Introduction to Theater: Elements & Audience Expectations - Prof. Susanna C. Rinehart, Study notes of Theatre

Explore the fundamental aspects of theater, from its ancient greek origins to the modern stage. Discover the essential components of a play, including actors, audience, and space. Delve into aristotle's seven elements of drama and the role of the tragic hero. Compare theater to sports and discuss the importance of audience participation and the willing suspension of disbelief.

Typology: Study notes

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Intro to Theater: Test 1
Theater – the act of seeing and being seen
From Greek theatron – the seeing place
Theater requires:
1) Actor(s)
2) Audience
3) Space
Theater is interactive; it does not occur until an audience is
there to witness it
Stages:
- Proscenium Arch: An arch frames the stage
oAudience is lined up in straight rows (limited views)
oCreates a stage picture (frame)
oFront vs. back row seating gives different pictures/views of
the play
- Proscenium Thrust: 360° Theater, Theater in the Round, Arena
Stage
oArch thrusts out into the space
oThere are different audience banks
oDirector has to sit in seat from each audience bank to make
sure each view still portrays the picture he wants seen
oBuilds more intimacy with the audience
oGives the actor the ability to act in 360°
- Black Box Theater – most common
oSquare space, painted black
oCan be modified however director wants it to look
oAudience and stage can be set up however the director
wants
oCreates a more intimate experience, acting continues into
audience
oRarely more than 100 in audience
What does the audience expect from a play?
- A Story
- Drama/A Conflict (or conflicting need)
- Action
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Intro to Theater: Test 1 Theater – the act of seeing and being seen From Greek  theatron – the seeing place Theater requires:

  1. Actor(s)
  2. Audience
  3. Space Theater is interactive; it does not occur until an audience is there to witness it Stages:
  • Proscenium Arch: An arch frames the stage o Audience is lined up in straight rows (limited views) o Creates a stage picture (frame) o Front vs. back row seating gives different pictures/views of the play
  • Proscenium Thrust: 360° Theater, Theater in the Round, Arena Stage o Arch thrusts out into the space o There are different audience banks o Director has to sit in seat from each audience bank to make sure each view still portrays the picture he wants seen o Builds more intimacy with the audience o Gives the actor the ability to act in 360°
  • Black Box Theater – most common o Square space, painted black o Can be modified however director wants it to look o Audience and stage can be set up however the director wants o Creates a more intimate experience, acting continues into audience o Rarely more than 100 in audience What does the audience expect from a play?
  • A Story
  • Drama/A Conflict (or conflicting need)
  • Action
  • Scenery Aristotle o “Mimesis” – the acting out of a human experience/the imitation of human experience o He believed there was a human need for collective group experiences (we are social animals) o Came up with 7 Components he felt were necessary for a play to be called a play 1) Plot – a sequence of events with a definite beginning, middle, and end 2) Character – psychological make-up: we need to understand who they are, where they come from, and why they react as they do 3) Language – What the words means AND how they sound together 4) Theme – multiple and personal to how we view the piece (subjective) 5) Spectacle – everything that is seen and heard 6) Time – how much fictional time passes during the play 7) Dramatic Action – a single force that makes the play unified as a whole Rules are made to be broken. Many contemporary plays break the rules of these elements. Aristotle says tragedy sees people as both vulnerable and invincible. It also explores people’s greatness and defeat. Tragedy brings out the best of people. The tragic hero
  • Pits himself against an external forces -struggles suffers and gets defeated -goes alone and of his free will -has a tragic flaw, some characteristic in excess Why do we need them to have these flaws? o It makes them more relatable. Sports vs. Theater BOTH: Have conflict, an audience, and a performance Involve buildup and expectation Have an intermission, or some break in the middle

o Hugo’s voice is framing the overall concept of the movie of wanting what he can’t have and being who he is not  He directly tells you his motives from the beginning, whereas the play begins and you are playing catch-up to figure out what is going on

  • Opera Music o Trying to keep universal theme of play in the film adaptation o Even though it is more of a low quality version, they mix it in with fine arts to try and keep perspective Setting: Prep School in South Carolina
  • South Carolina: because they have a history of being conservative and still very racist
  • High School: because there is a social hierarchy still in high school; it is a social and emotional development stage; parents are still more involved in their kid’s lives in HS
  • Prep School: it is a private boarding school; more elitist attitudes, not as culturally diverse Weaknesses:
  • Very dumbed down version of Shakespeare – takes away from the complexity of the play
  • Relationship between Oden and Dessie isn’t portrayed nearly as deeply as the one between Othello and Desdemona in Shakespeare
  • Roger is treated very poorly and Hugo demands him what to do (but in play Roderigo is naive and does as Iago suggests)
  • Hugo does steroids so it doesn’t set him up to be perceived as “honestly” as Iago o Hugo has steroids as an excuse for his behavior o Shakespeare leaves his character flaws up to human nature
  • Language makes it less intelligent Manipulation of People’s Weaknesses:
  • Roderigo – Desdemona
  • Othello – honest and unsuspecting nature
  • Desdemona - virtue
  • Cassio – alcohol
  • Emilia – Iago (she will do anything to try and please him)

Poison:

  • Iago devises a plan for Roderigo to tell Brabantio that Desdemona has snuck off with and older black monster to get married o Brabantio thinks she must be under some spell because she would never do such a thing
  • Brabantio tells Othello to be careful because Desdemona has deceived me and she may deceive you
  • Plants seed in Montano’s head that Cassio is an alcoholic
  • Iago plants seed that Cassio spends a lot of time with Desdemona o He talks about her in his sleep o He saw him with Desdemona’s handkerchief o Othello publicly hits his wife and eventually kills he because of this poison Jealousy
  • Iago is jealous that Othello appointed Cassio as Officer because he is young and has no battlefield experience o He feels betrayed by Othello (I.1)
  • Othello’s jealousy gets his wife killed Appearance vs. Reality
  • Montano witnesses Cassio drunk and thinks he is an alcoholic o He was stabbed by Iago but thought it was Cassio
  • Cassio talking to Desdemona about getting his job back, Othello thinks they are having an affair Destruction of Innocence by evil
  • Brabantio is publicly embarrassed after he finds his daughter is actually in love with Othello, not under a spell Soliloquies (where the character speaking is the only one left on stage, speaking his/her thoughts out loud)
  • Iago’s 1 st (End of Act 1) o Admits that he is only using Roderigo o Hates the Moor