Sample Test Matching, Slides of English Philology

Sample Test. Matching: Match the instrument with its description by placing the letter of the definition in the space preceding the instrument name.

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Sample Test
Matching: Match the instrument with its description by placing the letter of the
definition in the space preceding the instrument name.
1. _____ Feli A. Musical bow
2. _____ Gbung gbung B. Harp-lute found in West Africa
3. _____ Nyeng-nyeng C. Triangular frame-zither
4. _____ Koning D. Goblet-shaped drum played by master
drummer
5. _____ Kora E. Rattles added to an instrument
6. _____ Ghong-kpala F. two headed cylindrical drum
Multiple Choice: Place the letter of the correct answer in the blank preceding the
question.
7. _____ The person who organizes and leads epic performances is the (a)
Questioner; (b) Epic-pourer; (c) Song catcher; (d) Village chief
8. _____ The generic term for men’s secret society in Kpelle cuture is: (a) Tomo; (b)
Muu; (c) Poro; (d) Sande.
9. _____ The generic term for women’s secret society in Kpelle cuture is: (a) Tomo;
(b) Muu; (c) Poro; (d) Sande.
10. ____ Singers who embellish the performance with added ostinato patterns are the
(a) owl-raising-people; (b) Epic-pourer; (c) chorus; (d) Questioner.
11. ____ Epics recounting the adventures of the Kpelle superhuman hero are referred
to as: (a) Tomo; (b) Woi-meni-pele; (c) Kuu; (d) Kutidingo.
12. _____ Transverse horns made of wood or ivory played by royal musicians is the
(a) Pele; (b) Tomo; (c) Turu; (d) Kora
True-false: Indicate whether the following statements are true or false by placing a
T or F in the space preceding the statement.
13. _____ “Cutting the edge” refers to a concluding gesture to indicate a performance
has finished.
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Sample Test

Matching: Match the instrument with its description by placing the letter of thedefinition in the space preceding the instrument name.

  1. _____ Feli A. Musical bow
  2. _____ Gbung gbung B. Harp-lute found in West Africa
  3. _____ Nyeng-nyeng C. Triangular frame-zither
  4. _____ Koning D. Goblet-shaped drum played by masterdrummer
  5. _____ Kora E. Rattles added to an instrument
  6. _____ Ghong-kpala F. two headed cylindrical drum Multiple Choice: Place the letter of the correct answer in the blank preceding the question.
  7. _____Questioner; (b) Epic-pourer; (c) Song catcher; (d) Village chief The person who organizes and leads epic performances is the (a)
  8. _____ The generic term for men’s secret society in Kpelle cuture is: (a) Tomo; (b) Muu; (c) Poro; (d) Sande.
  9. _____ The generic term for women’s secret society in Kpelle cuture is: (a) Tomo; (b) Muu; (c) Poro; (d) Sande.
  10. ____ Singers who embellish the performance with added ostinato patterns are the (a) owl-raising-people; (b) Epic-pourer; (c) chorus; (d) Questioner.
  11. ____ Epics recounting the adventures of the Kpelle superhuman hero are referred to as: (a) Tomo; (b) Woi-meni-pele; (c) Kuu; (d) Kutidingo.
  12. _____(a) Pele; (b) Tomo; (c) Turu; (d) Kora Transverse horns made of wood or ivory played by royal musicians is the

True-false: Indicate whether the following statements are true or false by placing a T or F in the space preceding the statement.

  1. _____ “Cutting the edge” refers to a concluding gesture to indicate a performance has finished.
  1. _____ Picasso’s cubist period was influenced by West African art.
  2. _____ Kum Ba Ding Da refers to a secret society in Kpelle culture.
  3. _____ Obscuring the facet is common in music performed for ritual occasions.
  4. _____ The resonating chamber of the triangular frame-zither is a gourd resting against the player’s chest.
  5. _____ Liberia was a British colony until the mid twentieth century.
  6. _____ Bird calls are sometimes used to indicate rhythm patterns in Kpelle percussion performance.
  7. _____ The use of the syllable “oo” in a high falsetto range may indicate the arrival of a tutelary spirit in a performance.
  1. T Picasso’s cubist period was influenced by West African art.
  2. F Kum Ba Ding Da refers to a secret society in Kpelle culture.
  3. T Obscuring the facet is common in music performed for ritual occasions.
  4. Tthe player’s chest. The resonating chamber of the triangular frame-zither is a gourd resting against
  5. F Liberia was a British colony until the mid twentieth century.
  6. Tperformance. Bird calls are sometimes used to indicate rhythm patterns in Kpelle percussion
  7. T The use of the syllable “oo” in a high falsetto range may indicate the arrival of a tutelary spirit in a performance.