Excerpt from The Open Boat, Exercises of Voice

Four men are afloat in a small boat, or dingey, trying to make it to shore after their larger ship has sunk. Excerpt from The Open Boat by Stephen Crane.

Typology: Exercises

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Directions
Read
this story.
Then
answer
questions 39
and
40.
Four
men
are
afloat
in
a small
boat,
or
dingey,
trying
to
make
it
to
shore
after their
larger
ship
has
sunk.
Excerpt from
The
Open
Boat
by
Stephen
Crane
1 None
of
them knew the colour
of
the
sky.
Their eyes glanced level, and were fastened
upon
the waves that swept toward them. These waves were
of
the hue
of
slate, savel for
the tops, which were
of
foaming white, and all
of
the
men
knew the colours
of
the sea.
The horizon narrowed and widened, and dipped and rose, and at all times its edge was
jagged with waves that seemed thrust up in points like rocks.
2 Many a man ought to have a bath-tub larger than the boat which here rode upon the
sea. These waves were most wrongfully and barbarously abrupt and tall and each froth-
top was a problem
in
small boat navigation.
3 The cook squatted in the bottom and looked with both eyes at the six inches
of
gunwale2 which separated
him
from the ocean. His sleeves were rolled over his fat
forearms, and the two flaps
of
his unbuttoned vest dangled
as
he bent
to
bail out the
boat. Often he said:
"'Gawd!
That was a narrow clip:'
As
he remarked it he invariably
gazed eastward over the broken sea.
4 The oiler, steering with one
of
the two oars
in
the
boat.,
sometimes raised himself
suddenly to keep clear
of
water that swirled
in
over the stern.
It
was a thin little oar and
it seemed often ready to snap.
5 The correspondent, pulling at the other oar, watched the waves and wondered why
he was there.
6 The injured captain, lying in the bow, was at this time buried in that profound
dejection and indifference which comes, temporarily at least, to even the bravest and
most enduring when, willy
Dilly,
the firm fails, the army loses, the ship goes down. The
mind
of
the master
of
a vessel
is
rooted deep in the timbers
of
her, though he
commanded for a day or a decade, and this captain had
on
him
the stern impression
of
a scene
in
the greys
of
dawn
of
seven turned faces, and later a stump
of
a top-mast with
a white ball
on
it that slashed to and fro at the waves, went low and lower, and down.
Page 8
Session
2
GOON
pf3
pf4
pf5
pf8
pf9

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Four men are afloat in a small boat, or dingey, trying to make it to shore after their larger ship

has sunk.

Excerpt from The Open Boat

by Stephen Crane

1 None of them knew the colour of the sky. Their eyes glanced level, and were fastened

upon the waves that swept toward them. These waves were of the hue of slate, savel for

the tops, which were of foaming white, and all of the men knew the colours of the sea.

The horizon narrowed and widened, and dipped and rose, and at all times its edge was

jagged with waves that seemed thrust up in points like rocks.

2 Many a man ought to have a bath-tub larger than the boat which here rode upon the

sea. These waves were most wrongfully and barbarously abrupt and tall and each froth-

top was a problem in small boat navigation.

3 The cook squatted in the bottom and looked with both eyes at the six inches of

gunwale^2 which separated him from the ocean. His sleeves were rolled over his fat

forearms, and the two flaps of his unbuttoned vest dangled as he bent to bail out the

boat. Often he said: "'Gawd! That was a narrow clip:' As he remarked it he invariably

gazed eastward over the broken sea.

4 The oiler, steering with one of the two oars in the boat., sometimes raised himself

suddenly to keep clear of water that swirled in over the stern. It was a thin little oar and

it seemed often ready to snap.

5 The correspondent, pulling at the other oar, watched the waves and wondered why

he was there.

6 The injured captain, lying in the bow, was at this time buried in that profound

dejection and indifference which comes, temporarily at least, to even the bravest and

most enduring when, willy Dilly,^ the firm fails, the army loses, the ship goes down. The

mind of the master of a vessel is rooted deep in the timbers of her, though he

commanded for a day or a decade, and this captain had on him the stern impression of

a scene in the greys of dawn of seven turned faces, and later a stump of a top-mast with

a white ball on^ it that slashed to and fro at the waves, went low and lower, and down.

Thereafter there was something strange in his voice. Although steady, it was deep with mourning, and of a quality beyond oration or tears.

7 "Keep 'er a little more south, Billie," said he.

8 " 'A little more south,' sir;' said the oiler in the stern.

9 A seat in this boat was not unlike a seat upon a bucking broncho, and, by the same token, a broncho is not much smaller. The craft pranced and reared, and plunged hke an animal. As each wave came, and she rose for it, she seemed like a horse making at a fence outrageously high. The manner of her scramble over these walls of water is a mystic thing, and, moreover, at the top of them were ordinarily these problems in white water, the foam racing down from the summit of each wave, requiring a new leap, and a leap from the air. Then, after scornfully bumping a crest, she would slide, and race, and splash down a long incline, and anive bobbing and nodding in front of the next menace. lOA singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats. In a ten- foot dingey one can get an idea of the resources of the sea in the line of waves that is

not probable to the average experience which is never at sea in a dingey. As each slaryJ

wall of water approached, it shut all else from the view of the men in the boat, and it was not difficult to imagine that this particular wave was the final outburst of the ocean, the last effort of the grim water. There was a teDible grace in the move of the waves, and they came in silence, save for the snarling of the crests.

39 How does the extended simile in paragraph 9 affect the mood of "Excerpt from The Open

Boat"? Use two details from the story to support your response.

40 How does the description of the setting develop a central idea in "Excerpt from The Open

Boat"? Use two details from the story to support your response.

41 How do lines 5 and 6 of "Sea Fever" support a theme of the poem? Use two details from the

poem to support your response.

42 What do lines 7 through 11 reveal about the speaker in "Sea Fever"? Use two details from the

poem to support your response,