Analyzing Miss Havisham's Eccentricity in Great Expectations by Charles Dickens, Transcriptions of English

A commentary on the character of miss havisham from charles dickens' great expectations. It discusses how the ambience of her house and her eccentric behavior are depicted in the extract, using literary devices and symbolism. The analysis also touches upon the effect of miss havisham's past on her present state and her interaction with the young protagonist, pip.

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2020/2021

Uploaded on 06/08/2021

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Guiding Questions:
1. What is the effect of ambience on the narrator? How is it brought about by the author?
2. How is the character of Miss Havisham depicted in the extract? What are the images, tone,
and literary devices employed to create the eccentricity in the character?
Commentary
This is an extract from the short story, Great Expectations, by eminent creator Charles Dickens.
This commentary means to take a gander at the character of Miss Havisham and how she is
depicted to be erratic and unordinary through the given extract, and furthermore how the
ambience in the extract plays a tremendous job in defining the character and nature of Miss
Havisham.
The "I" in this extract is a kid named Pip, as far as anyone knows 12 to 13 years of age who
depicts the house as he experiences it and his short discussion with Miss Havisham. Since the
narrator, (Pip) is fearing to try and go into the house,
“I was half afraid… knock at the door” it very well may be confirmed this is the first occasion
when he is going into the house, demonstrating that what lay inside is as quite a bit of a puzzle
to him as well as the reader, and furthermore a sight to fear. A spooky and vile tone is conveyed
all through the extract, that makes Miss Havisham appear to some degree an adversary and
somebody to remain careful about. Dickens has utilized different instances of symbolism, for the
most part, visual symbolism, to give a clear image of Miss Havisham's home, just as the peruser
himself is in it and is seeing it. Generally speaking, the extract is a solid presentation of Miss
Havisham in the story which is very well exhibited and depicted by the utilization of language
and literary devices.
The initial segment of the extract, until "'Who is it?' said the lady at the table.", the narrator
centres around depicting the presence of the changing area where Miss Havisham is seated.
From the first line that portrays the changing area itself, “No glimpse of daylight was to be seen
in it.” one can induce that the air and feel inside the house isn't happy and splendid like how
houses are typically expected to be, and rather is dull and desolate. It can likewise be
foreshadowed that something terrible anticipates the storyteller since dim and dim rooms are
commonplace of spots with a negative quality encompassing them as observed with
loathsomeness houses for instance. The storyteller at that point continues to depict his first look
of the scandalous Miss Havisham. “She was dressed in rich materials… on the table.” Looking
at the complex spotlight on minute subtleties, it is perspicuous that Miss Havisham sat wearing
a wedding dress as it is all white and secured with things, for example, marriage blossoms and
adornments. Since there is no notice of a wedding anywhere in the extract, one may ask why
she is dressed all things considered, which is a puzzle yet to be replied. What makes this
specific scene considerably progressively unusual is that Miss Havisham wasn't spruced up
appropriately. "She had but one shoe on… the looking-glass.” These insights about the climate
intrigue the readers significantly more. It is at exactly that point that the storyteller understands
that it has been quite a while since Miss Havisham had spruced up along these lines. “But, I
saw that everything within my view… to skin and bone.” The joyful lady who used to be
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Guiding Questions:

