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A comprehensive set of listening test questions and verified answers for the gcap (guitar competency assessment program) exam in 2024. The questions cover a wide range of guitar genres, including american parlor guitar, hawaiian guitar, indonesian guitar, papua new guinean guitar, blues, country, flamenco, brazilian, and british/american folk revival. Each question includes details on the genre, period, context, and techniques used in the musical examples. This document would be highly valuable for students preparing for the gcap exam, as it offers a detailed and authoritative reference for the listening test component. The questions cover a diverse range of guitar styles and techniques, making this a valuable resource for anyone interested in the history and evolution of guitar music across various cultural and geographical contexts.
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Spanish Fandango - Correct answer-Genre: American parlor guitar Period: late 19th century (composition) OR 1970s (recording) Context: American revival of old-time guitar music in the 1970s. One of the early standards in 19th century American parlor guitar music. Techniques: Open G tuning. Use of open strings, melody on the first string. Vibrato for a singing sound. Barre chords using the first finger (moveable chord). Steel string guitar played finger style Hawai Marche - Correct answer-Genre: Hawaiian Guitar Period: 1930s Context: Hawaiian guitar is characterized by the use of the slide. One of the first 20th century guitar styles where the instrument takes a purely melodic role. Chordal guitar accompaniment with emphasis on beats 2 and 4. Fajar Di Atas Awan - Correct answer-Genre: Indonesian Guitar Period: 1990s Context: The band is aiming to create a national style of Indonesian music. It does not reference traditional Indonesian music. Techniques: Arpeggios accompanying the voice. Guitar: Steel string guitar played fingerstyle. Alir Pukai - Correct answer-Genre: Papua New Guinean Guitar Period: 2000s Techniques: Guitar orchestra with layered guitar parts. Strumming in a swing rhythm (common in the Pacific region). Solo slide guitar. Bass acoustic guitar provides the low end. Guitar: Steel string and nylon guitars played with picks. Slide guitar on a lap steel guitar. Stack-O-Lee - Correct answer-Genre: Blues Period: 1920s Context: A steady bass line keeps the rhythm and outlines the chord changes. The melodic part is syncopated and functions as an introduction and later doubles the vocal melody. The length of blues pieces from this period varies - the 12 bar format yet to be established as the standard. Techniques: Slurs are used in the treble part to emphasise certain notes (hammer ons). A bluesy slide leads into the A chord - one of the few obvious blues touches in the piece. Black Snake Moan - Correct answer-Genre: Blues Period: 1920s
Context: Flexibility of rhythm and phrasing. Call and response between the voice and guitar. Harmonically unorthodox, using the VI chord in isolation. Techniques: the guitarist uses a wide range of musical elements including tremelo, bass runs, turnarounds (in the introduction or at the end of the form), and melody figures. Guitar: steel string guitar played finger-style. Me and My Chauffer - Correct answer-Genre: Blues Period: 1940s Context: Early Chicago blues style. Rhythm guitar plays chords on each beat and clearly accents beats 2 and 4. Techniques: Lead guitar intro - some of these lines used to answer the voice in the verses. Combination of bent and fretted notes. Guitar: steel string acoustic guitars played finger-style. Pony Blues - Correct answer-Genre: Blues Period: 1970s (recording). Learnt the song from Charlie Patton in 1930!!! Context: Honeyboy Edwards was a link to the early blues players. Syncopated rhythmic feel. Sliding up to chords on treble strings when guitar plays melodically in between the vocal phrases. Punctuating bass lines (staccato and accented). Guitar solo at 1min 45 Little Queen of Spades - Correct answer-Genre: Blues Period: 1930s Context: Turnarounds and rhythmic features that become standard blues vocabulary. Techniques: Steady pulse kept by the thumb. Upper chords. 7th and diminished shapes. Turnaround - lower voice descending from the b7. A fingerstyle approach. Standard turnarounds used at the end of the verse. Interplay between the voice and the guitar. Bald Headed Woman - Correct answer-Genre: Blues Period: 1950s Context: Country blues fingerstyle approach transplanted onto electric guitar. Thumb on bass notes. Fingers on melodies and higher notes of chords. Techniques: sliding, double stops (two note chords), vibrato, (free approach to rhythm). Slurs - hammer ons and pull offs. Two Wings - Correct answer-Genre: Blues Period: 1940s Context: The ultimate guitar preacher. High energy guitar playing. He keeps both chords and melody going simultaneously. High notes respond to voice. Over driven amp (distorted sound). Electric guitar. Clapping and guitar accents on beats 2 and 4. Crossroads - Correct answer-Genre: Blues Rock Period: 1960s Context: Live recording, quoted as a major influence by many guitarists. Evokes the spirit of the original but creates something new. Pioneering rock sound (Les Paul guitar and Marshall amp). Rhythm straight not swung. Solo 1'26. A fluent, fluid sound, different
