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Elementi base Defoe and Swift, Dispense di Letteratura Inglese

presentazione power point che mette in luce le differenze tra i due autori

Tipologia: Dispense

2017/2018

Caricato il 09/07/2018

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DANIEL DEFOE & JONATHAN
SWIFT
TWO MODELS - ARCHETYPES
ROBINSON CRUSOE
Novel
Realism
Self-traveller-narrator
Encounter with the
Other
‘The Colonizer’
GULLIVERS’ TRAVELS
Romance
Imagination
Satire
Parody
Self-traveller-narrator
Encounter with the
Other
‘The Colonized’
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pf5
pf8
pf9
pfa
pfd
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DANIEL DEFOE & JONATHAN

SWIFT

TWO MODELS - ARCHETYPES

ROBINSON CRUSOE

 (^) Novel  (^) Realism  (^) Self-traveller-narrator  (^) Encounter with the Other  (^) ‘The Colonizer’

GULLIVERS’ TRAVELS

 (^) Romance  (^) Imagination  (^) Satire  (^) Parody  (^) Self-traveller-narrator  (^) Encounter with the Other  (^) ‘The Colonized’

ROBINSON CRUSOE (1719)

Robinson Crusoe is considered the first modern novel For the first time, we have a fictitious narrative which the author tries to pass of as true, and where realistic elements are of the greatest importance. The story is told by a first- person narrator, and is thus a fake autobiography. To enchance its realism Defoe supplies many facts about Robinson Crusoe: his name and surname, what part of England he comes from, etc. It is given, in short, a life- profile

The rise of the modern English

novel

IAN WATT, The Rise of the Novel. Studies in Defoe, Richardson and Fielding (1957) The primacy of the economic motive, and an innate reverence for book-keeping and the law of contract are by no means the only matters in which Robinson Crusoe is a symbol of the processes associated with the rise of economic individualism. The hypostasis of the economic motive logically entails a devaluation of other modes of thought, feeling and action: the various forms of traditional group relationship, the family, the guild, the village, the sense of nationality - all are weakened. Economic individualism explains much of Crusoe’s character; economic specialisation and its associated ideology help to account for the appeal of his adventures; but it is Puritan individualism which controls his spiritual being.

SOURCES

Alexander Selkirk, Scotch sailor who survived on a desert island of Juan Fernandez, off the coast of Chile (1704-1709) William Dampier, New Voyage Round the World (1697) Sea voyages (exploration and trade) Shipwrecks

Realism Many details (Crusoe ashore, the building of the fort, etc.) List of objects taken from the ship Daily life (work) Tools (construction, table, chair, umbrella; making bread) Seasons (rain, sun, etc.) Growing crops-Taming animals

NARRATIVE SEQUENCES

From Robinson’s birth to the shipwreck (disobedience, adventures at sea, slave trade, etc.) The first 15 years on the island The footprint changes Robinson’s perspectives The arrival of Friday The return back home

Robinson Crusoe as Bildungsroman Homo economicus Homo faber Natural man (E. Rousseau) A capitalist (K. Marx) Parable of a religious conversion Prototype of the British colonizer

Robinson Crusoe and its

sequels

Full title: The Life and Strange Surprizing Adventures of Robinson Crusoe, Mariner… (1719) Farther Adventures of Robinson Crusoe (1719) The Serious Reflections of Robinson Crusoe (1720) Immediate success in England and on the European continent Robinsonades – a new genre W.H. Kingston, Swiss Family Robinson (1879) (original version by J.D. Wyss 1812) R.M. Ballantyne, The Coral Island (1858) R.L. Stevenson, Treasure Island (1883)

GULLIVER’S TRAVELS (1726)

Travels into Several remote Nations of the World in four parts By Lemuel Gulliver His four adventures First-person narrative Letter to his cousin Sympson Note by the publisher to the reader

The topos of the island

‘islomania’

insularity

a space for experiments

utopia/distopia