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Differences between romance and novel, Schemi e mappe concettuali di Letteratura Inglese

Differences between romance and novel

Tipologia: Schemi e mappe concettuali

2022/2023

Caricato il 10/10/2023

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Lezione 4 inglese
The literary market changed the beginning of the mass the term best-seller was coined in
this period. A new readership market development of global centers. The publishers were
aware of the new market books were more affordable for people. To do so we can mention
the circulating libraries and free libraries they serve the working + middle classes.
The triple-decker volume is the standard format for novels = affordable. Cheaper re-prints of
popular fiction history + biography.
Real revolution: serialization fiction= publication of novels in series, published weekly or
monthly and it made books more affordable but also changes the entire experience of reading.
First book in series: Dickens’s Pickwick Papers (1836-7)
Each chapter of the book must engage the reader in a single unit (have a meaning of its own)
but at the same time it must work within the context of the novel. (following plot)
These novels have elements in common:
-refusion of closure
-Political + social + culture issues
-Experience of reading itself: the readers now had to read a novel over a period in years
with breaks between chapters. From passive readers to readers that can try and express their
opinion for the first time in history. Sherlock Holmes = the final programs in which sherlock
forms during a fight with his enemny dies reaction of the public was so strong the author
changed the narration= readers changed influence of the novel + psychological description
of the character.
Romance novel
Characters
Romance
1- They are very important members of the society
2- They do magical/spiritual or heroic tasks that are impossible for normal people.
3- They are normally one-dimensional characters that stay the same throughout the story =
no psychological transformation or development.
There is a study by a critic of the 1950, Ian Watt, who wrote the rise of the English novel =
he analyzes the rise of the realistic novel and in this study, he linked the rise of the
genre of the novel with the rise of the modern character.
He starts his analysis with everyman - function to embody and show moral or allegorical
traits show more virtues symbolic characters.
The idea of the character in the novel is to show people involved in everyday activities
present reality. Key characters are not in novel important historical figures but common
people, who during the narration are changed by events.
4.. Reading public: noble people. Describe their gesture + idea behaviour they were supposed
to pratice.
Novel
1- They are middle class characters
2- They do daily chores
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Lezione 4 inglese The literary market changed – the beginning of the mass – the term best-seller was coined in this period. A new readership market – development of global centers. The publishers were aware of the new market – books were more affordable for people. To do so we can mention the circulating libraries and free libraries – they serve the working + middle classes. The triple-decker volume is the standard format for novels = affordable. Cheaper re-prints of popular fiction history + biography. Real revolution: serialization fiction= publication of novels in series, published weekly or monthly and it made books more affordable but also changes the entire experience of reading. First book in series: Dickens’s Pickwick Papers (1836-7) Each chapter of the book must engage the reader in a single unit (have a meaning of its own) but at the same time it must work within the context of the novel. (following plot) These novels have elements in common:

  • refusion of closure
  • Political + social + culture issues
  • Experience of reading itself: the readers now had to read a novel over a period in years – with breaks between chapters. From passive readers to readers that can try and express their opinion for the first time in history. Sherlock Holmes = the final programs in which sherlock forms during a fight with his enemny dies – reaction of the public was so strong – the author changed the narration= readers changed influence of the novel + psychological description of the character. Romance – novel Characters Romance 1 - They are very important members of the society 2 - They do magical/spiritual or heroic tasks that are impossible for normal people. 3 - They are normally one-dimensional characters that stay the same throughout the story = no psychological transformation or development. There is a study by a critic of the 1950, Ian Watt, who wrote the rise of the English novel = he analyzes the rise of the realistic novel and in this study, he linked the rise of the genre of the novel with the rise of the modern character. He starts his analysis with everyman - function to embody and show moral or allegorical traits – show more virtues – symbolic characters. The idea of the character in the novel is to show people involved in everyday activities – present reality. Key characters are not in novel important historical figures but common people, who during the narration are changed by events. 4.. Reading public: noble people. Describe their gesture + idea behaviour they were supposed to pratice. Novel 1 - They are middle class characters 2 - They do daily chores

3 - Sometimes they might evolve, grow = in the Victorian novel we have round charcaters. Many aspects of the character.

  1. middle class in the reading public. Setting Romance 1 - The setting is often vague, or discarded on the whole. 2 - If mentioned, the setting is something magnificent = castles 3 Castles, Magical and mysterious places = parti sottornaee delle rovine. Novel 1 - It is a very detailed setting = the reader is like is knowing the place 2 - It is normally something humble. 3 - It is a real place and if not then it sounds like it is. Period/Time Romance 1 - There is no or a vague sense of time. 2 - Do not necessarily stick to chronological order Novel. 1 - Time Continuum should either be measured by a clock or calendar. 2 - It has to be in chronological order. Conrad – bridge author between Victorian and modern period. He introduces flashbacks. Plot Romance 1 - The plot in itself was like in a dream, smooth unrelated movements with no climax. No well connected plot – different episode Novel 1 - It had a specific plot with a certain climax= highest point in the story. Turning point. The conflict of different elements starts to work himself out. Language Romance 1 - The Romances were aimed at the upper-class readers = use of complex + refined language 2 - There were standard symbolisms + similes. Novel 1 - Since it was aimed at middle class readers, the language was simple 2 - There was no symbolism or metaphors or similes 3 - It was denotative – the word or sentence is direct; it means exactly what is written - rather than connotative - hidden symbolic meaning in the word or sentence Tone Romance 1 - One singular type of tone throughout the romance 2 - Uses emotions that are Ideal Novel

The function of needs is to describe this number of images thought and feelings that are presents in people = It explains why we have common notions of distant cultures that cannot have influenced each other. Romance is important, we can find these archetypes. Primordial images

  • Persona = somenthing that we present to the outside world is not really ourselves but there is a danger of identifying so much with the persona of thinking that the persona is our real self.
  • Ego= center of consciousness. Is identity but not the totality of the psyche. Archetypes:
  • Shadow = rational part, deeper element of our psyche, is dark, unknown, is troubled. Part of our self that we usually denied, we know is not socially accepted. We project the shape onto others. The idea of the double is the explanation = literary representation of the shadow. Gothic part of the novel – in between romance and novels. Dr Jeckell and mr hyde example of Victorian gothic novel
  • anima = in the female so image as represented by the male unconsciousness.
  • animus = in the male so image as represented by the female unconsciousness.
  • self = center of the entire psyche, is the archetype that unifies what consciousness and unconsciousness. Other archetypes: Story archetypes: The hero----champion – to be a hero it must have a danger or villain to face. Hero must fight against the monster of darkness, ex. The dragon. Struggle to allow the rational part to win The heroine-----purity , desire – jung and naïve girl She must be the object of pure desire of the hero The wise old man: knowledge Magician: mysterious, powerful Family archetypes: The father----powerful, controlling The mother-----feeding , nurturing The child : birth, salvation, a new beginning