironic for Antonio lies in the townspeople’s reactions to Ultima, many of whom she has healed; they fail to come to her defense. In one of his efforts to save Ultima, Antonio becomes seriously ill, and it is Ultima with her knowledge of healing who saves him. In his delirium Antonio repeatedly tells of his witnessing Narcisco’s death at the hands of an enraged Tenorio. Narcisco is the town drunk who tries in vain to save Ultima and who respects the old ways. It is in Antonio’s delirium that we see the emerging artist/writer and not the priest Antonio’s mother so hopes he will become.

Although Tenorio does kill Ultima, he himself is killed by Antonio’s uncle, Pedro. Tenorio not only kills Ultima but also her familiar, the owl. Antonio must bury the owl in the place and in the manner Ultima requested. The novel concludes with Antonio’s emerging consciousness as to who and what Ultima and her owl were and who he is becoming.

Strengths of the Work

This novel possesses a number of important themes and explores issues in Latino culture that no other novel during this time period does. In one way, Bless Me, Ultima is a coming-of-age novel: we follow Antonio as he is becoming aware of himself and his heritage. Interestingly, we also follow Antonio’s older brothers who have returned from war. In this way, Anaya provides readers with a dual perspective of young people—the very young, emerging boy-child and the more experienced, war-weary, older brothers. Into this dichotomy Anaya places Antonio’s

Mother, Maria Marez, who sees one path for her young son, Antonio’s father, Gabriel Marez, who sees another path, and finally Ultima, Antonio’s surrogate grandmother, who actually impacts the boy’s life path.

The novel is an anatomy of a family and an analysis of family dynamics that can ultimately influence and shape the character and identity of children. It is also a journey into Mexican- American folklore and religion. Again, no other American novel during the mid-late 20th century actually addresses these themes so expertly and compassionately. That the novel’s voice comes from young Antonio himself echoes a master of the past—Mark Twain.

The most fascinating and engaging facet of the novel is Anaya’s exploration of the role of the curandera both in the Latino culture and within Antonio’s family. Ultima introduces Antonio to his heritage and, indeed, his legacy. She shows him their connection and bond with nature and the natural elements. She shows him her power and begins to teach him in these ways as well. What is important for Ultima is the universal truth that humans often forego the power and strength contained within the cultural beliefs and lore to embrace instead codified, social systems. In essence, this is a novel about transitions—transition from the rural to the urban, transition from folk traditions and beliefs to codified, social beliefs, transitions from voicelessness to an emerging voice.

Possible Objections

Often, those who challenge this novel do so because of the elements of perceived witchcraft. However, Ultima and her ways and beliefs are representative of the Mexican American culture and folk history. That the curandera is a cultural fact is undeniable, and Anaya expertly chisels out the character and nature of this healer and surrogate grandmother. To deny or challenge this representation is to challenge the efficacy of a culture’s past.

That some may view Anaya’s rendering of Ultima as a challenge to Catholicism is an incorrect reading of the text. What Anaya does through the religious Lunas and Ultima is to present to young Antonio the culture of his past and the beliefs of his present. Of course, it will be he, Antonio, as he continues to mature, who makes the ultimate decision as to how he will proceed in life; he will, however, be aware of both facets of his heritage.

As for the violence in the work, which critics have cited, the war and its lifetime impact for veterans also is undeniable. That some people suffer from alcoholism is yet another reality. That individuals can often commit horrible acts toward other human beings is another, regrettable, truth. Anaya takes his time to create a variety of very human, very real, and emotionally wrenching acts which play out in front of Antonio and which will have profound impacts on the young boy. This novel is indeed a coming-of-age narrative in which the main character must confront the harsh realties of life, even at his tender age. Teachers must remember to help students understand that for every violent act in this novel there is an equal reaction—a reaction that speaks to the verisimilitude of the piece.