Rhetoric and Persuasive Writing: Establishing Ethos, Character, and Goodwill - Prof. Sarah, Study notes of Creative writing

Key concepts in rhetoric and persuasive writing, focusing on the importance of demonstrating intelligence, establishing good character, and securing goodwill with an audience. Topics include using appropriate language, citing outside approval, and understanding the power dynamics in a rhetorical situation.

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Pre 2010

Uploaded on 12/08/2009

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Chapter 6 Outline
Invented Ethos
Demonstrate Intelligence by doing the Homework
Rhetors can create a character that seems intelligent by demonstrating that they
are informed about the issues they discuss (and by refraining from using arguments that
are irrelevent or trivial).
They may do so by using language that suggest he is an insider, by sharing an
anecdote that indicates that’ve had experience or knowledge in a particular area, or by
describing their qualifications.
A rhetor may also use specialized language to demonstrate their adeptness in a
particular field.
A rhetor who wants to seem well-informed should always consider how much her
audience knows about the issue she is discussing.
(Audiences that are not well-informed may allow errors to go unremarked. But
rhetors risk losing all credibility with better-informed audiences when they fail to do their
homework.)
Establishing Good Character
In order to establish their good moral standing, rhetors may cite approval of their
character from respected authorities. (Letters of reference. References are often asked about the
same qualities in prospective employees that concerned ancient rhetoricians: intelligence,
honesty, trustworthiness. Rhetors must refrain from use of faulty reasoning or nonrepresentative
evidence, threats, name-calling or lies.)
Securing Goodwill
Modern rhetors can demonstrate their goodwill toward an audience by carefully
considering what readers need to know about the issue at hand in order to follow the argument.
(Ex. Movie reviews)
As another means of securing goodwill, rhetors can say why they think their
presentation of an argument is important, and what benefits will accrue to those who read or
listen to it.
Establishing goodwill is especially difficult to manage when students write for
teachers, since in this case the audience is usually better informed than the rhetor. The best way
to demonstrate goodwill in this case is to follow teachers’ instructions.
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Chapter 6 Outline Invented Ethos Demonstrate Intelligence by doing the Homework Rhetors can create a character that seems intelligent by demonstrating that they are informed about the issues they discuss (and by refraining from using arguments that are irrelevent or trivial). They may do so by using language that suggest he is an insider, by sharing an anecdote that indicates that’ve had experience or knowledge in a particular area, or by describing their qualifications. A rhetor may also use specialized language to demonstrate their adeptness in a particular field. A rhetor who wants to seem well-informed should always consider how much her audience knows about the issue she is discussing. (Audiences that are not well-informed may allow errors to go unremarked. But rhetors risk losing all credibility with better-informed audiences when they fail to do their homework.) Establishing Good Character In order to establish their good moral standing, rhetors may cite approval of their character from respected authorities. (Letters of reference. References are often asked about the same qualities in prospective employees that concerned ancient rhetoricians: intelligence, honesty, trustworthiness. Rhetors must refrain from use of faulty reasoning or nonrepresentative evidence, threats, name-calling or lies.) Securing Goodwill Modern rhetors can demonstrate their goodwill toward an audience by carefully considering what readers need to know about the issue at hand in order to follow the argument. (Ex. Movie reviews) As another means of securing goodwill, rhetors can say why they think their presentation of an argument is important, and what benefits will accrue to those who read or listen to it. Establishing goodwill is especially difficult to manage when students write for teachers, since in this case the audience is usually better informed than the rhetor. The best way to demonstrate goodwill in this case is to follow teachers’ instructions.

Establishing Good Character Can be Done Through: Voice Rhetorical Distance Voice is a self-characterization It affects the distance between the rhetor and their audience Distance is the metaphorical physical and social distance between the rhetor and their audience established by means of stylistic choice. Intimate distance = Closer identification, more persuasive potential Formal distance = Less identification, less persuasive potential p.213 global warming example Rhetors who know an audience well, or whose audience is quite small can use an intimate distance. Attitude also influences Distance More Attitude = Intimate Distance Less Attitude = More Formal Distance (Letter vs. Article) Grammatical Person There are three grammatical persons available in English: First-person reference: “I want you to do the dishes today.” Second-person address: “Do these dishes today, or else.” Third-person reference: “Someone must do these dishes today.” Ex. P.218 Quito in NY story First Person “I” Second Person “You” Province of advertising or directions Third Person “One” Establishes the greatest possible distance Verb Tense and Voice Past Tense – makes readers feel like onlookers to past events Present Tense – more immediate, gives readers a sense of participation Active Voice: I take responsibility for these actions. Passive Voice: Responsibility must be taken for these actions (by me). Word Size Affects voice and distance.

Chapter 6 Outline

Invented Ethos Demonstrate Intelligence by doing the Homework Don’t use trivial or irrelevant arguments Use an “insider’s” language Use special, topical language Know your audience! Establishing Good Character Cite outside approval Refrain from using faulty reasoning or nonrepresentative evidence Behave yourself Securing Goodwill Consider what your audience needs to know to follow your argument Explain why the audience should think it’s important too Follow the rules Establishing Good Character Can be Done Through: Voice Rhetorical Distance Voice is a self-characterization Distance is the metaphorical physical and social distance between the rhetor and their audience established by means of stylistic choice. Intimate distance = Closer identification, more persuasive potential Formal distance = Less identification, less persuasive potential Attitude also influences Distance More Attitude = Intimate Distance Less Attitude = More Formal Distance (Letter vs. Article)

Grammatical Person There are three grammatical persons available in English: First Person “I” Second Person “You” Province of advertising or directions Third Person “One” Establishes the greatest possible distance Verb Tense and Voice Past Tense – makes readers feel like onlookers to past events Present Tense – more immediate, gives readers a sense of participation Active Voice: I take responsibility for these actions. Passive Voice: Responsibility must be taken for these actions (by me). Word Size Affects voice and distance. Polysyllabic words indicate education or make the rhetor sound pompous and discourage readers to plow through them. Establish intimacy by using words that are ordinarily used in common conversation. Qualifiers Some, most, virtually, and all affect voice and distance A qualifier is any term (usually an adverb or adjective) or phrase that alters the degree of force or extent sontained in a statement. Punctuation SHOUTING. Intense. Important. Emphasis. Situated Ethos The interpersonal dimension – the relations among persons who participate in a rhetorical act – has three characteristics: liking, power, and distance. Liking: has to do with how well the people who are engaging in a rhetorical situation like each other. Power: the capacity to exert interpersonal influence (ex. Charisma) Distance: how far apart, socially or situationally, participants are from one another in a rhetorical situation