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This lecture handout is one of 45 for Introduction to Broadcasting course. It was provided by Dr. Dhanesh Merchant at Bengal Engineering and Science University for Introduction to Broadcasting course. Its main points are: Broadcast, Invention, Radio, Waves, News, Current, Affairs, Programming, Talk, Shows, Interviews
Typology: Exercises
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Why to broadcast?
The foremost thing coming to mind is why it is so essential to broadcast something. Well, growth in the size of societies requires some mechanism to keep people informed about a number of developments taking place around them to make their life organized, smooth and at times, to relieve them of their routine anxieties. Such rapid communication helps societies to improve their quality of life as well.
Invention of Radio:
Almost all the leading broadcasting houses have put their presentations in these distinct categories namely:
MUSICAL PROGRAMS:
RADIO DOCUMENTARY:
DISC JOCKEY
The radio program production knows no limit. After having produced items of news, current affairs, outdoor, dramas, features, interviews, music and documentaries there still remain desire and room to do yet more. Radio produces almost on daily basis a range of programs other than the ones mentioned just above, usually labeled as disc jockeys. The need of such programs was felt when most radio stations decided to be on air for round the clock or more than half the day. Earlier when the radio transmission was meant for limited hours of a day, the length of radio program was also limited. There was little variety in the nature of programs. But by going on air for longer spells of time, and with the involvement of commercial activities, the radio stations felt a pressure to devise programs which must fill the time appropriately
Speech:
In a common way noise refers to sounds and voices. But in communication it means altogether different. Anything, in any form, which distorts or hampers true meanings of a message, is understood as noise. If we talk in general, we notice that more than often a message does not reach the receiver the way it is intended by the sender, that is, it loses a
MICROPHONE – from human voice to electrical pulse
Writing Script for Radio Broadcast:
NEWS Script
Script for Interviews
Like news, you can’t afford a mistake of names, background, reference and the subject matter while interviewing a person. The only safety is you first write down a script carrying questions and all the references about the interviewee. In panel interviews sometimes supplementary questions have to be scripted as other are putting questions in real time. Normal practice is to employ people who should conduct research work on a topic or the personality before questions are constructed. Some station engage top ranking researchers for this purpose. All this exercise aims at making interviews one of the most attractive piece of broadcast. If you have to hold an interview of a celebrity from the showbiz, it is pertinent to know a great deal about the achievements of the star and then set questions. It is a poor show on part of a broadcasting house, or the interviewer, to ask a celebrity to narrate his/her achievements.
Script for Talk Shows / Discussions
The opening remarks about the topic and the necessity to run a program, introduction of the participants and the questions are all lying on the table as a script to begin a program. At times some lines are so hard and fast, that the anchorperson has to rehearse them well before the time. But much of the talk shows is the same as in the programs like interviews. The anchorperson of talk shows must be equipped with information related to the person or the topic. For example if the discussion is to take place on globalization of economy, the compere must be familiar with the concepts of free market economy, the various rounds of the
country’s position on certain developments in the world trade, reaction of the business community and the possible amendments which may remove obstacles in a smooth international trade. From here on the discussion must start to find new ideas on various aspects of the top under discussion. If this is not done this way, then the program would be repeating things which are already in the knowledge of listeners.
Script for Documentaries & Radio Features
For all documentaries and radio features, a script must be ready before other formalities are fulfilled. In documentaries the script may carry historical data as well. One thing which must be taken care of is the choice of words which should be simple and understood by common people without much botheration.
Script for Live Shows
Though it seems, the talent is saying something off the cuff, it is not so. All one is saying at the mike in front of a huge gatherings like the live-shows, or awards giving ceremonies, is not only strictly scripted but properly rehearsed for one can’t afford to slip and cause embarrassment to the producer and the station when VIPS and other bigwigs are around.
Script for Disc Jockeys
All Programs – children, women, forces, farmers, light-talk, film songs-based, announcements, messages etc. are not without scripts. Since these programs carry a fair amount of talking, pieces of advice, jokes, what to do and what not and ordinary statements/announcements, the talents need a copy of script. Even a shift announcer is given a script to make announcements for the programs and news bulletins to follow. The same script is also held by the producers to make sure that a program goes according to the script.
Script for Dramas
Needless is to say that a drama needs a script; it has to be. In fact there is no concept of a radio play without a script. Not only a formal script is required to produce a drama, the drama script is so frequently punctuated with marks like cues and cautions; pauses, loud speech, whisper, snobbish and the background musical effects.
These are the scripts, which are not only rehearsed for hours but sometimes for days; to the satisfaction of the director before recordings begin. The following point should be kept in mind while dealing with a script for dramas: