Dragon, Dragon John Gardner, Lecture notes of Literary Analysis

The kingdom in John Gardner's story. “Dragon, Dragon” is plagued by a dragon that outsmarts those sent to kill it. The kingdom's cobbler, who thinks he is the ...

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Dragon, Dragon
191
T
here was once a king whose kingdom was plagued by a
dragon. The king did not know which way to turn. The
king’s knights were all cowards who hid under their beds
whenever the dragon came in sight, so they were of no use
to the king at all. And the king’s wizard could not help
either because, being old, he had forgotten his magic spells.
Nor could the wizard look up the spells that had slipped his
mind, for he had unfortunately misplaced his wizard’s book
many years before. The king was at his wit’s end.
Every time there was a full moon the dragon came out of
his lair and ravaged the countryside. He frightened maid-
ens and stopped up chimneys and broke store windows
and set people’s clocks back and made dogs bark until no
one could hear himself think.
He tipped over fences and robbed graves and put frogs in
people’s drinking water and tore the last chapters out of
novels and changed house numbers around so that people
crawled into bed with their neighbors.
He stole spark plugs out of people’s cars and put fire-
crackers in people’s cigars and stole the clappers from all
the church bells and sprung every bear trap for miles
around so the bears could wander wherever they pleased.
And to top it all off, he changed around all the roads in
the kingdom so that people could not get anywhere except
by starting out in the wrong direction.
Vocabulary Builder
ravaged
(rav» ijd)
v.
violently destroyed;
ruined
Literary Analysis
Character Based on
his actions, what
words would you use
to describe the
dragon?
What is the problem
in the kingdom?
191
Support for Less Proficient Readers
To assist students’ comprehension, have them
read along with the audio CD version of the
story. Stop the recording frequently, and have
students discuss what has happened. Guide
the discussion by asking them questions about
characters, story events, and changes in
setting.
Strategy for Advanced Readers
A humorous element of this story is that
although dragons, kings, and wizards are
associated with medieval times, the dragon
wreaks havoc with modern things such as car
batteries. Invite students to write an
additional paragraph that addresses more
ways the dragon plagues the kingdom. Ask
them to describe ways that it interferes with
advanced technology, such as computers and
telecommunications.
Motivation
Prepare an Anticipation Guide
(General Resources, pp. 8–10) with
the following statements:
Always follow your parents’ advice.
Arranged marriages never work.
You can always find a way to defeat
any opponent.
Give students a copy of the prepared
Anticipation Guide and have students
mark their responses in the Me col-
umn. Have students discuss the state-
ments in pairs or groups and mark
the Guides again in the Group
column.
Concept Connector
Students will return to the
Anticipation Guide after completing
the story.
Learning Modalities
Visual/Spatial Learners
Have students take notes about the
dragon in the story or make sketches
of it as they read. When they have
finished, ask students to either draw
or write a description of the dragon
based on what they have read
about it.
About the Selection
The kingdom in John Gardner’s story
“Dragon, Dragon” is plagued by a
dragon that outsmarts those sent to
kill it. The kingdom’s cobbler, who
thinks he is the least important per-
son in the land, is perhaps the
smartest. His two eldest sons fail to
slay the dragon because they refuse
to take their father’s advice. The
younger son. He takes his father’s
advice and slays the dragon.
Literary Analysis
Character
Remind students that writers often
use a character’s actions to reveal
what the character is like.
Read the bracketed passage
together. Ask the Literary Analysis
question.
Possible responses: The dragon
is mean, destructive, wicked, and
imaginative.
Reading Check
Answer: The kingdom is plagued by
a dragon.
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Dragon, Dragon
John Gardner
pf3
pf4
pf5
pf8
pf9

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Dragon, Dragon191

There was once a king whose kingdom was plagued by a

dragon. The king did not know which way to turn. The

king’s knights were all cowards who hid under their beds

whenever the dragon came in sight, so they were of no use

to the king at all. And the king’s wizard could not help

either because, being old, he had forgotten his magic spells.

Nor could the wizard look up the spells that had slipped his

mind, for he had unfortunately misplaced his wizard’s book

many years before. The king was at his wit’s end.

Every time there was a full moon the dragon came out of

his lair and ravaged the countryside. He frightened maid-

ens and stopped up chimneys and broke store windows

and set people’s clocks back and made dogs bark until no

one could hear himself think.

