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Virginia Woolf: Mrs Dalloway, Appunti di Inglese

Appunti su Virginia Woolf e la sua opera più importante Mrs Dalloway, utili per lo studio per l’esame orale di maturità Gli argomenti trattati sono: - vita, opere - stream of consciousness - Mrs Dalloway: analisi, caratteristiche, plot, setting, characters, Moment of being - differenze tra Woolf e Joyce

Tipologia: Appunti

2024/2025

In vendita dal 03/01/2026

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Virginia Woolf
LIFE:
Her father Leslie Stephen was an eminent Victorian man of letters. !
She grew up in a literary and intellectual atmosphere with free access to her father’s library. !
Childhood experiences of death led to depression. —> The death of her mother when she was
13. !
In 1904 she moved to Bloomsbury and together with her sister Vanessa Bell, she became a
member of the Bloomsbury Group, the avant-garde of early 20th-century London. !
They rejected the traditional morality, Victorian respectability, the artistic convention and the
bourgeois sexual codes.!
Developed the stream of consciousness style.!
Vanessa Bell became a post-impressionist painter!
In 1912 she married Leonard Woolf.!
In 1915 she started her literary career as a talented novelist, essayist (saggista) and critic.!
The Second World War increased her anxiety and fears. !
After rewriting drafts of her suicide note, she put rocks into her pockets and drowned herself in
the River Ouse in 1941.!
WORKS:
-The voyage out: traditional narratives !
-Night and day: traditional narratives !
-Jacob’s Room: narrative experimentation with the novel !
-Mrs Dalloway: a more completely developed stream-of- consciousness technique !
-To the lighthouse: a more completely developed stream-of- consciousness technique
She is a feminist writer: the themes of androgyny, women and writing !
Mrs Dalloway: Describes Clarissa Dalloway and Sally Seton’s relationship as young women.!
Orlando: Deals with androgyny.!
A room of one’s own: Shows Woolf’s concern with the questions of women’s subjugation and
the relationship between women and writing.!
MODERNISM:
(She is part of the context of modernism)!
Main aim: to give voice to the complex inner (interiore) world of feeling and memory;!
the human personality: a continuous shift (cambiamento) of impressions and emotions; !
disappearance of the omniscient narrator;!
point of view shifted inside the characters’ minds through flashbacks, associations of ideas, !
momentary impressions presented as a continuous flux. (Tutto è perenne e continuo, non c’è
interruzione)!
STREAM OF CONSCIOUSNESS vs TRADITIONAL TECHNIQUE
This technique tries to imitate the real flow of thought, which is not always linear or
rational: in our head, in fact, ideas often follow one another in a confused way, with time
jumps, sudden emotions and random memories.!
STREAM-OF-CONSCIOUSNESS TECHNIQUE
TRADITIONAL TECHNIQUE
The action or plot is revealed through the
mental processes of the character.
…through the commentary of an omniscient
narrator.
Character development is achieved through
revelation of extremely personal thoughts.
…through dialogue or the narrator’s
description.
The action of the plot moves back through
present time to memories of past events and
dreams of the future.
…corresponds to real, chronological time.
Dramatic monologue and free association.
Narration, description, dialogue and
commentary by the narrator.
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Virginia Woolf

LIFE:

  • Her father Leslie Stephen was an eminent Victorian man of letters.
  • She grew up in a literary and intellectual atmosphere with free access to her father’s library.
  • Childhood experiences of death led to depression. —> The death of her mother when she was
  • In 1904 she moved to Bloomsbury and together with her sister Vanessa Bell, she became a member of the Bloomsbury Group, the avant-garde of early 20th-century London. They rejected the traditional morality, Victorian respectability, the artistic convention and the bourgeois sexual codes. ✦ (^) Developed the stream of consciousness style. ✦ (^) Vanessa Bell became a post-impressionist painter
  • In 1912 she married Leonard Woolf.
  • In 1915 she started her literary career as a talented novelist, essayist (saggista) and critic.
  • The Second World War increased her anxiety and fears.
  • After rewriting drafts of her suicide note, she put rocks into her pockets and drowned herself in the River Ouse in 1941.

WORKS:

  • The voyage out: traditional narratives
  • Night and day: traditional narratives
  • Jacob’s Room: narrative experimentation with the novel
  • (^) Mrs Dalloway : a more completely developed stream-of- consciousness technique
  • To the lighthouse: a more completely developed stream-of- consciousness technique
  • She is a feminist writer: the themes of androgyny, women and writing Mrs Dalloway: Describes Clarissa Dalloway and Sally Seton’s relationship as young women. Orlando: Deals with androgyny. A room of one’s own: Shows Woolf’s concern with the questions of women’s subjugation and the relationship between women and writing.

