Depth Cues & Perception in Multimedia: Psychological & Physiological Factors at NC State, Study notes of Psychology

This document from NC State University explores depth cues, both psychological and physiological, that influence our perception of depth in multimedia. Psychological depth cues include linear perspective, height in the field of view, aerial perspective, interposition, texture gradient, and color. Physiological depth cues include accommodation, convergence, motion parallax, and binocular disparity. Emmert's Law is also discussed, which deals with size constancy and the relationship between perceived size and perceived distance.

Typology: Study notes

2021/2022

Uploaded on 09/27/2022

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Multimedia Lab @ NC State
Depth Cues
Psychological
Physiological
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Depth Cues

  • Psychological
  • Physiological

Psychological Depth Cues

  • Linear perspective

Size of the image of an object on the retina changes in inverse proportion to its change in distance.

Psychological Depth Cues

  • Aerial perspective

Objects further away tend to become less distance, cloudy or hazy.

Psychological Depth Cues

  • Interposition

One object occludes, hides or overlaps another.

Psychological Depth Cues

  • Color

Fluids in the eye cause refraction. Reds appear closer than blues. Bright objects appear closer than dull ones.

(chromostereopsis)

TEXT

TEXT

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Physiological Depth Cues

  • Accomodation

Change in focal length of the lens due to a change in tension from the ciliary muscle.

Near object

Far object

Physiological Depth Cues

  • Motion parallax

As an observer moves, nearby objects appear to move rapidly while far objects appear to move more slowly.

Physiological Depth Cues

  • Binocular Disparity (Stereopsis)

Difference in the images projected on the left and right eyes when viewing a 3D scene. Left Right

Depth Cues

  • Stereo Blindness

Approximately 10% of the population cannot see the depth in stereo images.

Emmert's Law

  • Size constancy

The ratio of perceived size to perceived distance is constant for a given visual angle.

Given the same retinal angle, B is perceived as smaller than A because B is perceived as closer than A

A

B

Emmert's Law

  • The moral:

If you are going to have objects moving around in three dimensions in stereo, make sure they obey the laws of linear perspective.