

Study with the several resources on Docsity
Earn points by helping other students or get them with a premium plan
Prepare for your exams
Study with the several resources on Docsity
Earn points to download
Earn points by helping other students or get them with a premium plan
1 / 3
This page cannot be seen from the preview
Don't miss anything!


Act 1 Alfieri, the lawyer, introduces himself and his role as narrator of the play’s events. Eddie Carbone comes home from work. He says his niece, Catherine, is walking ‘wavy’ and receiving too much attention from boys. Catherine and Beatrice try to persuade Eddie to let her take a job as stenographer. Marco and Rodolph, B’s cousins from Italy, are arriving to work in the US illegally and they will stay with Eddie and B. The cousins are polite when they arrive. Rodolpho is younger, has no wife or family and wants to stay in the US. He sings ‘Paper Doll’. Rodolpho and Catherine start to develop feelings for each other and Eddie becomes jealous because he has unacknowledged feelings for his niece. Eddie says Rodolpho only wants to marry Catherine to become a US citizen. Eddie visits Alfieri for advice on how he can get rid of Rodolpho. Eddie threatens Rodolpho in a pretend boxing match but Marco defends his brother. Act 2 Time has moved on. Alone in the house, Rodolpho and Catherine have sex and Eddie comes home drunk. Eddie kisses Catherine and pins Rodolpho down and also kisses him. He visits Alfieri again and he tells him to give thoughts of Catherine up and let her go. Eddie calls the Immigration Bureau and reports Marco and Rodolpho as illegal immigrants. Marco and Rodolpho are arrested. Marco spits in Eddie’s face. Alfieri pays for them to be released on bail and Catherine and Rodolpho prepare to marry. On the wedding day, Marco returns to Eddie’s house for revenge. Eddie runs at Marco with a knife but Marco kills Eddie with his own knife. Eddie dies in ‘B’s’ arms/
Loyalty Justice and the Law Truth
Love and desire Honour Integrity
Family relationships Reputation Pride
Independence Respect Jealousy
Respond to texts critically and imaginatively; select and evaluate relevant textual detail to illustrate and support interpretations.
AO
Explain how language, structure and form contribute to writers’ presentation of ideas, themes and settings.
Eddie Carbone
A longshoreman, married to Beatrice. Lives with Beatrice and Catherine, his orphaned niece. He has a secret desire for Catherine, which leads to jealousy and eventually his own destruction. Can be viewed as a tragic hero.
Catherine
Niece of Beatrice and Eddie. Beautiful and intelligent and unaware of the feelings she has stirred in Eddie. Always wants approval from Eddie and is hurt when he doesn’t approve of Rodolpho, whom she intends to marry.
Beatrice ’B’
A warm and caring woman. Aware of Eddie’s feelings for Catherine and ‘wants to be a wife’ to him again. She remains with Eddie throughout and he dies in her arms.
Marco
Beatrice’s Italian cousin. Comes to America to work and make money to feed his family back home in Italy. Eddie sees him as a rival when he defends Rodolpho.
Rodolpho
Beatrice’s young, handsome, blonde cousin from Italy. Eddie and the other Red Hook men see him as effeminate as he loves to sing, dance and sew. Wants to marry Catherine and enjoy the American lifestyle.
Alfieri
An Italian-American lawyer who narrates the events. He advises Eddie about the consequences of his actions and has to watch as the tragedy develops. He reminds the audience of the moral implications of the play.
Minor characters
Mike and Louis are longshoremen friends of Eddie. Immigration Officers come to look for Marco and Rodolpho after Eddie’s tip off.
Omniscient narrator Prologue Tragic hero Imagery
Perspective Act Colloquial Symbols
Monologue Dramatic tension Tragedy Metaphor
Aside Moral Hamartia Protagonist
Stage directions Genre Dialogue
Set in Red Hook, Brooklyn, a district of New York in the 1950s when there was a high immigration population, especially from Italy.
After WW2, Italy struggled with employment and the rates of poverty soared. This led to large numbers of Italian immigrants coming to America.
The USA had a strict immigration policy at the time.
Arthur Miller was called to answer questions in front of the House of Un-American Activities Committee to reveal the names of communists in America. He refused to give any names. This might be why there is a strong focus on ‘integrity’ and the effect of ‘snitching’ in the play.
When carrying out research for another project, Miller was told the story of a longshoreman who ‘snitched’ to the Immigration Bureau on his own relatives. Miller also foreshadows Eddie’s fate by including the story of Vinnie Bolzano who ‘ratted’ to the authorities.
The play follows the format of a Greek tragedy with Miller using Alfieri as the Chorus commentating on the characters’ actions. The tragic ending is inevitable, given Eddie’s fatal flaws of pride and impulsiveness. In keeping with the tragic convention, the climax ends in a tremendous catastrophe involving the death of the main character; the character has something the audience can identify with which outweighs their flaws, so we care about them.
The play is organised into two Acts and the framework is held together by Alfieri’s narration. Each time Alfieri comes on stage, he charts a further step in Eddie’s downward spiral to destruction.
