Character Analysis & Summary of The Cherry Orchard: A Comedy by Anton Chekhov, Schemes and Mind Maps of Theatre

An analysis of the characters and a summary of the play 'The Cherry Orchard' by Anton Chekhov. details about the characters Lyubov Andreevna, Anya, Varya, Lopakhin, Yasha, Dunyasha, Sharlotta, Gaev, Pishchik, and Firs. It also mentions the setting and the number of lines and speeches for each character.

Typology: Schemes and Mind Maps

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Kaarin S. Johnston April 14, 2014
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The Cherry Orchard; A Comedy in Four Acts (1904) by Anton Chekhov (1860-1904)
If this play is a comedy, it should speak to your head (your intellect) more than your stomach (your
emotions).
CHARACTERS: (5 Women and 7 Men + passerby, who could be crew)
Lyubov Andreevna Ranevskaya (Gayev’s sister)
Had married a lawyer (“a commoner”) instead of a man from her own class; he died six years earlier
because he was an alcoholic. She had two children, a daughter named Anya and a seven year old son
who drowned in the river a month after his father died. She had also adopted Varya, a girl from the
servant [ex-serf] class. According to her she had an affair with a man in Russia just before her son
died. After the death of her son she left Russia and went to Menton where she bought a villa and
nursed her evil lover for three years. Then the villa had to be sold to pay off their debts. They went
to Paris where her lover stole her money and left her for another woman. She then tried to poison
herself. While in Paris she didn’t send any money home to support her daughter, step-daughter, and
servants. It was also during this period that her and her brother’s nana (wet-nurse) died. Once the
family in Russia realized they were going to lose the estate because they were unable to make the
mortgage payments, Anya was sent to Paris with her governess to bring her mother back home. When
Anya found her she was living on the 5
th
floor, in a place that was bleak and uncomfortable. Before
they left Paris she took Anya up in a hot air-balloon. On the way back she spent money lavishly and
seemed to have no understanding of the value of money.
In Act I she says, “If only I could forget my past!”
Anya (17 years old; Lyubov’s daughter)
Had left home on the train at Lent to go to Paris with Charlotta as her companion to find her mother
and is just now returning. She has no money, “not a kopeck.”
Varya her step-sister says she looks like a nun. She has had the responsibility to keep the servants
and family fed with very little money. Everyone assumes she is going to marry Lopakhin but he has
never asked her. In fact, in Act II he says to her, “Get thee to a nunnery, Ophelia—Ophoolia.” (It is
not clear that he knows what the phrase means.) Her fantasy is to walk to Kiev, Moscow and other
Holy places. Her terrified reaction to the drunken beggar in Act II shows that she couldn’t walk alone
around the country. According to her, the old servants are spreading the rumor than she only feeds
them dried peas.
Gayev Leonid (51) Lyubov Andreevna’s brother) Makes moves as if he is playing billiards and
such comments as, “Yellow into the corner. Then off the cushion into the middle pocket.” Often
sucks on fruit drop hard candies. He says his sister is, “depraved.” He swears to everyone the estate
will not be sold—that their aunt, the wealthy countess, will save them. He says he has the love and
respect of the peasants and that, “You have to know your peasant!” (Obviously he lives in the past.)
In Act II his sister angrily calls him an old woman.
Lopakhin: his father was a serf owned by Andreevna and Gayev’s father
Everyone assumes he is in love with Varya, possibly because he comes from peasant (serf) stock, and
plans to marry her. He hasn’t proposed. Said to be very busy with a large estate.
Firs Very old and hard of hearing. Was a serf on the estate and when the serfs were freed; he stayed
with the family as a servant. According to him, 50 years earlier the family knew how to dry the
cherries, soak them, pickle them, make jam with them and sell them in Moscow and Kiev. The recipe
has been lost and no one knows what to do with the fruit in the years the trees do bear cherries.
pf3
pf4
pf5

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The Cherry Orchard; A Comedy in Four Acts (1904) by Anton Chekhov (1860-1904)

If this play is a comedy, it should speak to your head (your intellect) more than your stomach (your

emotions).

