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Basic Dynamic Markings. The two basic dynamic indications in music are: • p or piano, meaning soft. • ƒ or forte, meaning strong.

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Basic Dynamic Markings
The two basic dynamic indications in music are:
•p or piano, meaning "soft".
•ƒ or forte, meaning "strong".
More subtle degrees of loudness or softness are indicated by:
•mp, standing for mezzo-piano, meaning "moderately soft".
•mƒ, standing for mezzo-forte, meaning "moderately strong".
Beyond ƒ and p, there are also:
•pp, stands for "pianissimo", and meaning "very soft".
•ppp stands for "pianissimo possibile" ("softest possible")
•ƒƒ stands for "fortissimo", and meaning "very strong"
•ƒƒƒ stands for "fortissimo possibile" meaning "loudest possible".
•ƒƒƒ or ƒƒ are not to be interpreted as "blastissimo" i.e. singing as loud as y ou can, as this will result
in a total deterioration of vocal quality and control.
Note:
Best advice as far as vocal volume is concerned is:
1. Never sing as loud as you can.
2. In a chor al settin g if you can't hea r the sin ger besid e you, yo u are sin ging too loud.
Words/phrases indicating changes in dynamics
(In Italian unless otherwise indicated)
al niente: to nothing; fade to silence. Sometimes written as "n"
•calando: becoming smaller
calmando: become calm
•crescendo: becoming stronger
dal niente: from nothing; out of silence
•decrescendo or diminuendo: becoming softer
fortepiano: loud and accented and then immediately soft
fortissimo piano: very loud and then immediately soft
•in rilievo: in rel ief (French en d ehors: outwards); indicates that a particular instrument or part is to play
louder than the others so as to stand out over the ensemble.
•perdendo or perdendosi: losing volume, fading into nothing, dying away
mezzoforte piano: moderately strong and then immediately soft
morendo: dying away (may also indicate a tempo change)
•marcato: stressed, pronounced
pianoforte: soft and then immediately strong
sforzando piano: with marked and sudden emphasis, then immediately soft
sotto voce: in an undertone (whispered or unvoiced)[6]
smorzando: dying away
Articulations
In music, articulation refers to the musical direction perf ormance technique which affects the transition or
continuity on a single note or between multiple notes or sounds.
Types of articulations
There are many types of articulation, with each having a different effect on how the note is played. Some
articulation ma rks include the slur, phrase mar k, s taccato, st accatissimo, accent, sforzando, rinforzan do, an d
legato. Each articulation is represented by a different symbol placed above or below the note (depending on its
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Basic Dynamic Markings

The two basic dynamic indications in music are:

- p or piano, meaning "soft". - ƒ or forte, meaning "strong". More subtle degrees of loudness or softness are indicated by: - mp , standing for mezzo-piano, meaning "moderately soft". - mƒ , standing for mezzo-forte, meaning "moderately strong". Beyond ƒ and p , there are also: - pp , stands for "pianissimo", and meaning "very soft". - ppp stands for "pianissimo possibile" ("softest possible") - ƒƒ stands for "fortissimo", and meaning "very strong" - ƒƒƒ stands for "fortissimo possibile" meaning "loudest possible".

- ƒƒƒ or ƒƒ are not to be interpreted as " blastissimo " i.e. singing as loud as you can, as this will result in a total deterioration of vocal quality and control. Note: Best advice as far as vocal volume is concerned is: 1. Never sing as loud as you can.

  1. In a choral setting if you can't hear the singer beside you, you are singing too loud.

Words/phrases indicating changes in dynamics

(In Italian unless otherwise indicated)

- al niente : to nothing; fade to silence. Sometimes written as "n" - calando : becoming smaller - calmando : become calm - crescendo : becoming stronger - dal niente : from nothing; out of silence - decrescendo or diminuendo : becoming softer - fortepiano : loud and accented and then immediately soft - fortissimo piano : very loud and then immediately soft - in rilievo : in relief (French en dehors: outwards); indicates that a particular instrument or part is to play louder than the others so as to stand out over the ensemble. - perdendo or perdendosi : losing volume, fading into nothing, dying away - mezzoforte piano : moderately strong and then immediately soft - morendo : dying away (may also indicate a tempo change) - marcato : stressed, pronounced - pianoforte : soft and then immediately strong - sforzando piano : with marked and sudden emphasis, then immediately soft - sotto voce : in an undertone (whispered or unvoiced)[6] - smorzando : dying away

Articulations

In music, articulation refers to the musical direction performance technique which affects the transition or continuity on a single note or between multiple notes or sounds. Types of articulations There are many types of articulation, with each having a different effect on how the note is played. Some articulation marks include the slur, phrase mark, staccato, staccatissimo, accent, sforzando, rinforzando, and legato. Each articulation is represented by a different symbol placed above or below the note (depending on its

position on the staff).

- Slur a symbol indicating that the notes it embraces are to be played or sung without separation. - Tie is a curved line that joins two notes of the same pitch. - staccato signifies a note of shortened duration and separated from the note that may follow by silence. - staccatissimo indicates that the notes are to be played or sung extremely separated and distinct. - martellato - hammered out - accent is an emphasis using louder sound, typically most pronounced on the attack of the sound. - tenuto indicates that a note should receive emphasis. - sforzando indicates a forceful, sudden accent and is abbreviated as sƒz. - rinforzando rƒz (literally "reinforcing") indicates that several notes, or a short phrase, are to be emphasized. - legato indicates that musical notes are played or sung smoothly and connected.

Basic tempo markings

From fastest to slowest, the common tempo markings are:

  • Prestissimo 200 - 208 Vivacissimo Allegrissimo
  • Presto 168 - 200 Vivo
  • Vivace 140
  • Allegro 120- Allegretto
  • Moderate 108- Andantino
  • Andante 76- Adagietto
  • Larghetto 60 - 66 Lento
  • Adagio 66 - 76
  • Largo 40- Lentissimo Adagissimo Larghissimo All of these markings are based on a few root words such as 'allegro', 'largo', 'adagio', Vivace', 'presto' 'andante1 and 'lento'. By adding the -issimo and -etto endings, each word is amplified or diminished (respectively)

Common Qualifiers

  • assai - very, as in Allegro assai (but also understood by some as "enough")
  • con brio - with vigor
  • con moto - with motion
  • non troppo - not too much, e.g. Allegro non troppo (or Allegro ma non troppo) means "Fast, but not too much.
  • non tanto - not so much
  • Tres - very, as in Tres vif (very lively)
  • Moins - less, as in Moins vite (less fast)

German tempo markings

Many composers have used German tempo markings. Typical German tempo markings are:

  • Langsam - slowly
  • Mafiig - moderately
  • Lebhaft - lively (mood)
  • Rasch - quickly
  • Schnell - fast One of the first German composers to use tempo markings in his native language was Ludwig van Beethoven. The one using the most elaborate combined tempo and mood markings was probably Gustav Mahler. For example, the second movement of his Symphony No. 9 is marked Im tempo eines gemachlichen Landlers, etwas tappisch und sehr derb, indicating a slowish folk-dance-like movement, with some awkwardness and vulgarity in the execution. Mahler would also sometimes combine German tempo markings with traditional Italian markings.