MODERNISM:

(She is part of the context of modernism)

  • Main aim: to give voice to the complex inner (interiore) world of feeling and memory;
  • the human personality: a continuous shift (cambiamento) of impressions and emotions ;
  • disappearance of the omniscient narrator;
  • point of view shifted inside the characters’ minds through flashbacks, associations of ideas,
  • momentary impressions presented as a continuous flux. (Tutto è perenne e continuo, non c’è interruzione)

STREAM OF CONSCIOUSNESS vs TRADITIONAL TECHNIQUE

✧ (^) This technique tries to imitate the real flow of thought, which is not always linear or rational: in our head, in fact, ideas often follow one another in a confused way, with time jumps, sudden emotions and random memories.

STREAM-OF-CONSCIOUSNESS TECHNIQUE TRADITIONAL TECHNIQUE

The action or plot is revealed through the mental processes of the character. …through the commentary of an omniscient narrator. Character development is achieved through revelation of extremely personal thoughts. …through dialogue or the narrator’s description. The action of the plot moves back through present time to memories of past events and dreams of the future. …corresponds to real, chronological time. Dramatic monologue and free association. Narration, description, dialogue and commentary by the narrator.

MRS DALLOWAY

  • The main character, Clarissa Dalloway , is a wealthy London hostess. She spends her day preparing for her evening party. She recalls her life before World War I, before her marriage to Richard Dalloway , and her relationship with Peter Walsh.
  • Septimus Smith is a shell-shocked veteran, one of the first Englishmen to enlist in the war. He is married to Lucrezia , an Italian woman.
  • The climax is Clarissa’s party: it gathers all the people Clarissa thinks about during the day. It is at the party that Dr Bradshaw , the nerve specialist, speaks about Septimus’s suicide. PLOT
  • The novel takes place over one day in early June 1923 in London.
  • It is plotless (senza trama) since the action happens in the characters' consciousness.
  • It presents the interwoven stories of Clarissa Dalloway and the shell-shocked war veteran Septimus Warren Smith.
  • At 10 a.m. Clarissa goes to buy flowers for a party she is giving that evening. While Clarissa is in the flower shop, a car makes an explosive noise causing different reactions in different people. Septimus and his Italian wife Lucrezia are walking in the street. ✦ (^) Septimus's mental disorder has necessitated the calling in of doctors, first Dr Holmes and now Sir William Bradshaw, a famous nerve specialist.
  • Back home, Clarissa receives an unexpected visit from Peter Walsh , her former lover. He then leaves and goes to Regent's Park, where he sees Septimus on his way to Sir William Bradshaw's for a consultation.
  • Sir William arranges for Septimus to go into a psychiatric hospital, but at 6 p.m. he throws himself out of the window of his room, and the ambulance carrying his body passes by Peter Walsh, who is returning to his hotel.
  • The narration shifts to Clarissa's party, where news of Septimus's suicide is discussed by the guests and Clarissa shows deep sympathy for the dead man's suffering. She thinks of how vulnerable Septimus might have felt and understands his uncompromising choice.
  • Subdued by these emotions, she rejoins her party. SETTING:
  • Set on a single ordinary day in June.
  • It follows the protagonist through a very small area of London five years after WWI.
  • The modern technology of cars and aeroplanes represents a London rushing towards modernity.
  • The striking of Big Ben marks the beginning of a new ‘chapter’ or a turning point in the novel, the flow from inner to external reality. THE TUNNELLING TECHNIQUE
  • Woolf digs into the characters’ past creating tunnels.
  • Through these tunnels they connect at specific moments in the narrative.
  • This gives an idea of their personal history and unites them even though they never meet (non si sono mai incontrati, ma la loro storia si intreccia) In fact, Clarissa and Septimus don’t know each other, but their stories are intertwined CHARACTERS: - Mrs Dalloway She is 51; the wife of a Conservative MP, Richard Dalloway, who has conventional views on politics and women’s rights. She experienced: ✦ (^) the influence of a possessive father; ✦ (^) the frustration of a genuine love, the need to refuse Peter Walsh, a man who would force her to share everything. She has a form of depression characterised by opposing feelings: ✦ (^) her need for freedom and independence; ✦ (^) her class consciousness. To overcome her weakness and sense of failure, she imposes severe restrictions on her spontaneous feelings.

