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Zusammenfassung introduction to literary studies, narratives, drama etc mit beispielen
Art: Zusammenfassungen
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Introduction
Genre as “Implicature”
Poetry è Amongst the oldest genre of literary history (going back to antiquity) è Up to 18th^ century: - no uniform definition (oppose to epic and dramatic)
(Not always clear-cut) Drama: What is Drama? è Literary genre that can be performed on stage è Presents an action in an unmediated way, through speech or dialogue of the involved figures è Speech is framed by secondary text
Types of character speech: Analysing character speech
è Audience gets information - > characters (and audience) get information’s Dramatic irony: è Result of superior audience of awareness è Audience superior audience adds an additional layer of meaning to the stage action that directly contradicts (wiedersprechen) or undermines (untergraben) the meaning intended by the characters è Verbal dramatic irony: Othello calls Iago “a man of honest” è Non-verbal dramatic irony: Romeo & Juliet; death scene è Not irony that’s intended by a character (Iago: “my lord, you know I love you) = irony in drama Characterization: Who (subject) characterizes whom (object) as being what (as having which traits or properties) è Who: either one of the characters (-> figural characterization) or the (implied) author (-> authorial characterization)? è Whom: any figure in the play è As what: any quality or character trait Techniques of characterization: è Explicitly: - direct commentary
Major elements of epic communication: Othello: Comedy and Tragedy: Tragedy: Prosperity to Adversity Comedy: Adversity to Prosperity è Tragedy : plays that take on issues of death, of suffering, of identity, of human nature, of human meaning.., They never supply tendentious answers to any of these issues
Aristotle: “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude” è Imitation: mimesis (imitates reality) è Action: at the heart of drama, imitated in performance, requires agents, dramatic language and a plot (serious: content is serious, depicts suffering and death) è complete: linear structure, unities of time, place, action (single action in a single place within one day) - > beginning, middle and end è magnitude: not too long and not too short, room for change of fortunes from good to bad/ bad to good è in Othello:
Story: Content of narration (events, characters, settings) - > What is told? Discourse: Form of the narration (narrator, narratee) - > How is the story told? Story VS. Plot: Story: chronological sequence of events (what happened): “The king died and then the queen died.” Plot: causal and logical structure which connects events: “The queen died out of grief for the king” Telling VS. Showing Telling: The narrative evokes in readers the impression that they are told about the events.
Showing: The narrative evokes in readers the impression, that they are shown the events of the story or that they somehow witness them (z.B.: viel wörtliche Rede) Character speech VS. Narrator Speech (= ways to look in characters mind) Narrator Speech:
2. Gerard Genette’s Model (Narrative Discourse; 1980) Indicators for narrative perspective: è On which narrative level is the narrative process located? (within / outside the story?) Story world - > diegesis è What is the narrator’s relation to the narrative? Inside or outside the story? è Whose perspective is shown. (Who sees? Trough whose eyes do we perceive the action? Narrative Levels: