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Adrian Piper biography starting from her education, going through the stages of her art
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Adrian Margaret Smith Piper is a first-generation Conceptual artist and analytic philosopher born in 1948 in NY. Like all Americans, she is ethnically mixed, and publicly identifies as an American woman of acknowledged African ancestry. She rejects the adjectives “Black” and “White” as racist stereotypes, and in 2012 she publicly announced her retirement from being “black”. She grew up in a middle-class home in the Washington Heights section in Manhattan with her father, a lawyer and her mother, an administrator at the City College of New York. During her life she succeeded in two distinct fields: visual art and academic philosophy.
She graduated from the New Lincoln School grammar school, while also attending the Art Students’ League. She then graduated from the School of Visual Arts in 1969. Piper received a Bachelor of Arts in Philosophy in 1974. She attended Harvard University and she also studied Kant and Hegel at the University of Heidelberg in 1977-1978, deepening her fascination and interests for philosophy. Piper taught philosophy in different universities, becoming in 1987 the first tenured African American woman professor in the field of philosophy at Georgetown University. Between 2005-2007 she did a sojourn as a visiting lecturer at the Royal Danish Academy of Art in Copenhagen. In that period Piper discovered that her name was on the Transportation Security Administration's "Suspicious Traveller Watch List" For this, she refused to return to the United States until her name was removed from the list. She hasn't come back to the USA since 2007, and she is now living in Berlin. Regarding this situation she said: ”I owe everything I am to my birth, upbringing, and education in the United States. So I would have preferred my achievements to be a source of pride to my country of origin. Unfortunately, it is not set up to tolerate achievements like mine from someone like me, because people like me are not supposed to exist." In 2002, Piper founded the Adrian Piper Research Archive (APRA) as a resource for students, scholars, curators, collectors, and writers.
ART During her student’s year she became part of a group of artists. experimenting psychedelic experiences with the drug LSD in the series LSD Paintings (1965-67). This series was discovered and curated by Robert del Principe, and then exhibited for the first time in 2002 at Galeria Emi Fontana in Milan, entering the international canon of psychedelic art.
LSD Self-Portrait from the Inside Out
In 1967 Piper became an assistant to the conceptual artist Sol LeWitt who inspired her to start creating predominantly conceptual forms of art. In the 1970s she introduced issues of xenophobia, race and gender in her works. Throughout the Catalysis series of performance Piper questions the boundaries of socially acceptable behaviour, and documents what happens when they are transgressed. In Catalysis II she walks
through the streets of New York City wearing a sign with the warning "WET PAINT". Wearing clothing coated in sticky white emulsion paint and taking on ordinary activities including a shopping trip to Macy's Department Store, Piper entices viewers to come in and touch her to find out whether or not the paint is really wet, provoking varied reactions once they realise that it is. The interaction represents a break with the normal parameters of social conduct, introducing an element of danger and the unknown to everyday life.
"Mythic Being" refers to the male alter-ego that she impersonated in a two-year investigation through the performances of the series ‘The Mythic Being: I Embody Everything You Most Hate and Fear’ (1973-75). To do this she wore a fake moustache, an afro wig and sunglasses, disguising herself as a light-skinned and working class black man. Piper's black male character deliberately embodied a marginalised, outsider position, which drew attention to the difficulties faced by people who share those aspects of identity in their everyday life.
With her work Art for the Art World Surface Pattern (1976), a mixed media constructed environment, she introduced explicit political content into Minimalism. Inside a white cube is an environment entirely covered with images taken from newspapers reporting various kinds of atrocities that have occurred in the world. On these photos the artist provocatively prints the words "Not a Performance".
In 1985, when her marriage fell apart, Piper began an ongoing work of art titled “ What Will Become of Me ”: a collection of honey jars filled with her hair and nails that she continues to update. The work is a
In March 2024 her eight retrospective opened at PAC, Milan, entitled ‘Race Traitor’.
Philosophy Starting from high school, then university and taking up philosophy teaching, she never left her interest for this field, rather she incorporated it in her art. In the 1980s Piper continued to pursue both the academic and artistic strand of her career, taking on philosophy teaching posts in Michigan, Stanford, California, and Georgetown. She then published a major two-volume study on Kant in 2008 as a culmination of 34 years' worth of research. In 2011 she founded The Berlin Journal of Philosophy , an open-access journal that publishes articles on all topics of philosophical specialization.