CLARISSA AND SEPTIMUS

RIASSUNTO

  • The scene opens with Clarissa Dalloway entering Mulberry’s flower shop, looking for flowers for her party. It is a moment of beauty and lightness: Clarissa moves gracefully, and is welcomed by Miss Pym , the florist who knows her and loves her. While observing the flowers — roses, carnations, fragrant peas, irises, lilacs — Clarissa lets herself be carried away (lascia trasportare) by their scent, colours, feeling of freshness and harmony. For a moment, this beauty manages to overcome negative thoughts, that “monstruosity” that Clarissa carries within herself.
  • But suddenly, this moment of peace is broken by a loud noise: a gunshot , which makes Clarissa jump. In reality it is the explosion of an engine: a luxury car stopped right in front of the shop window. All the passers-by stop and stare at the mysterious car. Someone sees an important face inside, but a hand pulls the curtain and immediately speculations start: was it the Prime Minister? The Queen? The Prince of Wales? No one knows, but the city comes alive with chatter and unverified rumours.
  • In the crowd, a man named Septimus Warren Smith also observes the scene. He is a former soldier traumatised by the war, with a restless and lost look. He sees a threatening signal in the car stop, as if the whole world was about to explode. He feels observed, nailed to the sidewalk, as if there was a dark purpose behind everything. Next to him is his wife, Lucrezia , a young Italian woman. She tries to bring him back to reality, but Septimus reacts angrily.
  • Lucrezia thinks about the fact that her husband said: ”I’ll kill myself”, and she feels overwhelmed. She would like to shout “Help!” To the people around her, but she can’t do it because se have to keep up appearances. Remember when they were happy, in love, wrapped in the same cloak along the Thames. But now everything has changed. She decides to take him away, maybe in a park, to try to calm him down. ANALISI Flusso di coscienza e interiorità
  • This passage is a perfect example of Virginia Woolf’s style , based on the flow of consciousness : Clarissa and Septimus’ thoughts are intertwined with perceptions of the outside world.
  • There is no linear narrative: everything happens in a fluid, natural way, as in the real mind. Moment of being : Rare moments of insight during the characters’ daily life when they can see reality behind appearances. Epiphanies : The sudden spiritual manifestation caused by a trivial gesture, an external object, the character is led to a self-realisation about himself / herself.

Contrasto tra bellezza e trauma

  • The scene opens in an idyllic and poetic atmosphere , dominated by colours, scents and the vitality of flowers. Clarissa is immersed in the beauty of nature, and this makes her feel momentarily relieved of her anxieties.
  • But this moment is abruptly interrupted by a sudden noise, which breaks the harmony and introduces a sense of restlessness.(irrequietezza)
  • The contrast between the initial peace and the blow that scares Clarissa symbolises the fragility of the inner balance and anticipates the central theme of the novel: the difficulty of the human being to maintain serenity in a post-war, chaotic and alienating world. La macchina misteriosa e il potere
  • The car that stops is a symbol of power and authority. It is not known who is in it, but it is clear that he represents a distant, inaccessible and full of mystery entity.
  • People stop, look, speculate: it is a collective moment of suspension, in which everyone feels small in front of a superior presence. Septimus: il trauma della guerra
  • The figure of Septimus introduces a new dimension. He is a veteran of the First World War, deeply marked in body and mind.
  • The scene that for others is just curiosity or mystery, for him is existential terror: he feels the world tremble, vibrate, as if everything was about to explode.
  • His delirium is also slucid, because he perceives more strongly the madness and hypocrisy of society. He feels observed, judged, as if the world had pointed the finger at him.
  • His reaction shows a mind in the balance between reality and hallucination, a symbol of the post-traumatic condition of many former soldiers. Lucrezia: l’impotenza dell’amore
  • Lucrezia is a fundamental presence. She loves Septimus, but she can’t help him.
  • Her frustration and pain manifest themselves in the thought that she cannot shout “help” to anyone. She tries to keep up appearances, but inside she is devastated.
  • The memory of past happy moments highlights the contrast with the current reality.
  • The link between the two is still present, but full of incommunicability. Temi principali del brano
  • Individual alienation (especially post-war alienation)
  • Beauty and its fragility
  • The contrast between external reality and the inner world
  • The superficiality of society (curious, noisy, but unaware of the pain of others)
  • Appearance vs truth (Lucrezia must pretend that everything is fine) Stile di Virginia Woolf
  • (^) Use of the stream of consciousness to make inner thoughts without mediation.
  • Absence of linear narration: the temporal and mental planes are intertwined.
  • (^) Sensory richness : colours, scents, sounds are used to transmit emotions