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Question 1. Which visual phenomenon allows a series of still images to be perceived as continuous motion? A) Persistence of Vision B) Phi Phenomenon C) Critical Flicker Fusion D) Afterimage Answer: B Explanation: The phi phenomenon describes the illusion of motion when separate images are shown in rapid succession. Question 2. What is the minimum frame rate at which most people no longer perceive flicker, known as the critical flicker fusion threshold? A) 12 fps B) 18 fps C) 24 fps D) 30 fps Answer: C Explanation: Around 24 frames per second is typically the point where the brain fuses discrete images into smooth motion. Question 3. Which early device used a spinning drum with sequential images to create the illusion of motion? A) Zoetrope
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B) Phenakistoscope C) Kinetoscope D) Chronophotographic gun Answer: A Explanation: The zoetrope’s rotating drum displays images through slits, producing a moving picture. Question 4. Who invented the chronophotographic gun capable of capturing 12 frames per second on a single plate? A) Eadweard Muybridge B) Étienne‑Jules Marey C) George Eastman D) W.K.L. Dickson Answer: B Explanation: Marey’s chronophotographic gun recorded multiple exposures on one plate, advancing motion study. Question 5. The transition from glass plates to flexible celluloid film was pioneered by: A) Thomas Edison B) George Eastman C) Louis Lumière D) D.W. Griffith
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Question 8. Which device provided a single‑person “peep‑show” viewing experience in the 1890s? A) Lumière projector B) Kinetoscope C) Vitascope D) Phantoscope Answer: B Explanation: The Kinetoscope allowed individual viewers to watch short films through a viewer slot. Question 9. The first purpose‑built film studio, built on a rotating platform to follow sunlight, was known as: A) The Black Maria B) The White House C) The Motion Palace D) The Lumière Lab Answer: A Explanation: Edison’s Black Maria studio could be turned to capture optimal natural light. Question 10. Which invention served simultaneously as camera, printer, and projector? A) Kinetograph B) Vitascope C) Cinématographe D) Biograph
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Answer: C Explanation: The Lumière brothers’ Cinématographe performed all three functions, making it highly versatile. Question 11. The first public, paid film screening took place at which location? A) The Black Maria, West Orange B) Grand Café, Paris C) The Crystal Palace, London D) The Edison Hall, New York Answer: B Explanation: On December 28, 1895, the Lumière brothers screened films at the Grand Café. Question 12. Georges Méliès is best known for pioneering which cinematic technique? A) Continuity editing B) Stop‑motion and multiple exposures C) Deep focus cinematography D) Handheld camera work Answer: B Explanation: Méliès used stop‑motion, dissolves, and double exposures to create fantastical effects. Question 13. Méliès’s “A Trip to the Moon” (1902) is an early example of:
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Answer: B Explanation: Porter intercut scenes occurring simultaneously, pioneering parallel editing. Question 16. The first film to feature a recognizable “close‑up” for emotional emphasis was directed by: A) D.W. Griffith B) Georges Méliès C) Edwin S. Porter D) Charlie Chaplin Answer: A Explanation: Griffith used close‑ups to highlight characters’ feelings, shaping narrative language. Question 17. “The Birth of a Nation” (1915) is noted for its technical innovations but also for: A) Pioneering color film B) Its overtly racist content and propaganda C) Introducing synchronized sound D) Being the first talkie Answer: B Explanation: While groundbreaking technically, the film glorified the Ku Klux Klan and sparked controversy. Question 18. “Intolerance” (1916) is distinguished by its use of:
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A) Single‑location shooting B) Massive sets and interwoven historical timelines C) Hand‑colored frames D) Real‑time narration Answer: B Explanation: Eisenstein’s epic juxtaposes four distinct eras through elaborate sets and parallel editing. Question 19. In mise‑en‑scene, which element does NOT belong? A) Lighting B) Sound design C) Props D) Costume Answer: B Explanation: Sound design is an auditory element; mise‑en‑scene concerns visual components within the frame. Question 20. A “low‑angle” shot typically conveys: A) Vulnerability of the subject B) Superiority or power of the subject C) Neutral perspective D) Disorientation
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B. Soft shadows and even illumination C. Strong backlighting only D. Colored gels Answer: B Explanation: High‑key lighting produces a bright, low‑contrast look with minimal shadows. Question 24. A “Dutch” or canted angle is most often used to: A) Emphasize stability B) Suggest psychological unease or disorientation C) Show a character’s dominance D) Highlight symmetry Answer: B Explanation: Tilting the camera creates a skewed horizon, conveying tension or instability. Question 25. A wide‑angle lens primarily affects a scene by: A) Compressing depth, making distant objects appear closer together B) Expanding depth of field and exaggerating spatial relationships C) Isolating the subject with a shallow focus D) Producing a soft, dreamy image Answer: B