He tipped over fences and robbed graves and put frogs in

people’s drinking water and tore the last chapters out of

novels and changed house numbers around so that people

crawled into bed with their neighbors.

He stole spark plugs out of people’s cars and put fire-

crackers in people’s cigars and stole the clappers from all

the church bells and sprung every bear trap for miles

around so the bears could wander wherever they pleased.

And to top it all off, he changed around all the roads in

the kingdom so that people could not get anywhere except

by starting out in the wrong direction.

Vocabulary Builder ravaged (rav» ijd) v. violently destroyed; ruined

Literary Analysis Character Based on his actions, what words would you use to describe the dragon?

What is the problem in the kingdom?

Support for Less Proficient Readers

To assist students’ comprehension, have them read along with the audio CD version of the story. Stop the recording frequently, and have students discuss what has happened. Guide the discussion by asking them questions about characters, story events, and changes in setting.

Strategy for Advanced Readers

A humorous element of this story is that although dragons, kings, and wizards are associated with medieval times, the dragon wreaks havoc with modern things such as car batteries. Invite students to write an additional paragraph that addresses more ways the dragon plagues the kingdom. Ask them to describe ways that it interferes with advanced technology, such as computers and telecommunications.

Motivation Prepare an Anticipation Guide ( General Resources, pp. 8–10) with the following statements:

  • Always follow your parents’ advice.
  • Arranged marriages never work.
  • You can always find a way to defeat any opponent. Give students a copy of the prepared Anticipation Guide and have students mark their responses in the Me col- umn. Have students discuss the state- ments in pairs or groups and mark the Guides again in the Group column. Concept Connector Students will return to the Anticipation Guide after completing the story.

Learning Modalities

Visual/Spatial Learners

Have students take notes about the dragon in the story or make sketches of it as they read. When they have finished, ask students to either draw or write a description of the dragon based on what they have read about it.

About the Selection The kingdom in John Gardner’s story “Dragon, Dragon” is plagued by a dragon that outsmarts those sent to kill it. The kingdom’s cobbler, who thinks he is the least important per- son in the land, is perhaps the smartest. His two eldest sons fail to slay the dragon because they refuse to take their father’s advice. The younger son. He takes his father’s advice and slays the dragon.

Literary Analysis

Character

  • Remind students that writers often use a character’s actions to reveal what the character is like.
  • Read the bracketed passage together. Ask the Literary Analysis question. Possible responses: The dragon is mean, destructive, wicked, and imaginative.

Reading Check Answer: The kingdom is plagued by a dragon.

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Dragon, Dragon

John Gardner

Reading Skill

Make Inferences

  • Remind students that authors pro- vide readers with details they can use to make assumptions about characters and events. Rather than tell the reader that a certain charac- ter is this way or that way, the writer might describe how a char- acter thinks or feels. The reader must then make inferences about the character’s feelings to better understand the character.
  • Ask the Reading Skill question. Then ask a volunteer to read aloud the bracketed text. Tell students to listen for details that the author supplies so that readers can make an inference about the cobbler. Possible response: He does not think he is as important as they are. He lacks confidence.

Critical Viewing

Possible response: People might fear a dragon like this one because of its fierce expression, its sharp teeth, and its large wings and claws.

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Expressive Vocabulary

As students discuss Gardner’s story, encourage them to use the expressive vocabulary. Provide them with sentence starters like these:

  1. It was time for the king to consult...
  2. The wizard could no longer rely on...
  3. The king decided to seek...
  4. The cobbler could not understand why the king would appeal...
  5. When the wizard tried to assist...

192Short Stories

“That,” said the king in a fury, “is enough!” And he called

a meeting of everyone in the kingdom.

Now it happened that there lived in the kingdom a wise

old cobbler who had a wife and three sons. The cobbler and

his family came to the king’s meeting and stood way in

back by the door, for the cobbler had a feeling that since he

was nobody important there had probably been some mis-

take, and no doubt the king had intended the meeting for

everyone in the kingdom except his family and him.

“Ladies and gentlemen,” said the king when everyone was

present, “I’ve put up with that dragon as long as I can. He

has got to be stopped.”

All the people whispered amongst themselves, and the

king smiled, pleased with the impression he had made.

But the wise cobbler said gloomily, “It’s all very well to

talk about it—but how are you going to do it?”

And now all the people smiled and winked as if to say,

“Well, King, he’s got you there!”

The king frowned.

“It’s not that His Majesty hasn’t tried,” the queen spoke

up loyally.