  1. What is the effect of ambience on the narrator? How is it brought about by the author?
  2. How is the character of Miss Havisham depicted in the extract? What are the images, tone, and literary devices employed to create the eccentricity in the character? Commentary This is an extract from the short story, Great Expectations, by eminent creator Charles Dickens. This commentary means to take a gander at the character of Miss Havisham and how she is depicted to be erratic and unordinary through the given extract, and furthermore how the ambience in the extract plays a tremendous job in defining the character and nature of Miss Havisham. The "I" in this extract is a kid named Pip, as far as anyone knows 12 to 13 years of age who depicts the house as he experiences it and his short discussion with Miss Havisham. Since the narrator, (Pip) is fearing to try and go into the house, “I was half afraid… knock at the door” it very well may be confirmed this is the first occasion when he is going into the house, demonstrating that what lay inside is as quite a bit of a puzzle to him as well as the reader, and furthermore a sight to fear. A spooky and vile tone is conveyed all through the extract, that makes Miss Havisham appear to some degree an adversary and somebody to remain careful about. Dickens has utilized different instances of symbolism, for the most part, visual symbolism, to give a clear image of Miss Havisham's home, just as the peruser himself is in it and is seeing it. Generally speaking, the extract is a solid presentation of Miss Havisham in the story which is very well exhibited and depicted by the utilization of language and literary devices. The initial segment of the extract, until "'Who is it?' said the lady at the table.", the narrator centres around depicting the presence of the changing area where Miss Havisham is seated. From the first line that portrays the changing area itself, “No glimpse of daylight was to be seen in it.” one can induce that the air and feel inside the house isn't happy and splendid like how houses are typically expected to be, and rather is dull and desolate. It can likewise be foreshadowed that something terrible anticipates the storyteller since dim and dim rooms are commonplace of spots with a negative quality encompassing them as observed with loathsomeness houses for instance. The storyteller at that point continues to depict his first look of the scandalous Miss Havisham. “She was dressed in rich materials… on the table.” Looking at the complex spotlight on minute subtleties, it is perspicuous that Miss Havisham sat wearing a wedding dress as it is all white and secured with things, for example, marriage blossoms and adornments. Since there is no notice of a wedding anywhere in the extract, one may ask why she is dressed all things considered, which is a puzzle yet to be replied. What makes this specific scene considerably progressively unusual is that Miss Havisham wasn't spruced up appropriately. "She had but one shoe on… the looking-glass.” These insights about the climate intrigue the readers significantly more. It is at exactly that point that the storyteller understands that it has been quite a while since Miss Havisham had spruced up along these lines. “But, I saw that everything within my view… to skin and bone.” The joyful lady who used to be

enthusiastically hanging tight for her wedding had now contracted actually into a powerless elderly person. It is since the mists encompassing the riddle of Miss Havisham begin to clear, as it very well may be construed that something presumably turned out badly with the wedding that has driven her to be how she is. The rest, despite everything, stays covered up. Miss Havisham then calls Pip to her, and as opposed to having a typical discussion with him and offering some food or water, she asks him an inquiry that would, in no methods be intelligible to a youngster the time of Pip. “‘What do I touch?’ ‘Your heart.’ ‘Broken!’” This transient discussion among Pip and Miss Havisham affirms that something awful had occurred with Miss Havisham and causes the reader to feel a kind of pity towards her, yet legitimately a short time later, the manner in which she says it “She uttered the word… kind of boast in it” makes the peruser reevaluate whether Miss Havisham is a decent hearted individual or not. This is on the grounds that as opposed to having proceeded onward from the radical occasion that had occurred with her, Miss Havisham is demonstrated to be imparting her misfortune to other people, and to a degree invests heavily in being somebody who has lost to such an extent. This prevalence in losing more than others has framed an outlook in her where she accepts that everybody should feel a similar way and endure the way that she has. Indeed, even from this concise trade, a feeling of retribution can be seen originating from Miss Havisham after what has happened with her. “‘I want diversion, and I have done with men and women. Play.'" is another solid line from the concentrate which shows that Miss Havisham has no enthusiasm forever proceeding onward from her misfortune and has completely lost confidence in people. This comprehends the character of Miss Havisham stunningly better as she is somebody totally set apart from the general public who has her own plan of broadcasting her distress to other people and making them as hopeless as she may be. In the following few lines, the narrator is taken to another room, which is as splendidly portrayed as the first with the assistance of visual symbolism and artistic gadgets, for example, metaphors. “I looked along the yellow expanse out of which I remember its seeming to grow, like a black fungus”. The oldness of the house and how it has not been kept up once since the day of the disaster (Marriage day) is being featured and underlined significantly more. The main organization of Miss Havisham being insects, creepy crawlies and rodents show how alone she is, further building up the sentiment of pity and distress towards her that she needs to display to other people. It can likewise be seen through these supporting insights concerning how the fiasco of the wedding negatively affected her mental health than it would have on another person. Lastly, Miss Havisham points Pip towards the place where she is destined to die. The reader also gets an idea about how old the events of the wedding were since Miss Havisham mentions that it was long before Pip was born, showing that Miss Havisham is the way she is: depressed in a bridal gown, just wearing one shoe, having all the clocks set at one particular time, and alone and unconcerned about her house, since at least 15 years. This marks astonishment as only a person hellbent towards her aim of multiplying her sorrow and showcasing it to the world can achieve such a feat and live in such a way; almost as if she is already dead and has nothing to live for. Miss Havisham concludes her tale of sorrow by saying “‘and when they lay me