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Explanation: Wide‑angle lenses have short focal lengths, increasing depth of field and stretching space. Question 26. German Expressionist cinema is best defined by its focus on: A. Realistic social issues B. Psychological states expressed through stylized visuals C. Documentary realism D. Musical numbers Answer: B Explanation: Expressionism uses distorted sets and chiaroscuro to externalize inner emotions. Question 27. The term “chiaroscuro” in film refers to: A. Use of bright, saturated colors B. Contrast between light and dark to create mood C. Fast cutting between shots D. Synchronised sound Answer: B Explanation: Chiaroscuro emphasizes stark lighting contrasts, a hallmark of Expressionist aesthetics. Question 28. The Kuleshov Effect demonstrates that meaning in film is created by: A. The actor’s performance alone B. The juxtaposition of sequential shots
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Question 31. French Impressionist cinema sought to capture: A. Historical epics with massive crowds B. The inner subjective experience of characters C. Purely objective documentary footage D. Fast-paced slapstick comedy Answer: B Explanation: Impressionist filmmakers used visual techniques to convey mood and perception. Question 32. The term “photogénie” in French cinema theory refers to: A. The technical quality of film stock B. The magical quality revealed by the camera that transcends reality C. The use of natural lighting only D. The speed of editing Answer: B Explanation: Photogénie describes how cinema can reveal a deeper essence of objects. Question 33. One major reason filmmakers moved to California in the 1910s was: A. Proximity to Broadway talent pools B. Better weather and varied outdoor locations C. Strict enforcement of MPPC patents on the East Coast
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D. Lower labor costs than Europe Answer: B Explanation: California’s climate allowed year‑round shooting and diverse scenery. Question 34. Vertical integration in the Hollywood studio system meant that a studio: A. Owned only production facilities B. Controlled production, distribution, and exhibition of its films C. Specialized solely in foreign film imports D. Operated as a cooperative of independent filmmakers Answer: B Explanation: Studios owned the entire chain from making movies to showing them in their own theaters. Question 35. The “Star System” primarily served to: A. Guarantee artistic freedom for directors B. Standardize film runtimes at 90 minutes C. Promote actors as marketable commodities to attract audiences D. Restrict international distribution Answer: C Explanation: Studios crafted and managed star personas to maximize box‑office draw.
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D. Digital grading Answer: B Explanation: Hand‑coloring applied pigments frame‑by‑frame before modern color processes existed. Question 39. The first feature‑length narrative film widely recognized as such is: A. “The Birth of a Nation” B. “The Story of the Kelly Gang” (1906) C. “Cabinet of Dr. Caligari” D. “Metropolis” Answer: B Explanation: Australia’s “The Story of the Kelly Gang” (1906) ran over an hour, establishing the feature format. Question 40. In early silent comedies, “slapstick” primarily relied on: A. Verbal wit B. Physical gags and exaggerated actions C. Complex narrative structures D. Musical interludes Answer: B Explanation: Slapstick comedy used pratfalls, chases, and visual humor suited to silent film.
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Question 41. Which cinematographic technique creates a sense of depth by keeping both foreground and background in sharp focus? A. Deep focus B. Shallow focus C. Rack focus D. Soft focus Answer: A Explanation: Deep focus maintains clarity across multiple planes, allowing spatial relationships to be seen. Question 42. The “dolly shot” is achieved by: A. Mounting the camera on a moving platform that travels on tracks B. Hand‑holding the camera while walking C. Using a crane to move vertically D. Rotating the camera on its axis Answer: A Explanation: A dolly moves the entire camera rig, creating smooth tracking motion. Question 43. Which editing principle states that a cut should occur at the peak of emotional tension? A. Continuity editing B. Match cut
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Question 46. In “The Cabinet of Dr. Caligari,” the distorted, angular set design exemplifies: A. Realist naturalism B. Expressionist visual style C. Soviet montage D. Hollywood glamour Answer: B Explanation: The film’s jagged scenery visualizes the characters’ disturbed psyches. Question 47. The “jump cut” is most commonly associated with which film movement? A. German Expressionism B. French New Wave C. Soviet Montage D. Hollywood Classical Answer: B Explanation: French New Wave directors used jump cuts to disrupt temporal continuity. Question 48. Which term describes the practice of shooting a scene from multiple angles and then editing them together for continuity? A. Coverage B. Montage C. Cross‑cutting
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D. Long take Answer: A Explanation: Coverage ensures editors have enough material to maintain visual continuity. Question 49. The “Rule of thirds” in composition suggests that the frame should be divided: A. Into nine equal squares B. Into three equal vertical strips C. Into three horizontal bands D. Into two equal halves Answer: A Explanation: Placing subjects along the intersecting lines of a 3×3 grid creates balanced images. Question 50. A “master shot” typically serves what purpose? A. To capture the entire scene in one continuous take for reference and coverage B. To showcase only the lead actor’s close‑ups C. To film a stunt sequence from multiple angles simultaneously D. To record only background extras Answer: A Explanation: The master shot records the full action, allowing editors to cut to close‑ups while preserving continuity.