You are advised to spend about 20 minutes on this question. What do you think of the way the characters speak and behave here? Give reasons for what you say and remember to support your answer with words and phrases from the extract. (10)
Beatrice: (weakened with fear) Oh, Jesus, Eddie. Eddie: What’s the matter with you? Beatrice: (pressing her palms against her face) Oh, my God, my God. Eddie: What’re you, accusin’ me? Beatrice: (her final thrust is to turn toward him instead of running from him) My God, what did you do? Many steps on the outer stair draw his attention. We see the First Officer descending, with Marco, behind him Rodolfo, and Catherine and the two strange immigrants, followed by Second Officer. Beatrice hurries to door. Catherine: (backing down stairs, fighting with First Officer; as they appear on the stairs) What do yiz want from them? They work, that’s all. They’re boarders upstairs, they work on the piers. Beatrice: (to First Officer) Ah, Mister, what do you want from them, who do they hurt? Catherine: (pointing to Rodolfo) They ain’t no submarines, he was born in Philadelphia. First Officer: Step aside, lady. Catherine: What do you mean? You can’t just come in a house and – First Officer: All right, take it easy. (To Rodolfo) What street were you born in Philadelphia? Catherine: What do you mean, what street? Could you tell me what street you were born? First Officer: Sure. Four blocks away, One-eleven Union Street. Let’s go fellas. Catherine: (fending him off Rodolfo) No, you can’t! Now, get outa here! First Officer: Look, girlie, if they’re all right they’ll be out tomorrow. If they’re illegal they go back where they came from. If you want, get yourself a lawyer, although I’m tellin’ you now you’re wasting your money. Let’s get them in the car, Dom. (To the men) Andiamo, andiamo, let’s go. The men start, but Marco hangs back. Beatrice: (from doorway) Who’re they hurtin’, for God’s sake, what do you want from them? They’re starvin’ over there, what do you want! Marco! Marco suddenly breaks from the group and dashes into the room and faces Eddie; Beatrice and First Officer rush in as Marco spits into Eddie’s face. Catherine runs into hallway and throws herself into Rodolfo’s arms. Eddie, with an enraged cry, lunges for Marco. Eddie: Oh, you mother’s –! First Officer quickly intercedes and pushes Eddie from Marco, who stands there accusingly. First Officer: (between them, pushing Eddie from Marco) Cut it out! Eddie: (over the First Officer’s shoulder, to Marco) I’ll kill you for that, you son of a bitch!
This extract is about when Eddie has called the Immigration Bureau about Marco and Rodolpho being illegal immigrants and it suggests that jealousy has taken over his reasoning and sense of honour. Perhaps it is this ‘hamartia’ that makes Eddie such a tragic hero. Miller cleverly shows here that the Red Hook community are very close, they look out for one another and Eddie has now betrayed that trust because he has ‘snitched’ and broken the moral code of Red Hook. Beatrice is disgusted with him as he has betrayed his own kin and has caused his family to become outsiders. Beatrice repeats ‘Oh my God, my God’ to show how shocked and horrified she is with her husband and prays that God will help them get through this. Despite bring furious with him, and ashamed of him, Beatrice doesn’t act aggressively with Eddie. Instead she repeats herself to make Eddie feel guilty. Within the extract itself, Eddie says very little as I believe the guilt is starting to sink in and he really begins to see the consequences of what he has done. He knows he has done wrong and will never be forgiven. Catherine is very protective and defensive over Rodolpho, saying, ‘They ain’t no submarines, he was born in Philadelphia’ showing herself willing to lie to the authorities for the man she loves whilst desperately trying to convince them that he is not an illegal immigrant. Catherine starts to panic as she is unable to finish her sentences and she asks a series of questions trying to waste time, ‘What do you mean? You can’t just come in the house and – ‘. This increases the feeling of tension and suspense even though we feel her attempts are in vain. In contrast, Beatrice doesn’t say too much as she knows who has ‘snitched’ and she knows there is no point arguing with the ‘officers’ as they have broken the rules according to American Law. However, Marco is livid with Eddie as he realises that he has done this to them because of his jealousy over the relationship between Catherine and Rodolpho. The stage directions ( Marco spits into Eddie’s face ) suggest that Marco wants justice as Eddie has broken Sicilian Law and the code of honour. By spitting, Marco is publicly showing his contempt, disgust and lack of respect for Eddie. It also suggests that Marco will make sure some kind of justice will be done. Eddie’s manliness is questioned here as, since he was unable to get rid of Marco and Rodolpho himself, he has taken the easy way out by calling the Immigration Bureau. As soon as Catherine runs into the hallway and throws herself into Rodolpho’s arms , Eddie becomes distraught and furious as his jealousy takes over and with an ‘enraged cry [he] lunges at Marco’. The verb ‘lunges’ suggests that his jealousy has made him violent and uncontrollable.
The response is well sustained with thoughtful and thorough discussion of the key issues. Language is selected and analysed effectively and the response deals with the effect of stage directions in some detail.