Quarter 3 – Module 2:, Slides of Design Patterns

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Republic of the Philippines

Department of Education

Regional Office IX, Zamboanga Peninsula

ARTS

Quarter 3 – Module 2 : (MEDIA-BASED ART: PRINT MEDIA and INNOVATION IN PRODUCT and INDUSTRIAL DESIGN) Z est for P rogress Z eal of P artnership

Name of Learner: ___________________________ Grade & Section: ___________________________ Name of School: ___________________________

At the end of the module, each student is expected to:  Discusses the truism that Filipino ingenuity is distinct, exceptional, and on a par with global standards - A10PL-IIIh- 1  Discusses the role or function of artworks by evaluating their utilization and combination of art elements and principles - A10PL-IIIh- 2  Explains the characteristics of media-based arts and design in the Philippines - A10PR- IIIc-e- 2  Applies different media techniques and processes to communicate ideas, experiences, and stories (the use of software to enhance/animate images like Flash, Movie Maker, Dreamweaver, etc. - A10PR-IIIc-e- 3 In this Module, the modern techniques and trends in photography, film, and animation design will be explored. Most notably the talent, creativity, and quality workmanship of Filipino artists and designers in all these fields will be recognized and celebrated. Not only have these brought Philippine artistry to the world’s attention, but they have opened up an entire range of opportunities for young Filipinos to develop and apply these talents—and earn a living while doing so. Technological advances continue to be a major driving force in the directions that each of these art forms has taken. Among the results have been exciting innovations in materials manipulation, coloring and embellishment techniques, and creation and production processes applied to all today’s media—whether physical and tangible, or virtual in cyber space. What I Need To Know KKKKKNOWKNOW

Direction: Read each item carefully and shade the corresponding circle of the correct answer in your Answer Sheet.

1. Why do we need advertising copywriters and advertising teams? A. To create an advertisement that will appear on printed page. B. To bring a better reading when it comes in advertisement. C. To provide the people with entertainment. D. To make the work easier.
2. Who is the father of Filipino comics? A. Francisco V. Coching C. Pol Medina, Jr B. Tony Velazquez D. Virgilio S. Almario
3. In this type of Media, people relied on newspapers and magazines to learn everything from recipes and entertainment news. What kind of media is it? A. Digital Media C. Print media B. Broadcast Media D. Film Media
4. She is known for her fashionable knitwear lines that specialty has since evolved into a new since 1985. A. Josie Natori C. Monique Lhuillier B. Lulu Tan Gan D. Dita Sandico-Ong
5. A multi-awarded designer and the creative director of Hive, a designing and manufacturing facility for designers of interior accessories and lighting. A. Kenneth Cobonque C. Josie Natori B. Rajo Laurel D. Dita Sandico-Ong The previous quarter provided an overview of the phenomenal capabilities and possibilities of the electronic or digital media available in today’s technology driven world. These have enabled amazingly innovative art forms to evolve far beyond traditional painting, sculpture, and architecture. As quickly as technology is able to develop new devices, gadgets, and techniques, modern artists and designers adapt them to enhance their creative expression. What I Know What’s In

Advertising Project: “Presenting Products/Services with a Cause”

1.You will decide on original products or services, as well as special causes that these products or services can be presented as supporting or advocating. 2.Using image capture and manipulation programs discussed in Quarter II, then you will create your choice of posters, banners/streamers, brochures, or print advertisements to present these products/services with a cause. 3.The finished print advertisements will be turned over to the teacher.

Print Media

Alongside the digital media forms discussed above, there remains the more conventional form known as print media. Included here are large-scale publications such as newspapers, magazines, journals, books of all kinds, as well as smaller-scale posters, brochures, flyers, menus, and the like. Of course, all of these now have their digital counterparts that may be accessed and read on the internet. However, there continues to be a demand and a purpose for the actual printed forms of these materials. And whether printed on paper or viewed on the web, these materials once again involve and showcase Filipino artistry.

Advertising

One major field that still relies heavily on print media is advertising. Despite the soaring popularity and seemingly limitless possibilities of online advertising and social media, Philippine artists are still called upon to create advertisements that will be physically printed. These appear in newspapers, magazines, posters, brochures, and flyers —each with their specific target readerships and markets, and highly-specialized approaches for reaching these target groups. What’s New What Is It

Along with the advertising copywriters who provide the text for titles, taglines, and body copy, an entire team of modern-day art professionals creates the look of each ad. These range from art directors to photographers to graphic designers to illustrators. If the ad subject requires it, the team may further include food and product stylists, fashion stylists, hair and makeup artists, set and lighting designers. All for the purpose of creating an advertisement that will appear on a printed page or in a format that will be handed out to potential customers.