Raking arpeggios (usually played with one finger across the strings) and slurs in the bass register. Al Verte Las Flores - Correct answer-Genre: Traditional flamenco Period: 1960s Context: The birth of modern flamenco. Steeped in tradition and moving flamenco in new directions. Bulerias - faster flamenco form. Two guitars accompany the voice. Extended instrumental introduction. Quick rest stroke melodic runs (picado). Rasgueado (some light, others strongly accented). Palmas (hand clapping). La Barrosa - Correct answer-Genre: Flamenco Period: 1990s Context: Free opening which gives way to the traditional Alegrias rhythm and chord progression. Palmas accompanying the guitar provide the rhythmic foundation. Free stroke arpeggios and rest stroke melodies. Melodic phrases are punctuated with accented rasgueados. Rio Ancho - Correct answer-Genre: Flamenco Period: 1970s Context: The influence of the South American rumba styles on flamenco. Not as rhythmically complex as other flamenco forms. Influence of jazz apparent in the use of improvisation. Two guitars. Danza del Fuego Fatuo Play from 1min 40secs - Correct answer-Genre: Flamenco Period: 1970s Context: Flamenco reinterpretation of classical piece (written for orchestra and inspired by flamenco). Guitars play tremolo over two strings. Addition of clapping, electric bass and flute. The melodies and harmonies are the same as the original. Rhythmic basis taken from rumba style flamenco. Blisteringly fast melodies and rasgueados at the end. Tres Notas Para Decir Te Quiero - Correct answer-Genre: Flamenco Period: 2000s Context: The next generation of flamenco guitarists after Paco de Lucia. Popular flamenco with the guitar taking the lead. Picado, slides and slurs used for expression. Improvisatory approach. Voice joins in on the melody later (scat/jazz style) Choro No. 1 - Correct answer-Genre: Brazilian Period: 1920s Uses the whole range of the guitar (typical for choro guitar style). Typical rhythm of the choro. Rondo form. Jorge do Fusa - Correct answer-Genre: Brazilian Period: 1950s Context: Jazz harmonies anticipate bossa nova styles of the late 50s and 60s.
Moving bass lines, parallel chord movement. Scale run (whole tone!), texture of bass (bass runs), chords and melody. Advanced harmonic style. Choro rhythm 1e+a. Chords on the on the 'e' and 'a'. Syncopation or anticipated chords. Samba Triste - Correct answer-Genre: Brazilian Period: 1960s Context: Opening sounds flamenco like - rest stroke, rough sound. Free opening statement combines chords and melody. Moves into a samba rhythm. The rhythm is really the key to the style here - syncopation and accent important. Anticipated chords (anticipating the strong beats). Percussive guitar style. Guitar solo at 2'22. Samba pro Rafa - Correct answer-Genre: Brazilian Period: 2000s Context: Features the seven string guitar. Seventh string tuned to low C. Fast scale runs and arpeggios. Angie - Correct answer-Genre: Folk Revival Period: 1960s Context: Original composition Anji composed by Davy Graham. The signature instrumental work of the British Folk revival. The descending bass sets the tone for this piece. Steady bass rhythm kept by the right hand thumb. Ornaments in the melody evoke classical guitar. Bends in another section are very blues-like. Black Water Side - Correct answer-Genre: British Folk Revival Period: 1960s Context: Jimmy Page covered (uncredited) Bert's Black Water Side. Dropped D. Virtuosic fingerpicking. Ornaments are played forcefully - the strings slap onto the neck. Irregular rhythmic groupings. Blues touches too - particularly in the bass. The guitar accompaniment follows the contour of the melody. Evokes Celtic styles with droning bass and slurs. Chambertin - Correct answer-Genre: British Folk Revival Period: 1970s Context: Contrapuntal texture (three independent voices: bass, middle and treble or melody). Many of the features of the first 2 examples present. May You Never - Correct answer-Genre: British Folk Revival Period: 1970s Context: The guitar follows the vocal melody closely. The right hand slaps the strings on beats 2 and 4, providing the rhythmic "backbeat". The strings are often plucked forcefully, particularly between vocal phrases. Ornaments and double stops add to the texture, creating a multi part accompaniment. The Dark Plaintive Youth - Correct answer-Genre: Celtic Period: 1970s