Snow Falling on Cedars, Study notes of Japanese

San Piedro Island, north of Puget Sound, is a place so isolated that no one who lives there can afford to make enemies. But in 1954 a local fisherman is ...

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Snow Falling on Cedars
By David Guterson
About the Book….
San Piedro Island, north of Puget Sound, is a place so
isolated that no one who lives there can afford to make
enemies. But in 1954 a local fisherman is found suspiciously
drowned, and a Japanese American named Kabuo
Miyamoto is charged with his murder. In the course of the
ensuing trial, it becomes clear that what is at stake is more
than a man's guilt. For on San Pedro, memory grows as
thickly as cedar trees and the fields of ripe strawberries--
memories of a charmed love affair between a white boy and
the Japanese girl who grew up to become Kabuo's wife;
memories of land desired, paid for, and lost. Above all, San Piedro is haunted by
the memory of what happened to its Japanese residents during World War II,
when an entire community was sent into exile while its neighbors
watched. Gripping, tragic, and densely atmospheric, Snow Falling on Cedars is
a masterpiece of suspense-- one that leaves us shaken and changed.
About the Author…
David Guterson is the author of Snow Falling on Cedars
and East of the Mountains, and of the story collection The
Country Ahead of Us, the Country Behind. A Guggenheim
Fellow and PEN/Faulkner Award winner, he lives in
Washington State.
Discussion Questions…
1. Snow Falling on Cedars opens in the middle of Kabuo Miyamoto's trial. It
will be pages before we learn the crime of which he has been accused or the
nature of the evidence against him. What effect does the author create by
withholding this information and introducing it in the form of flashbacks?
Where else in the narrative are critical revelations postponed? How is this
novel's past related to its fictional present?
2. When the trial begins, San Piedro is in the midst of a snowstorm, which
continues throughout its course. What role does snow play--both literally and
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By David Guterson

About the Book….

San Piedro Island, north of Puget Sound, is a place so

isolated that no one who lives there can afford to make

enemies. But in 1954 a local fisherman is found suspiciously

drowned, and a Japanese American named Kabuo

Miyamoto is charged with his murder. In the course of the

ensuing trial, it becomes clear that what is at stake is more

than a man's guilt. For on San Pedro, memory grows as

thickly as cedar trees and the fields of ripe strawberries--

memories of a charmed love affair between a white boy and

the Japanese girl who grew up to become Kabuo's wife;

memories of land desired, paid for, and lost. Above all, San Piedro is haunted by

the memory of what happened to its Japanese residents during World War II,

when an entire community was sent into exile while its neighbors

watched. Gripping, tragic, and densely atmospheric, Snow Falling on Cedars is

a masterpiece of suspense-- one that leaves us shaken and changed.

About the Author…

David Guterson is the author of Snow Falling on Cedars

and East of the Mountains, and of the story collection The

Country Ahead of Us, the Country Behind. A Guggenheim

Fellow and PEN/Faulkner Award winner, he lives in

Washington State.

Discussion Questions…

  1. Snow Falling on Cedars opens in the middle of Kabuo Miyamoto's trial. It will be pages before we learn the crime of which he has been accused or the nature of the evidence against him. What effect does the author create by withholding this information and introducing it in the form of flashbacks? Where else in the narrative are critical revelations postponed? How is this novel's past related to its fictional present?
  2. When the trial begins, San Piedro is in the midst of a snowstorm, which continues throughout its course. What role does snow play--both literally and

By David Guterson

metaphorically--in the book? Pay particular attention to the way in which snow blurs, freezes, isolates, and immobilizes, even as it holds out the promise of an "impossible winter purity" [p. 8]. How does nature shape this novel?

  1. When Carl's body is dredged from the water, the sheriff has to remind himself that what he is seeing is a human being. While performing the autopsy, however, Horace Whaley forces himself to think of Carl as " the deceased ...a bag of guts, a sack of parts" [p. 54]. Where else in Snow Falling on Cedars are people depersonalized--detached from their identities--either deliberately or inadvertently? What role does depersonalization play within the novel's larger scheme?
  2. What material evidence does the prosecution produce in arguing Kabuo's guilt? Did these bits of information immediately provoke the investigators' suspicions, or only reinforce their preexisting misgivings about Carl's death? Why might they have been so quick to attribute Carl's death to foul play? How does the entire notion of a murder trial--in which facts are interpreted differently by opposing attorneys--fit into this book's thematic structure?
  3. What significance do you ascribe to Ishmael's name? What does Guterson's protagonist have in common with the narrator of Moby-Dick , another story of the sea?
  4. Ishmael's experience in World War II has cost him an arm. In that same war Horace Whaley, the county coroner, lost his sense of effectiveness, when so many of the men he was supposed to care for died. How has the war affected other characters in this book, both those who served and those who stayed home?
  5. Kabuo and Hatsue also possess--and are at times driven by--certain values. As a young girl, Hatsue is taught the importance of cultivating stillness and composure in order "to seek union with the Greater Life" [p. 83]. Kabuo's father imparts to him the martial codes of his ancestors. How do these values determine their behavior, and particularly their responses to internment, war, and imprisonment? How do they clash with the values of the Anglo community, even as they sometimes resemble them?
  6. Racism is a persistent theme in this novel. It is responsible for the internment of Kabuo, Hatsue, and their families, for Kabuo's loss of his land, and perhaps for his indictment for murder. In what ways do the book's Japanese characters respond to the hostility of their white neighbors? How does bigotry manifest itself in the thoughts and behavior of characters like Etta Heine-- whose racism is keenly ironic in view of her German origins--Art Moran, and Ishmael himself? Are we meant to see these characters as typical of their place and time?
  7. Although almost all the novel's white characters are guilty of racism, only one of them--Etta Heine--emerges unsympathetically. How do her values and motives differ from those of other San Piedrans? How is her hostility to the