Comic Books

Another field of print media that highlights the artistic gifts of Filipinos is that of Philippine comics began in the 1920s when Liwayway magazine started featuring comic books , or komiks as they are referred to locally. The popularity of comic strips, such as Mga Kabalbalan ni Kenkoy (The Misadventures of Kenkoy) created by Tony Velasquez. Velasquez went on to be recognized as the “Father of Filipino Comics.” Mga Kabalbalan ni Kenkoy With the coming of the Americans to the country, local comics were clearly influenced by popular U.S. comics with superheroes as the main characters— resulting in local counterparts such as Darna and Captain Barbell. Darna Captain Barbell Even decades before, however, komiks creators had already introduced characters, themes, and story lines from Philippine folklore, mythology, and history. With books and libraries not yet readily accessible to a majority of the Filipino public, comics by young and old alike. became a major form of reading material around the country, avidly read and shared. Pilipino Komiks , Tagalog Klasiks Lapu-lapu cover By Francisco V. Coching (1954)

Filipino comics artists also became recognized for their talents, both locally and overseas. Thus, from the 1960s to the 1980s, Filipino artists were recruited to work for foreign comics publishers—among them the highly popular DC Comics. A more recent development in the Philippine comics scene has been the rise of comics series reflecting or commenting on current political and social issues or on the Filipino character in a humorous way. One such series is the longrunning Pugad Baboy , created by Pol Medina, Jr. Pugad Baboy With the phenomenal rise of digital media in recent decades, however, the local comics industry seemed to take a backseat. But there is a current resurgence of interest, not only among comics readers and collectors, but among Filipino artists and illustrators creating original concepts and experimenting with exciting new styles. There is now an entire range of subjects, characters, formats, and artistic treatments available for aspiring young comics artists to bring to life. The following are just a sampling of the possibilities. The Filipino Heroes League, created by Paolo Fabregas Trese, created by Budjette Tan and Kajo Baldisimo Skyworld: Safe Passage, created by Ian Sta. Maria

Kiko Machine, created by Manix Abrera Kuting Magiting, created by Robert Magnuson Mythspace , created by Paolo Chikiamco and Borg Sinaban

Book Design and Illustration

Yet another extremely rich and promising area for young Filipino artists is the field of book design and illustration. Thanks to the visionary mindsets of progressive Philippine book publishers such as Bookmark, Anvil Publishing, Adarna Books, and Tahanan Books for Young

Readers (now Ilaw ng Tahanan Publishing), local book designers and illustrators have been given the professional stature they deserve and the creative freedom they need to truly showcase their talents. Ang Tuta ni Noe , by Virgilio S. Almario, illustrated by Sergio Bumatay III How Long Till September , by Tanya Sevilla-Simon, illustrated by Jill Arwen Posadas Whuush! by Glenda Oris, illustrated by Aldy Aguirre Mahabang-Mahabang-Mahaba , by Genaro Gojo Cruz, illustrated by Ghani Madueño But That Won’t Wake Me Up! , by Annie Dennise Lumbao and Anelka Lumbao, illustrated by Liza Flores Published by Adarna Books Why the Piña Has a Hundred Eyes By Neni Sta. Romana-Cruz Illustrated by Felix Mago Miguel Published by Bookmark Ningning By Gilda Cordero-Fernando Published by Bookmark A Sea of Stories By Carla M. Pacis Illustrated by Ruben de Jesus Published by Bookmark Gotita de Dragon and Other Stories By Nick Joaquin Published by Anvil Publishing Illustrated by Beth Parrocha

Alpabetong Filipino The Mats By Nicanor G. Tiongson By Francisco Arcellana Illustrated by Crispin Dayao, Jr. Illustrated by Hermes Alegre Published by Tahanan Books for Young Readers Published by Tahanan Books for Young Readers

Digital Media

All the artistic skills and techniques that go into producing books like those just presented, of course have their counterpart in the ever-growing world of digital media. This means that books that were originally available only in print are being gradually converted to digital format, while new books are now conceptualized, written, designed, and illustrated precisely for these online media. This also means that the manner by which today’s readers can find, access, and enjoy these electronic books (or ‘ebooks’) is via digital media tablets, ebook readers, and other handheld reading devices. One such device that is available locally is the ebook reader called Kobo, which features international as well as Philippine titles. Likewise gaining in popularity are social media-based publishing sites, like Wattpad, that serve as communities for millions of budding writers to share their original stories online. This phenomenon, along with the rise of electronic distribution platforms, such as Flipreads, which provide access to the works of Filipino authors and publishers, is also opening up exciting new opportunities for young artists to do the digital design and illustrations for all these upcoming titles.

