Communication Theory: Media & Society - Innovation Diffusion, Agenda Setting, Framing, Essays (university) of Mass Communication

Various communication theories related to media and society, including innovation diffusion, agenda setting, framing, and spiral of silence. Topics cover the influence of media on public opinion, the role of opinion leaders, and the impact of media on social reality. Chapters 10 and 11 from mcm 733 provide insights into these theories.

Typology: Essays (university)

2017/2018

Uploaded on 01/09/2018

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MCM 733:
Communication Theory
Chapters 10, 11, 12
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MCM 733:

Communication Theory

Chapters 10, 11, 12

CH 10: Media and Society

  • (^) Information/Innovation diffusion theory: explains how

innovations are introduced and adopted by various

communities

  • (^) First, awareness raising
  • (^) Second, adopted by early adopters (people who adopt techs early, without all the consumer info)
  • (^) Third, opinion leaders adopt it based on early adopters experiences
  • (^) Fourth, opinion leaders spread it to their constituencies
  • (^) Fifth, laggards adopt it
  • (^) Change agents: those wo directly influence the adoption process

CH 10: Media and Society

• Agenda Setting Theory:

  • (^) Communicators don’t tell people what to think, rather they encourage them to prioritize their values.
  • (^) Priming: media draw attention to some aspects of political life at the expense of others
  • (^) Agenda Building: collective process in which media, gov’t and the citizenry reciprocally influence one another in areas of public policy

CH 10: Media and Society

• Elements of Agenda Setting Theory:

  • (^) Mass comm has a huge effect on setting people’s priorities
  • (^) Vividness of presentation
  • (^) Position of a story
  • (^) priming

CH 10: Media and Society

  • (^) Spiral of Silence Theory : people holding views contrary to dominant views are moved to keep them to themselves for fear of rejection
  • (^) Three factors that lead to Spiral of Silence:
    • (^) Ubiquity : the media are virtually everywhere as sources of information
    • (^) Cumulation : the various news media tend to repeat stories and perspectives across their different individual programs, or editions, across the different media themselves
    • (^) Consonance : the similarity of values held by newspeople influences the content they produce

CH 10: Media and Society

  • (^) New Production Research : the study of how the institutional routines of news production inevitably produce bias or distorted content - (^) Personalized News : most news stories center around people - (^) Dramatized News : storylines dominate - (^) Fragmented news : news is made up of a lot different fragments - (^) Normalized News : adding th threat of disaster to a sense of normalcy - (^) Objectivity rituals : rituals that ensure objectivity but reinforce the status quo

Ch 11: Media and Culture Theories

• Symbolic Interactionism : people give meaning

to certain things and those meanings end up

controlling them

• Social behaviourism : view of learning that

focuses on the mental processes and the

social environment in which learning takes

place

Ch 11: Media and Culture Theories

  • (^) Applications of Symbolic Interactionism
    • (^) People’s interpretation and perception of the environment depend on communication
    • (^) Communication is guided by and guides the concepts of self, role, and situations. These concepts generate expectations in and of the environment
    • (^) Communication consists of complex interactions “involving action, interdependence, mutual influence, meaning, relationship, and situational factors.”

Ch 11: Media and Culture Theories

  • (^) Some concepts for social interactionism and constructionism: - (^) Signals: artificial signs that produce predicable responses - (^) Signs: something represents something else - (^) Artificial signs: made by people - (^) Natural signs: thunder, lightning, etc. - (^) Symbols: artificial signs for which there is less certainty of response - (^) Typifications: mental images that allow people to quickly classify objects and actions and then structure their own actions in response.

Ch 11: Media and Culture Theories

  • (^) Framing and Frame Analysis
    • (^) Framing : people use expectations to make sense of everyday life
    • (^) Social cues : info in the environment that signals a shift or change of action
    • (^) Frame : a specific set of expectations used to make sense of a social situation at a given point in time
    • (^) Downshift and upshift : to move back and forth between more or less serious frames
    • (^) Hyper-ritualized representations : media content constructed to highlight only the most meaningful representations
    • (^) Primary reality : the real world in which people obey conventions and laws

Ch 11: Media and Culture Theories

  • (^) Cultural Indicators Project : periodic examinations of

television programming and the conceptions of social

reality cultivated by viewing

  • (^) Television is different from all other forms of mass media
  • (^) TV is the central cultural arm of today’s society
  • (^) Audience consciousness is cultivated by keying into basic assumptions about the “facts of life” and “common sense” rather than “high concept” ideas
  • (^) TV’s major cultural function is to stabilize social patterns, to cultivate resistance to change
  • (^) The observable, measurable independent contributions of television to the culture are relatively small. It is rather it’s stable contribution that matters (Ice Age Hypothesis)

Ch 11: Media and Culture Theories

  • (^) Products of Cultivation Analysis
    • Message systems analysis : detailed content analysis of TV programming to assess recurring and consistent messaging
    • (^) Cultivation : television’s contribution to the creation of a culture’s frameworks or knowledge and underlying general concepts
    • (^) Mainstreaming : the process, especially for heavier viewers, by which TVs symbols monopolize and dominate other sources of info and ideas about the world
    • (^) Resonance : when viewers see things on TV that are congruent with their own everyday realities

Ch 11: Media and Culture Theories

  • (^) Commodification of Culture:
    • (^) When elements of everyday culture are selected for repackaging, only a very limited range is chosen and important elements are overlooked or consciously ignored
    • (^) The repackaging process involves dramatization of those elements of culture that have been selected
    • (^) The marketing of cultural commodities is undertaken in a way that maximizes the likelihood that they will intrude into and ultimately disrupt everyday life
    • (^) The elites who operate the cultural industries are generally ignorant of the consequences of their work.
    • (^) Disruption of everyday life takes many forms – some disruptions are obviously linked to consumption of deleterious content, other are subtle and take a long time.

Ch 11: Media and Culture Theories

  • (^) Media Literacy Movement
    • (^) An awareness of the impact of the media on the individual and society
    • (^) An understanding of the process of mass communication
    • (^) The development of strategies with which to analyse and discuss media messages
    • (^) An awareness of media content as a “text” that provides insight into our contemporary culture and ourselves
    • (^) The cultivation of an enhanced enjoyment, understanding and appreciation of media content