Reading Skill Make Inferences How does the cobbler think he is different from most people in the kingdom?

Critical Viewing Why would the people of the kingdom fear a dragon like this one? [Speculate]

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Reading Skill

Make Inferences

  • Remind students to look for clues that the author provides to help the reader make inferences about characters.
  • Ask a volunteer to read aloud the bracketed passage. Ask the Reading Skill question. Answer: The cobbler’s words: “It’s a good enough kingdom, you understand, but it’s too much responsibility.”
  • Ask students what other inference they can make from this passage about the cobbler. Possible response: The cobbler will not do something just for the promise of riches.

Literary Analysis

Character

  • Ask volunteers to review the two different ways authors develop characters. Answer: The two ways are through direct or indirect charac- terization.
  • Ask students the Literary Analysis question. Answer: It uses direct characteri- zation. With direct characterization, writers present straightforward statements about a character.
  • Ask students to suggest why the author uses direct characterization to reveal these traits rather than indirect characterization. Possible response: It would have taken too long to give examples of times when the son multiplied fractions in his head. It would have taken readers away from the story events.

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Multiple Meanings

Point out the exclamation, “How curious!” near the bottom of p. 194. Explain that curious has multiple meanings. It can be used as an adjec- tive to mean “strange,” as it is used here. It can

also be used as an adjective to mean “inquisi- tive or nosy,” such as a curious cat. Ask students to think of situations or statements that would prompt a person to exclaim, “How curious!”

194Short Stories

“In that case,” said the king, “I’ll offer the princess’s hand or

half the kingdom or both—whichever is most convenient.”

The cobbler scratched his chin and considered it. “It’s not

enough,” he said at last. “It’s a good enough kingdom, you

understand, but it’s too much responsibility.”

“Take it or leave it,” the king said.

“I’ll leave it,” said the cobbler. And he shrugged and went

home.

But the cobbler’s eldest son thought the bargain was a

good one, for the princess was very beautiful and he liked

the idea of having half the kingdom to run as he pleased.

So he said to the king, “I’ll accept those terms, Your Maj-

esty. By tomorrow morning the dragon will be slain.”

“Bless you!” cried the king.

“Hooray, hooray, hooray!” cried all the people, throwing

their hats in the air.

The cobbler’s eldest son beamed with pride, and the sec-

ond eldest looked at him enviously. The youngest son said

timidly, “Excuse me, Your Majesty, but don’t you think the

queen looks a little unwell? If I were you I think I’d water

her.”

“Good heavens,” cried the king, glancing at the queen

who had been changed into a rosebush, “I’m glad you men-

tioned it!”

Now the cobbler’s eldest son was very clever and was

known far and wide for how quickly he could multiply frac-

tions in his head. He was perfectly sure he could slay the

dragon by somehow or other playing a trick on him, and he

didn’t feel that he needed his wise old father’s advice. But

he thought it was only polite to ask, and so he went to his

father, who was working as usual at his cobbler’s bench,

and said, “Well, Father, I’m off to slay the dragon. Have you

any advice to give me?”

The cobbler thought a moment and replied, “When and if

you come to the dragon’s lair, recite the following poem:

Dragon, dragon, how do you do?

I’ve come from the king to murder you.

Say it very loudly and firmly and the dragon will fall, God

willing, at your feet.”

“How curious!” said the eldest son. And he thought to

himself, “The old man is not as wise as I thought. If I say

Reading Skill Make Inferences What details support the inference that the cobbler is practical and has common sense?

Literary Analysis Character Does the sentence starting “Now the cobbler’s eldest son.. .” use direct or indirect characterization? Explain.

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Critical Viewing Possible response: It looks like a prosperous kingdom where many people live quite happily.

Reading Skill

Make Inferences

  • Remind students that an inference is a logical assumption. Ask stu- dents whether it is logical for a story that takes place in medieval times—with kingdoms, wizards and dragons—to feature a salesman who carries catalogues with him.
  • Read aloud the bracketed passage. Ask students the Reading Skill question. Answer: The eldest son offers to leave a catalogue for the dragon and come back in a week.

Reading Check Answer: He tells him to recite this poem: “Dragon, dragon, how do you do? I’ve come from the king to murder you.”

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Support for Less Proficient Readers

Have students work with a partner to identify the sequence of events in the story. As students read, have partners work together to write story events on pieces of paper or index cards. Then have students mix the cards and work together to arrange them in the correct order. Tell students to keep adding events as they continue to read the story.