Innovation in Product and Industrial Design

Yet another breakthrough arena for Filipino imagination, ingenuity, and innovativeness in recent decades has been that of design. Specifically, this encompasses product and industrial design as applied to furniture, lighting, and interior accessories, as well as fashion from haute couture to bridal ensembles to casual wear. As a result, a number of Filipino designers have risen to superstardom both locally and internationally.

Kenneth Cobonpue Cebu based Kenneth Cobonpue is a multi-awarded designer and the creative director of Hive, a design and manufacturing facility for designers of interior accessories and lighting. Cobonpue’s fresh and exciting concepts and excellent craftsmanship have earned him the acclaim and the patronage of discerning clientele the world over including prominent Hollywood celebrities. Monique Lhuillier Also hailing from Cebu City, Filipina fashion designer Monique Lhuillier first rose to prominence for her exquisite wedding gowns. But she has since become one of the darlings of the Hollywood celebrity set, with several A-list stars having worn her couture creations to gala events and award shows, as well as to their own weddings. Lhuillier studied at the Fashion Institute of Design & Merchandising in Los Angeles, and now has her own retail boutiques in that city and in New York. Her collections include bridal and bridesmaids dresses, ready-to-wear, evening gowns, linens, tableware, stationery, and home fragrances. Josie Natori Another name that has a prestigious place in the New York fashion industry is that of Josie Natori. Born Josephina Almeda Cruz in Manila, this FilipinoAmerican fashion designer began her career as an investment banker, before she made the dramatic shift to creating her own lines of lingerie, resort and lounge wear, as well as semi- formal and casual attire. She went on to establish The Natori Company that has built up a lifestyle brand that today includes four lingerie lines, the Josie Natori ready-to-wear collection, home accessories, fragrance, and eyewear. Carousel lamps Trame Chair Yoda chair

Rajo Laurel Probably best known to the general public as a judge on the television series Project number of national and international awards to his name. He trained at New York’s Runway Philippines , Rajo Laurel is a much-admired Filipino fashion designer with a Fashion Institute of Technology and at Central Saint Martin’s in London. Laurel is also a savvy entrepreneur, establishing House of Laurel and Rajo Laurel Enterprise. His creations maintain a Filipino sensibility, incorporating embroidery, beadwork, and hand- painted prints, while also offering the prestige of limited edition pieces. Thus, he has gained a loyal local following and the attention of the international market. Lulu Tan Gan Known for her fashionable knitwear lines That specialty has since evolved into a new since 1985, Lulu Tan-Gan had been dubbed “The Queen of Knitwear” in the country. The specialty has since evolved into a new hand-woven line, called Indigenous Couture, that blends Philippine artisan crafts, fabrics, fibers, and other local materials with TanGan’s signature contemporary lifestyle dressing. Dita Sandico-Ong Another Philippine designer who has been advocating the use of local weaving techniques and natural fibers is Dita Sandico-Ong. Known as the “Wrap Artiste” of the Philippines for her famous bold-colored wraps, Sandico-Ong first experimented with the local weave of Ilocos Sur, known as inabel , as well as with pineapple fibers blended with Irish linen, dubbed piñalino. From there, she tried other local fibers, particularly abaca which she was introduced to by weaver and entrepreneur Virgilio Apanti. Sandico-Ong has since been workingwith a multipurpose cooperative in Catanduanes, training them in natural dye extraction and advanced weaving techniques for abaca.

