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Analysis of two very important scenes from Shakespeare's well known play "Macbeth".
Tipologia: Appunti
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This play is practically introduced by the three witches, and from the very start we intuit that they’ll play a very important role in the story. They already know what’s going to happen (“When the battle’s lost and won”, “There to meet with Macbeth”, “Fair is foul and foul is fair”). Furthermore, they speak in ambiguous, apparently meaningless words, in such a way to first of all confuse those in front of them, and then let them interpret their sentences. Everyone understands what they want to understand. The scene is set in a dark, remote place. The audience doesn’t know from the beginning where the tragedy takes place (as it happens instead in the Prologue of Romeo and Juliet). Furthermore, the adverse climatic conditions (thunder and lightning) underline the fact that witches are supernatural beings and, generally, evil. In the final couplet the witches anticipate the story to the spectators (even if they aren’t able to understand it yet): I’m referring to the sentence “Fair is foul and foul is fair”. “Fair”, meaning King Duncan, the righteous and good, will be killed by Macbeth, the villain, and Macbeth is crowned king in his place, so he becomes a sort of “fair” (meaning king, somebody who should be fair, good and righteous). In the second line we read something very strange. In fact, the first witch asks where they shall meet again, and says “in thunder, lightning or in rain” as if they were a specific place. Then we find something similar in the third line. Because the second witch says “when the hurly-burly is done”, as if it were a specific time. On the fourth line we find an oxymoron (“the battle’s lost and won”). On the fifth line we find the alliteration of the sound “s”. In the final couplet we find the alliteration of the sound “f” in “filthy and foggy”.
In this scene Macbeth comes back to his wife after killing King Duncan in his sleep. We can see clearly how Lady Macbeth and Macbeth’s reactions differ from each other, and also how their moods are different.
Macbeth feels extremely guilty for the hideous crime he has committed, and is in a terrible state of anxiety. His senses, in fact, are amplified by fear and suspicion that someone may have seen him. Several times he thinks he hears noises, when in reality it’s only the cries of nocturnal creatures, such as the owl and the cricket. Furthermore Macbeth is so shocked by what he has done that he finds himself in a kind of trance state: in fact, he says that he has heard the servants wake up and talk to each other, and even though his wife tries to bring him back to the present and to tell him not to worry too much, he continues undaunted, almost as if he doesn't hear her. He is aware that his conscience is dirty, and it scares him because he knows he will never have peace. Later, in fact, we see how he is forced to kill by fear and paranoia of being defeated. Lady Macbeth, on the other hand, is completely calm and lucid. She knows exactly what has to be done and even better she is the one who has the idea of blaming the servants (and this shows us how practical and clever she is). She tries to stay detached from what is happening, which is why she is able to stay calm. She is very skillful at manipulating her husband, relying on his courage, his strength and his masculinity (as we can see on line 47-50, 58-61, 74-75). There is the alliteration of the sound "d" in line 2, to emphasize the importance and horror of the crime just committed. Then there is the frantic repetition of "God bless us" and "Amen". Macbeth continues to repeat these words probably because he is so shocked by the crime he has just committed that he finds himself in a state of hysteria and psychological terror. We find the same similarity between dying and sleeping that we encountered in Hamlet. Indeed, Lady Macbeth tells us (line 60-61) that the sleeping man and the dead man are much alike, and only a child can be afraid of the image of a dead man.