The Emergence of Middle Class Values and Family Ideals in 19th Century Europe - Prof. Alli, Study notes of Cultural History of Europe

The emergence of middle class values and family ideals in 19th century europe, focusing on the distinction between the public and private spheres, the role of the family as a spiritual and emotional institution, and the importance of self-improvement through science, art, and literature. The document also discusses the contrast between the aristocracy and the middle class, and the influence of popular culture on middle class values.

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Uploaded on 10/31/2009

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History 242
Lecture 8
9/24/09
The Values of the Middle Classes
19th century Europe (bourgeoisie: middle class)
- come from educated professions (doctors, lawyers, ministers)
- also higher merchants/artisans
- lower: bakers, tailors, shoe makers (traditional shopkeepers/artisans)
- big winners in industrialization and benefit from larger governments
Distinctive:
- conception of the family is different from the old regime
oold regime: family is the economic unit that does all of the work
- revolution in what a family/marriage is supposed to be
ono more economics (bad form to only talk about it)
ofamily: spiritual/emotional institution
- economic basis for this: upper levels of jobs are no longer jobs that can be run out
of the home (factory owners go to the factory for work for example)
- formalized by labeling public sphere of work/politics and private sphere of
family/home
Public Sphere: masculine and for commerce/competition
Private Sphere: feminine, domestic, refuge, spiritual, emotional
These two spheres are supposed to balance each other
Great Britain: emergence of middle class family ideals
- late 18th cent: evangelical movement within the Anglican church
ofocused on religion of the heart, family was understood as an anchor for
spiritual life of its members
oindividuals ought to have greater freedom in their marriages
- what out to determine marriages is love, not money (emotional ties)
omen now have a particular calling for a particular job
- this is also a middle class critique of the upper class who married for money
oelite (aristocrats)=>sexual promiscuity is okay
- middle classes criticized this as dangerous to the public good
omen must be sober and good
owomen create a moral haven for men to protect them from the world
(sexual and ethical)
oungentle for women to participate in economics (family business)
Early 19th Century Britain: enormous cultural flow
- 1820 George IV took the throne (aristocrat)
olots of mistresses as crowned prince
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History 242 Lecture 8 9/24/ The Values of the Middle Classes 19 th^ century Europe (bourgeoisie: middle class)

  • come from educated professions (doctors, lawyers, ministers)
  • also higher merchants/artisans
  • lower: bakers, tailors, shoe makers (traditional shopkeepers/artisans)
  • big winners in industrialization and benefit from larger governments Distinctive:
  • conception of the family is different from the old regime o old regime: family is the economic unit that does all of the work
  • revolution in what a family/marriage is supposed to be o no more economics (bad form to only talk about it) o family: spiritual/emotional institution
  • economic basis for this: upper levels of jobs are no longer jobs that can be run out of the home (factory owners go to the factory for work for example)
  • formalized by labeling public sphere of work/politics and private sphere of family/home Public Sphere: masculine and for commerce/competition Private Sphere: feminine, domestic, refuge, spiritual, emotional These two spheres are supposed to balance each other Great Britain: emergence of middle class family ideals
  • late 18th^ cent: evangelical movement within the Anglican church o focused on religion of the heart, family was understood as an anchor for spiritual life of its members o individuals ought to have greater freedom in their marriages
  • what out to determine marriages is love, not money (emotional ties) o men now have a particular calling for a particular job
  • this is also a middle class critique of the upper class who married for money o elite (aristocrats)=>sexual promiscuity is okay
  • middle classes criticized this as dangerous to the public good o men must be sober and good o women create a moral haven for men to protect them from the world (sexual and ethical) o ungentle for women to participate in economics (family business) Early 19th^ Century Britain: enormous cultural flow
  • 1820 George IV took the throne (aristocrat) o lots of mistresses as crowned prince

o his wife also slept around o stayed around long enough to have a daughter

  • George IV became king and wanted to get rid of his German wife o Tries to divorce her o British public=horror and indignation, comes to the case of poor Caroline o People thought his promiscuity was showing him as unfit to rule and they wanted him to be a family man Queen Victoria of the 19th^ century = fits the bill of a good family mom
  • admired for her role of mother and wife to Prince Albert Material Changes in how people build houses
  • need for privacy and personal space
  • public drawing rooms, private sitting rooms, separate rooms for children
  • family garden (not just vegetables but also flowers) Differences of the Aristocracy and the Middle Class:
  • Aristocrats: promiscuity and spends lots of money
  • Middle Class: family and good with money Contradictions:
  • the middle class loved popular magazines o main text: restraint in spending o couple of pages over: fashion pages, ads for porcelain Lifestyle that takes a lot of class => middle class Other Values Important to the Middle Classes
  • committed to self-improvement (cultivation of the mind)
  • science and art faith in the power of science
  • science gets credit for technology
  • most popular science: natural history o Natural History: study of plants, minerals, and animals o Governments and individuals put a lot of money into it Self-Improving pursuit: art
  • amateur musicians and artists
  • buy a great deal of art
  • Romanticism: great movement Before 19th^ century: good art has trans-historical rules
  • formulated in antiquity Romantics: art be of its time (like popular music)