“Kool Komiks”

1. You will decide upon a subject matter and main character (or characters) for a simple 1 - frame comic strip that you will create.
2. The finished comic strip will be mounted on illustration board size 1/8.
3. You will turn over the finished comic strip to the teacher. What’s More

Answer the following questions in sentence/paragraph form. Copy the questions and write your answers on a separate sheet. For Advertising:

1. What forms does print media take in the field of advertising? Name 5 examples.
2. What does the advertising copywriter do?
3. Name the other art professionals who work together to create a print advertisement. For Comics Illustration:
4. The popularity of comics began in the Philippines through what magazine?
5. What was one of the first comic strips that appeared there?
6. Who became known as the “Father of Filipino Comics”?
7. What popular U.S. comics publisher hired many Filipino illustrators in the 1960s to the 1980s? For Book Design and Illustration:
8. In the book publishing industry in the Philippines, how has the profession of book design evolved?
9. What trends or styles do you notice in the examples of book design presented?
10. Describe how this affects the publishing and printing industry. What I Have Learned

“Creating a Story Book”

1. You will decide upon a subject matter and characters for a simple 3-page storybook that you will create.
2. You will take on different aspects of producing the book: a. conceptualizing and writing the storyline b. encoding the text of the story into a word processing or book layout program. c. rendering the artwork for the book cover using an illustration software d. rendering the illustrations using an illustration software, and incorporating these into the book layout e. outputting the finished cover and inside pages of the book f. binding the cover and inside pages into book form
3. You will turn over the finished book to your MAPEH teacher. RUBRICS FOR SCORING: Category (Advanced) 10 (Proficient) 8 (Approaching Proficiency) 6 (Developing) 4 Critical Thinking Student’s comments are in depth and show evidence of critical thinking. Student’s ideas show evidence of critical thinking. Student’s ideas are short and shallow. Student’s ideas do not show evidence of critical thinking. Quality of Work Provides work of the highest quality. Provides high quality work. Provides work that occasionally needs to be check/redone by other group members to ensure quality. Provides work that usually needs to be check/redone by others to ensure quality. Originality Presentation shows considerable originality and inventiveness. The content and ideas are presented in unique and interesting way. Presentation shows some originality and inventiveness. The content and ideas are presented in an interesting way. Presentation shows an attempt at originality and inventiveness on 1 - 2 category. Presentation is a rehash of other people’s ideas and/or graphics and shows very little attempt at original thought. Highest Possible Score: 30/ What I Can Do

True or False. Read the statements carefully. Write TRUE if the statement is correct. Write FALSE if the statement is incorrect. Write your answers on a separate sheet.

1. Print media is known for being more conventional form of media.
2. Advertising, Comic Books, Book Design and Illustration and Digital media are forms of Film media.
3. Advertising is another filed of print media that highlights the artistic gifts of Filipinos.
4. Comics began in the 1920s when Liwayway magazine started featuring comic books.
5. Pol Medina Jr. is recognized as the “Father of Filipino Comics”.
6. Neni Sta. Romana-Cruz wrote the “Why the Piña Has a Hundred Eyes”.
7. A number of American designers have risen to superstardom both locally and internationally, like Lulu Tan-Gan and Monique Lhuillier.
8. Josie Natori a FilipinoAmerican fashion designer began her career as an investment banker before she made her own lingerie, resort and lounge wear.
9. Trame Chair, Carousel Lamps and Yoda Chairs are Rajo Laurel’s work.
10. Social media-based publishing sites,like Wattpad serves as communities for millions of budding writers to share their original stories online. Assessment

 Make a reflection paper based on what you have learned in this Module.  Write your answer in a one whole sheet of paper. RUBRIC Categories (Advanced) 10 (Proficient) 8 (Approaching proficiency) 6 (Developing) 4 Critical thinking Student’s comments are in depth and show evidence of critical thinking. Student’s ideas show evidence of critical thinking. Student’s ideas are short and shallow. Student’s ideas do not show evidence of critical thinking. Content and relevance of the answer Establishes strong connection between the answer and the given activity and comprehensive idea relevant to the topic. Establishes acceptable connection between the answer and the given activity and comprehensive idea relevant to the topic. Establishes limited connection between the answer and the given activity and the given satisfactory content of the response given. Establishes very limited connection between the answer and the given activity and very little content of the response given. Neatness Student’s work is very neat and clean. Student’s work is neat and clean. Student’s work needs refinement. Student’s work do not show neatness. Highest Possible Score: 30/ Additional Activity

Reference: Horizons Grade 10 Learner’s Material, pp. 282 - 300 DEVELOPMENT TEAM Writer: Micaella C. Garcia Editor: Language Editor: Proof Reader: Illustrators: Kinette Boy G. Garcia Layout Artist: Kinette Boy G. Garcia MANAGEMENT TEAM Julieto H. Fernandez, Ed. D., CESO VI SDS-Isabela City Maria Laarni T. Villanueva, Ed. D., CESE ASDS-Isabela City Henry R. Tura CID Chief Elsa A. Usman LR Supervisor Jani P. Ismael, EPS-MAPEH Module Coordinator