Docsity
Docsity

Prepara i tuoi esami
Prepara i tuoi esami

Studia grazie alle numerose risorse presenti su Docsity


Ottieni i punti per scaricare
Ottieni i punti per scaricare

Guadagna punti aiutando altri studenti oppure acquistali con un piano Premium


Guide e consigli
Guide e consigli


TV Genres & Analysis: Sociolinguistic, Ethno-methodological, & Semiotic Approaches, Sintesi del corso di Lingua Inglese

The importance of sociolinguistic and ethno-methodological analysis in understanding television genres, focusing on the discourse, context, and audience interpretation. Analytical approaches such as conversation analysis, semiotic analysis, and cultural-generic analysis. Three television genres - news, morning shows, and talk shows - are analyzed, revealing the role of signs, social context, and the production and interpretation of meaning.

Tipologia: Sintesi del corso

2010/2011

Caricato il 15/12/2011

stexi
stexi 🇮🇹

4.4

(31)

7 documenti

1 / 4

Toggle sidebar

Questa pagina non è visibile nell’anteprima

Non perderti parti importanti!

bg1
Chapter Three <Television talk >
Is necessary a sociolinguistic and ethno-methodological analysis and not interdisciplinary as other media
studies: what’s important is not only the text’s meaning but also how this meaning is achieved and
audience’s interpretation of the text.
<Analytical approach> : the discourse isn’t refer only to the language but must be analyzed also to
the context of communication : discourse is constrained by social structure, class, education ,law ,
social norm and conventions.
<Conversation analysis> the spontaneous conversation is an organized activity ( turn talking,
adjacency pairs, conflict talk), all pertinent aspect must be analyzed including overlaps, interruptions,
pauses ,laughter, intonation or volume of voice
<Semiotic analysis> is the study of signs. The meaning of a linguistic sign is completely arbitrary ,
they don’t intrinsically mean of themselves . Concept are defined negatively by their relations with
other sign of the system: their characteristic is being what others are not ( “brown” is not “red” and
not” white”). Signs are more than simple labels, they can be associated with the idea or myth of
something ( computer can be a positive sense : high technology and modernity or in a negative one :
cold and unfeeling society). Signs which produce meanings codes.
<Cultural-generic analysis> the evolution of media genres reflect not only a change in social
consciousness, but also a new awareness on the part of the audience ( grow of “media literacy”) but
also a more ironic, self-reflexive attitude of broadcaster and audience.
Conclusions : common to all approaches is the strong conviction that meaning is not intrinsic to words, signs
or text but a product of interaction of the linguistic with the social context.
Analysis of three television genres : 1) television news 2) morning show 3) talk show
<Television news> structure similar throughout Western Europe.
Image of clock = precision and reliability
Theme music = importance and urgency of the program
Revolving globe = immediate and complete coverage of news
News reader behind a desk with sober dress= professionalism, competence, authority and
seriousness.
Large desk with only a telephone or computer ( behind tv screen or an active newsroom with
reporters)= professionalism, immediacy, reliability of the news program
Vox pop interviews, int. with experts and television’s correspondent’s version of event = impression
of impartiality
<Evening news>
Presentation of headlines in syntesis
Opening title sequence with theme music
Brief introduction of newsreader to a reporter on location
Sounds ( noise or bombs) = impression of immediacy and authenticity
Newsreader read another item ( newsreader perceived as representative of the news institution and
purveyor of truth)
Information passes through a series of filters
Newsreader has to speak in the shortest possible time and in a comprehensible form; one way is the
classification of news and grouping of stories in categories.
1
pf3
pf4

Anteprima parziale del testo

Scarica TV Genres & Analysis: Sociolinguistic, Ethno-methodological, & Semiotic Approaches e più Sintesi del corso in PDF di Lingua Inglese solo su Docsity!

Chapter Three

Is necessary a sociolinguistic and ethno-methodological analysis and not interdisciplinary as other media studies: what’s important is not only the text’s meaning but also how this meaning is achieved and audience’s interpretation of the text.

: the discourse isn’t refer only to the language but must be analyzed also to

the context of communication : discourse is constrained by social structure, class, education ,law , social norm and conventions.

the spontaneous conversation is an organized activity ( turn talking,

adjacency pairs, conflict talk), all pertinent aspect must be analyzed including overlaps, interruptions, pauses ,laughter, intonation or volume of voice

is the study of signs. The meaning of a linguistic sign is completely arbitrary ,

they don’t intrinsically mean of themselves. Concept are defined negatively by their relations with other sign of the system: their characteristic is being what others are not ( “brown” is not “red” and not” white”). Signs are more than simple labels, they can be associated with the idea or myth of something ( computer can be a positive sense : high technology and modernity or in a negative one : cold and unfeeling society). Signs which produce meanings codes.