Enrichment for Gifted/Talented Students

The wizard’s spell and the cobbler’s rhyme lend comedy to the story. Invite students to write additional spells for the wizard and additional rhymes for the cobbler, using the rhythm and rhyme scheme that Gardner uses. Allow time for students to read their spells and rhymes to the class.

Dragon, Dragon195

something like that to the dragon, he will eat me up in an

instant. The way to kill a dragon is to out-fox him.” And

keeping his opinion to himself, the eldest son set forth on

his quest.

When he came at last to the dragon’s lair, which was a

cave, the eldest son slyly disguised himself as a peddler

and knocked on the door and called out, “Hello there!”

“There’s nobody home!” roared a voice.

The voice was as loud as an earthquake, and the eldest

son’s knees knocked together in terror.

“I don’t come to trouble you,” the eldest son said meekly.

“I merely thought you might be interested in looking at

some of our brushes. Or if you’d prefer,” he added quickly,

“I could leave our catalogue with you and I could drop by

again, say, early next week.”

“I don’t want any brushes,” the voice roared, “and I espe-

cially don’t want any brushes next week.”

“Oh,” said the eldest son. By now his knees were knock-

ing together so badly that he had to sit down.

Suddenly a great shadow fell over him, and the eldest son

looked up. It was the dragon. The eldest son drew his

sword, but the dragon lunged and swallowed him in a

single gulp, sword and all, and the eldest son found himself

in the dark of the dragon’s belly. “What a fool I was not to

listen to my wise old father!” thought the eldest son. And he

began to weep bitterly.

Critical Viewing Why would the king want to protect a kingdom like this one from a dragon? [Speculate]

Reading Skill Make Inferences What details support the inference that this is a humorous tale rather than a realistic or scary one?

What does the father tell his eldest son to do when he gets to the dragon’s lair?

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Critical Viewing Possible responses: Some students may say that he seems too small and thin to successfully slay a dragon. Others may say he seems thoughtful and clever, and might possibly be able to figure out a way to slay the dragon.

Humanities Dick Whittington on his way to London by Frank Adams This illustration is a good representa- tion of the cobbler’s youngest son. The boy is fearful of his tasks, and the illustration captures how uncertain he is about proceeding. Although the drawing was not done specifically for this story, its rich colors and impres- sionistic style capture the period and background of traditional folklore. After students have examined the illustration, ask: What do you think the boy is thinking about? Possible response: Students may suggest that he is wondering why he agreed to try to slay the dragon, and he may be trying to think of a way to get out of doing this task.

Reading Check Answer: He gallops through the entrance on his horse, rides under the dragon, and slams into the wall. The dragon swallows him whole.

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Support for English Learners

The author uses a variety of verbs to describe the movement of the cobbler’s three sons as they attempt to slay the dragon. Preteach this vocabulary so that students will have a better chance to comprehend what the characters are doing. Write spurred, gallop, crawled, strolled, charging, slammed, tremble, drag, heaved on the board. As you read each word aloud, pan- tomime the action.

Enrichment for Advanced Readers

Explain to students that rite-of-passage themes are about the transition of young men and women into adulthood. Slaying the dragon is a mythical rite-of-passage theme found in litera- ture of many cultures. Challenge students to locate texts with themes about rites of passage for young men and women. Ask the school librarian to assist students as they search the shelves or the Internet. Provide time for stu- dents to share their findings with the class.

Dragon, Dragon197

Critical Viewing Does the boy in this picture look like a dragon slayer? Explain. [Evaluate]

That night there was a full moon, and the

dragon ravaged the countryside so terribly that

several families moved to another kingdom.

“Well,” sighed the king in the morning, “still

no luck in this dragon business, I see.”

“I’m just as glad, myself,” said the princess,

moving her mother, pot and all, to the window

where the sun could get at her. “The cobbler’s

middle son was a kind of humpback.”

Now the cobbler’s youngest son saw that his

turn had come. He was very upset and nervous,

and he wished he had never been born. He was

not clever, like his eldest brother, and he was

not strong, like his second-eldest brother. He

was a decent, honest boy who always minded

his elders.

He borrowed a suit of armor from a friend of

his who was a knight, and when the youngest

son put the armor on it was so heavy he could

hardly walk. From another knight he borrowed a

sword, and that was so heavy that the only way the young-

est son could get it to the dragon’s lair was to drag it along

behind his horse like a plow.

