READ: Sorry, Wrong Number, Assignments of Ethics

Questions. Big Idea ... Think Questions: Sorry, Wrong Number ... Answer must have a ”quote in red” to support. 2 Mrs. Stevenson cannot be.

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READ:&Sorry,&Wrong&Number!!
Annotation Guidelines: Find at least 5 different ICONS
not including all the Language ICONS!
Icon!
Prompt!
Questions!
!
!
!
Big!Idea!
!
What!is!the!theme!or!big!idea?!
What!is!this!really!about?!
What!statement!describes!this?!
What!other!ideas!or!events!connect!to!this?!
!
!
!
Details!
!
What!are!the!important!characteristics?!
Why!is!this!detail!significant?!
What!details!are!important!to!your!understanding?!
!
!
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Ethics!
!
What!is!right!and!wrong?!
Where!is!there!bias,!prejudice,!or!discrimination?!
What!is!a!dilemma!that’s!involved!in!this?!
!
!
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Conflict!
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ExternalMan!vs!Man!
ExternalMan!vs!Nature!
InternalMan!vs!Self!
What!does!each!character!want?!
Can!they!both!have!what!they!want?!
!
!
Unanswered!
Questions!
What!do!I!still!not!understand?!
What!makes!the!information!incomplete?!
What!hasn’t!been!explained?!
!
!
!
Patterns!
!
What!are!events!that!repeatparallel!episodes?!
What!elements!or!ideas!are!repeated?!
What!is!the!significance!of!the!repeated!event?!
Are!the!patterns!similar!to!anything!from!your!experience?!
!
!
Change!Over!
time!
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How!are!ideas!related!between!the!past,!present,!and!future?!
How!has!time!affected!the!situation!or!information?!
How!and!why!do!things!change!or!remain!the!same?!
What!is!the!significance!of!the!change!in!character?!
!
Different!
Perspective!
What!are!opposing!viewpoints?!
How!do!different!people!see!this?!
How!would!another!character’s!perspective!be!different?!
Personal!
Connection!
How!does!this!event!connect!to!your!experience?!
How!can!you!relate!to!this?!
!
!
Significant!
Language!
!
What!dialect!is!specific!to!the!character!and/or!setting?!
What!words!are!unfamiliar?!
What!words!are!significant?!
!
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READ: Sorry, Wrong Number

Annotation Guidelines: Find at least 5 different ICONS —

not including all the Language ICONS

Icon Prompt Questions Big Idea What is the theme or big idea? What is this really about? What statement describes this? What other ideas or events connect to this? Details What are the important characteristics? Why is this detail significant? What details are important to your understanding? Ethics What is right and wrong? Where is there bias, prejudice, or discrimination? What is a dilemma that’s involved in this? Conflict External—Man vs Man External—Man vs Nature Internal—Man vs Self What does each character want? Can they both have what they want? Unanswered Questions What do I still not understand? What makes the information incomplete? What hasn’t been explained? Patterns What are events that repeat—parallel episodes? What elements or ideas are repeated? What is the significance of the repeated event? Are the patterns similar to anything from your experience? Change Over time How are ideas related between the past, present, and future? How has time affected the situation or information? How and why do things change or remain the same? What is the significance of the change in character? Different Perspective What are opposing viewpoints? How do different people see this? How would another character’s perspective be different? Personal Connection How does this event connect to your experience? How can you relate to this? Significant Language What dialect is specific to the character and/or setting? What words are unfamiliar? What words are significant?

StudySync 10/26/17, 4:10 PM https://apps.studysync.com/?overlay=24355701#!/assignments/71422330/read Page 1 of 3

First Read: Sorry, Wrong Number

Read EXCERPT FROM ACT ONE

[SCENE: As curtain rises, we see a divided stage, only the center part of which is lighted and furnished as
MRS. STEVENSON’S bedroom. Expensive, rather fussy furnishings. A large bed, on which MRS.
STEVENSON, clad in bed jacket, is lying. A night-table close by, with phone, lighted lamp, and pill bottles.
A mantle, with clock, right. A closed door, right. A window, with curtains closed, rear. The set is lit by one
lamp on a night-table. It is enclosed by three flats. Beyond this central set, the stage, on either side, is in
darkness.
MRS. STEVENSON is dialing a number on the phone, as curtain rises. She listens to phone, slams down
receiver in irritation. As she does so, we hear sound of a train roaring by in the distance. She reaches for
her pill bottle, pours herself a glass of water, shakes out pill, swallows it, then reaches for the phone again,
dials number nervously. ]
[SOUND: Number being dialed on phone: Busy signal. ]
MRS. STEVENSON [ a querulous, self-centered neurotic ]: Oh—dear! [ Slams down receiver, dials
OPERATOR.]
[SCENE: A spotlight, left of side flat, picks up out of peripheral darkness, figure of 1st OPERATOR, sitting
with headphones at small table. If spotlight not available, use flashlight, clicked on by 1st OPERATOR,
illuminating her face. ]

OPERATOR: Your call, please? MRS. STEVENSON: Operator? I’ve been dialing Murray Hill 4-0098 now for the last three-quarters of an

hour, and the line is always busy. But I don’t see how it could be busy that long. Will you try it for me

please? OPERATOR: Murray Hill 4-0098? One moment, please.

[SCENE: She makes gesture of plugging in call through switchboard. ]

StudySync 10/26/17, 4:10 PM https://apps.studysync.com/?overlay=24355701#!/assignments/71422330/read Page 3 of 3 Annotations GEORGE: Okay. I understand. FIRST MAN: Make it quick. As little blood as possible. Our client does not wish to make her suffer long. GEORGE: A knife okay, sir? FIRST MAN: Yes. A knife will be okay. And remember—remove the rings and bracelets, and the jewelry in the bureau drawer. Our client wishes it to look like a simple robbery.

[SOUND: A bland buzzing signal. ]
MRS. STEVENSON [ clicking phone ]: Oh! [ Bland buzzing signal continues. She hangs up. ]How awful! How

unspeakably—

Excerpted from Sorry, Wrong Number by Lucille Fletcher, published by Dramatists Play Service, Inc.

Think Questions: Sorry, Wrong Number

Name:
1 How does the setting help
emphasize that Mrs. Stevenson
is alone and not feeling well?
Cite evidence from the stage
directions to explain.
Answer must have a ”quote in red” to support.
2 Mrs. Stevenson cannot be
heard by the other callers and
she slowly realizes that she is
hearing something she
obviously was not intended to
hear. Cite the part of the text
where Mrs. Stevenson and the
reader know for sure that the
callers are planning a crime.
How does this help create
suspense?
Answer must have a ”quote in red” to support.
3 From the information the author
provides about the setting, and
the details she reveals about
the murder plot Mrs. Stevenson
overhears, what inferences can
you make that suggest Mrs.
Stevenson herself might be the
intended victim? Support your
answer with evidence from the
text.
Answer must have a ”quote in red” to support.

4 Use context to determine the

meaning of the

word imperious as it is used

in paragraph 19 of Sorry,

Wrong Number. Write your

definition of imperious here

and explain how you figured

it out.

The definition is:
I know this because in context…
I know this because the root “XXX” means…