• <Cultural-generic analysis> the evolution of media genres reflect not only a change in social

consciousness, but also a new awareness on the part of the audience ( grow of “media literacy”) but also a more ironic, self-reflexive attitude of broadcaster and audience.

Conclusions : common to all approaches is the strong conviction that meaning is not intrinsic to words, signs or text but a product of interaction of the linguistic with the social context.

Analysis of three television genres : 1) television news 2) morning show 3) talk show

structure similar throughout Western Europe.

• Image of clock = precision and reliability

• Theme music = importance and urgency of the program

• Revolving globe = immediate and complete coverage of news

• News reader behind a desk with sober dress= professionalism, competence, authority and

seriousness.

• Large desk with only a telephone or computer ( behind tv screen or an active newsroom with

reporters)= professionalism, immediacy, reliability of the news program

• Vox pop interviews, int. with experts and television’s correspondent’s version of event = impression

of impartiality

< Evening news>

• Presentation of headlines in syntesis

• Opening title sequence with theme music

• Brief introduction of newsreader to a reporter on location

• Sounds ( noise or bombs) = impression of immediacy and authenticity

• Newsreader read another item ( newsreader perceived as representative of the news institution and

purveyor of truth)

• Information passes through a series of filters

• Newsreader has to speak in the shortest possible time and in a comprehensible form; one way is the

classification of news and grouping of stories in categories.

• Compartmentalization is central to new ’s strategy of containment.

< Comparative analysis> new stories are organized around four many narrative functions

• Framing :introduction of news item by reader

• Focusing : the correspondent’s report explains the situation

• Realizing : video ,graphics and interviews are the way in which the reality of the story is verified

• Closing : a meaning is imparted to the story, isn’t refer to the end of the story, but to the end in mind

Example< Framing> BBC: make a personalization of the event, is syntactically concise and lexically more neutral and make a reading of the event that is not alarmist. Chanel 4 : has distanced individual responsibility , first choosing to nominate the demonstrators not as individuals but as members of a group ( which suggest an idea of danger) and second by choosing to speak of the event and not of the demonstrators.

with some differences both the report have addressed the same aspect of the event, but now BBC included a report of a demonstration by farmers and then returned to Conventry airport this inconsistence in the news underlines the difficulties in putting together broadcast news of a braking event.

Both report construct the police positively : Chanel 4 personalizes the member of the police force and in BBC the police remain firmly in an institutional role : its role is presented as purposeful .So both programs have constructed the event like an opposition between order\ disorder, us\ them. BBC give the impression that legitimated organizations are involved and are dealing with the matter. This example show how the meaning is produced and interpreted in an apparently objective way in television genre.

the British morning show seems a familiar life world in which the private domain is discussed , explored and made public. It is conducted by a male and a female host, it consist on fixed slots ( news, weather ,gardening ,cooking ,health, fitness etc).We have:

• Banter and other verbal interaction between the two hosts and the permanent staff

• Shift toward the personal and the private

• The shift may be accompanied by display of with or humor

• Chat opens up the possibility of breaking procedural rules,

• Double articulation of the talk : host utilized a variety of techniques to organize talk interviews

through :

every interviews or phone ins is preceded by an introduction ,which gives the background information. In phone ins we have 4 sequences ( 1) the host identifies the caller 2) caller’s greeting 3)host’s greeting 4) the caller responds to question).

implicit invitation to address a topic in talk, often signalled by “tag questions” by which the host guides the speaker’s discourse. Tag questions are not questions requiring confirmation, but facultative devices to address or make a contribution to talk and they serve as positive politeness devices.

are used to control the discourse. We have to distinguish between formulation of gist ( general sense of conversation) or formulation of upshot (significance of a conversation). May be expressed by “so” and may appear where a given topic is terminated, prior of the introduction of another: they serve as a sort of gloss on ongoing talk.

is the way in which the host expresses interest, approval, sympathy and understanding, showing positive or solidarity politeness. With the politeness the host gives the impression of privacy and intimacy, but maintain rule of power and authority. Through linguistic devices ( cueing and formulations) and highly ritualized routine ( phone-ins) he keeps close control of performance of the talk.

Content of talk show:

• Language non standard ( taboo words, beep)

• Some guests provoke audience response intrinsically ( by their behaviour or appearance), but it is

also actively sought by the host by eliciting by guest comments likely to be taken as provocative and by direct question to the audience, this automatically elicit audience reaction.

• Guests seems far from remorseful, make excessive gestures and their physicality erupts on screen

• Camera focus on wonder or horror in the audience’s expressions.