The Screenplay - Lecture Notes | THTR 2024, Study notes of Theatre

The Screenplay Material Type: Notes; Class: ENTERTAINMENT TECHNO; Subject: Theatre; University: Louisiana State University; Term: Fall 2014;

Typology: Study notes

2013/2014

Uploaded on 12/14/2014

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The Screenplay
The Essentials…
• Character with Weakness/Need (empathetic bond)
• Early Inciting Incident (disruptive event)
• Creates a strong/desperate desire
• He/she must overcome obstacles to attain desire, which tests character
• He or she succeeds or fails, but in the process learns something and is changed.
• Story is told for maximum emotional impact and audience engagement
Story
• Consists of all the narrative events that are presented on screen
• Consists of all the events that are implicit or that we infer to have happened but are not
explicitly presented
Plot
• Structure for presenting everything we see and hear in a film
• Chosen events from the story
• Why does this distinction matter?
Exposition
• Facts: the info about setting, biography, and characterization that the audience needs to
know to follow narrative
• Should be dramatized
• Examples? Shot/Scene/Sequence
• Shot: smallest visual unit
• Scene: series of shots
• Sequence: series of scenes
Premise
• Theme
• Essence
• Creates coherence
• Why does it matter?
• Personal connection
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The Screenplay The Essentials…

  • Character with Weakness/Need (empathetic bond)
  • Early Inciting Incident (disruptive event)
  • Creates a strong/desperate desire
  • He/she must overcome obstacles to attain desire, which tests character
  • He or she succeeds or fails, but in the process learns something and is changed.
  • Story is told for maximum emotional impact and audience engagement Story
  • Consists of all the narrative events that are presented on screen
  • Consists of all the events that are implicit or that we infer to have happened but are not explicitly presented Plot
  • Structure for presenting everything we see and hear in a film
  • Chosen events from the story
  • Why does this distinction matter? Exposition
  • Facts: the info about setting, biography, and characterization that the audience needs to know to follow narrative
  • Should be dramatized
  • Examples? Shot/Scene/Sequence
  • Shot: smallest visual unit
  • Scene: series of shots
  • Sequence: series of scenes Premise
  • Theme
  • Essence
  • Creates coherence
  • Why does it matter?
  • Personal connection
  • Point of origin Character Development
  • How the character changes through conflict, for better or worse
  • Revelation of true character through choices. Not “characteristics”.
  • By pursuing desire
  • Creates empathy w/ viewer The Protagonist
  • Must have a strong desire
  • Is a willful character
  • Has a moral/psychological weakness
  • Empathetic. Not necessarily sympathetic All Scripts Need Conflict Without conflict…
  • You cannot reveal character
  • Your character will not change
  • Conflict forces characters to reveal
  • True character is revealed through choices Typical Conflicts
  • Character vs. Character
  • Character vs. Self
  • Character vs. Society
  • Character vs. Natural Forces
  • Character vs. Spiritual Forces Why is Plot Structure important? 3 –Act Structure
  • Creates a framework for Resolution
  • Clear Beginning, Middle, and End
  • Hollywood standard
  • No unsolved remainder
  • Clear causality
  • Act I – Intro Protagonist, establish weakness and need (30 Pages)
  • Major Reversal #1 – Inciting Incident
  • Act II – New Desire, added obstacles, small reversals
  • Major reversal #2 – Twist, things get dramatically worse/better, demands more from protag
  • Act III – Climax, Battle, Achieve or fail to achieve goal, resolution
  • Must know the rules before you break them. How are short films different?  Shorts are not features
  • A shorter format requires shorter stories
  • A shorter format requires a smaller character change
  • A shorter format requires an immediate hook and establishment of need
  • A shorter format requires minimal exposition
  • A shorter format requires concise storytelling What Works  Minimized character arc  Immediate hook: a point of entrance or a question  Have something to say: Clear theme  Be surprising: Give them a punch at the end!  Earn each event  Must create emotional experience in a short time frame Things to avoid
  • Length doesnʼt match story
  • Massive character arc
  • A scene from a feature. Not a short
  • Under-researched
  • Heavy-handed or Pointless
  • Cliche
  • Unnecessary scenes: each scene should exhibit change Suggestions
  • Focus on one event or moment
  • Keep characters to a minimum
  • What’s at stake if he/she fails?
  • Make viewers feel something
  • Write what you care about Questions to consider
  • How many characters should I have?
  • What is my opening scene?
  • How many events?
  • What’s the scope?
  • What is the theme? The Essentials…
  • Character with Weakness/Need
  • Early Inciting Incident (disruptive)
  • Creates a strong desire
  • He/she must overcome obstacles to attain desire
  • This creates conflict and tests character
  • He or she succeeds or fails
  • But in the process, learns something and is changed