When everything was in readiness, the youngest son

went for a last conversation with his father.

“Father, have you any advice to give me?” he asked.

“Only this,” said the cobbler. “When and if you come to

the dragon’s lair, recite the following poem:

Dragon, dragon, how do you do?

I’ve come from the king to murder you.

Say it very loudly and firmly, and the dragon will fall, God

willing, at your feet.”

“Are you certain?” asked the youngest son uneasily.

“As certain as one can ever be in these matters,” said the

wise old cobbler.

And so the youngest son set forth on his quest. He trav-

eled over hill and dale and at last came to the dragon’s

cave.

The dragon, who had seen the cobbler’s youngest son

while he was still a long way off, was seated up above the

door, inside the cave, waiting and smiling to himself. But

What happens to the middle son when he arrives at the dragon’s cave?

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Reading Skill

Make Inferences

  • Have a volunteer read aloud the bracketed text. Then ask students to use their own words to describe the dragon’s behavior. Ask them to paraphrase what the dragon says to the youngest son.
  • Ask the Reading Skill question. Possible response: He cannot believe that such a small person will be able to slay him. He thinks the rhyme is really silly.

Critical Thinking

Interpret

  • Explain to students that an author’s message is often revealed in the way conflicts are resolved in the story.
  • Ask students what message is sug- gested by the way the problem is resolved. Possible response: The message might be that people should con- sider taking advice from their eld- ers, because age and experience often bring wisdom.

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Vocabulary Knowledge Rating

When students have completed reading and discussing “Dragon, Dragon” have them take out their Vocabulary Knowledge Rating Chart for this selection. Read the words aloud once more and have students rate their knowledge of the words again in the After Reading col- umn. Clarify any words that are still problem- atic. Have students write their own definition or

example in the appropriate column. Then have students complete the Vocabulary Builder Practice activities on page 201. Encourage stu- dents to use the words in further discussion and written work about this selection. Remind them that they will be accountable for these words on the Selection Test.

198Short Stories

minutes passed and no one came thundering in. The

dragon frowned, puzzled, and was tempted to peek out.

However, reflecting that patience seldom goes unrewarded,

the dragon kept his head up out of sight and went on wait-

ing. At last, when he could stand it no longer, the dragon

craned his neck and looked. There at the entrance of the

cave stood a trembling young man in a suit of armor twice

his size, struggling with a sword so heavy he could lift only

one end of it at a time.

At sight of the dragon, the cobbler’s youngest son began

to tremble so violently that his armor rattled like a house

caving in. He heaved with all his might at the sword and got

the handle up level with his chest, but even now the point

was down in the dirt. As loudly and firmly as he could man-

age, the youngest son cried—

Dragon, dragon, how do you do?

I’ve come from the king to murder you.

“What?” cried the dragon, flabbergasted. “You? You?

Murder Me???” All at once he began to laugh, pointing at

the little cobbler’s son. “He he he ho ha!” he roared, shak-

ing all over, and tears filled his eyes. “He he he ho ho ho ha

ha!” laughed the dragon. He was laughing so hard he had

to hang onto his sides, and he fell off the door and landed

on his back, still laughing, kicking his legs helplessly, roll-

ing from side to side, laughing and laughing and laughing.

The cobbler’s son was annoyed. “I do come from the king

to murder you,” he said. “A person doesn’t like to be

laughed at for a thing like that.”

“He he he!” wailed the dragon, almost sobbing, gasping

for breath. “Of course not, poor dear boy! But really, he he,

the idea of it, ha, ha, ha! And that simply ri dic ulous poem!”

Tears streamed from the dragon’s eyes and he lay on his

back perfectly helpless with laughter.

“It’s a good poem,” said the cobbler’s youngest son loy-

ally. “My father made it up.” And growing angrier he

shouted, “I want you to stop that laughing, or I’ll—I’ll—”

But the dragon could not stop for the life of him. And sud-

denly, in a terrific rage, the cobbler’s son began flopping

the sword end over end in the direction of the dragon.

Sweat ran off the youngest son’s forehead, but he labored

on, blistering mad, and at last, with one supreme heave, he

Vocabulary Builder reflecting (ri flekt» i¢) adj. thinking seriously

Reading Skill Make Inferences What do the dragon’s words and laughter suggest about his feelings?

craned (krànd) v. stretched out for a better look

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