CHARACTERS: (5 Women and 7 Men + passerby, who could be crew)

Lyubov Andreevna Ranevskaya (Gayev’s sister)

Had married a lawyer (“a commoner”) instead of a man from her own class; he died six years earlier

because he was an alcoholic. She had two children, a daughter named Anya and a seven year old son

who drowned in the river a month after his father died. She had also adopted Varya, a girl from the

servant [ex-serf] class. According to her she had an affair with a man in Russia just before her son

died. After the death of her son she left Russia and went to Menton where she bought a villa and

nursed her evil lover for three years. Then the villa had to be sold to pay off their debts. They went

to Paris where her lover stole her money and left her for another woman. She then tried to poison

herself. While in Paris she didn’t send any money home to support her daughter, step-daughter, and

servants. It was also during this period that her and her brother’s nana (wet-nurse) died. Once the

family in Russia realized they were going to lose the estate because they were unable to make the

mortgage payments, Anya was sent to Paris with her governess to bring her mother back home. When

Anya found her she was living on the 5th^ floor, in a place that was bleak and uncomfortable. Before

they left Paris she took Anya up in a hot air-balloon. On the way back she spent money lavishly and

seemed to have no understanding of the value of money.

In Act I she says, “If only I could forget my past!”

Anya (17 years old; Lyubov’s daughter)

Had left home on the train at Lent to go to Paris with Charlotta as her companion to find her mother

and is just now returning. She has no money, “not a kopeck.”

Varya her step-sister says she looks like a nun. She has had the responsibility to keep the servants

and family fed with very little money. Everyone assumes she is going to marry Lopakhin but he has

never asked her. In fact, in Act II he says to her, “Get thee to a nunnery, Ophelia—Ophoolia.” (It is

not clear that he knows what the phrase means.) Her fantasy is to walk to Kiev, Moscow and other

Holy places. Her terrified reaction to the drunken beggar in Act II shows that she couldn’t walk alone

around the country. According to her, the old servants are spreading the rumor than she only feeds

them dried peas.

Gayev Leonid (51) Lyubov Andreevna’s brother) Makes moves as if he is playing billiards and

such comments as, “Yellow into the corner. Then off the cushion into the middle pocket.” Often

sucks on fruit drop hard candies. He says his sister is, “depraved.” He swears to everyone the estate

will not be sold—that their aunt, the wealthy countess, will save them. He says he has the love and

respect of the peasants and that, “You have to know your peasant!” (Obviously he lives in the past.)

In Act II his sister angrily calls him an old woman.

Lopakhin : his father was a serf owned by Andreevna and Gayev’s father

Everyone assumes he is in love with Varya, possibly because he comes from peasant (serf) stock, and

plans to marry her. He hasn’t proposed. Said to be very busy with a large estate.

Firs Very old and hard of hearing. Was a serf on the estate and when the serfs were freed; he stayed

with the family as a servant. According to him, 50 years earlier the family knew how to dry the

cherries, soak them, pickle them, make jam with them and sell them in Moscow and Kiev. The recipe

has been lost and no one knows what to do with the fruit in the years the trees do bear cherries.

Dunyasha : Fyodor Kozoyedov’s daughter. Anya’s maid-servant, she is spoilt and acts

inappropriately for her position. In the beginning she is so excited about Yepikhodov’s marriage

proposal that she completely ignores Anya’s state of exhaustion. She is silly and ends up with a

“crush” on Yasha. It is hinted that she loses her virginity to him.

Trofimov [Pyetya]: He is not 30 yet, but his hair is thinning and he wears glasses. He had been

Grisha’s tutor before the little boy drowned. Andreevna says he is ugly. According to him, women

on the train said he was, “a mangy-looking gentleman.” At the end of Act I he calls Anya his

“shining sun”, his, “life’s springtime!” In Act II he begins to speak of how, “We have to stop

admiring ourselves. We have simply to work.” He has long speeches about what the country needs.

(He seems to speak with pre-revolutionary ideas.)

Yasha : Andreevna’s footman. He is selfish, a womanizer, and doesn’t care anything about his

mother. (She walked to the estate and has been waiting over a day to see him but he is irritated at the

news.)

Yepikhodoc is the estate clerk. In Act II he plays the guitar. He wears squeaking boots. Known as

two-and-twenty-hard-knocks.

Simeonov-Pishchik : Wears a tight-fitting, long-waisted coat in a fine material, and wide, Oriental-

looking trousers. He has come the first night in order to borrow 240 rubles from Andreevna. He is in

a constant state of raising money to pay the interest on his estate. He has gout.

The estate is 13 miles from town and the railroad runs by the estate.

Lopakhin’s plan for Lyubov to save the estate:

1) cut down the cherry orchard and pull down the old house and out-buildings

2) divide the land along the river into building lots and lease them out as sites for weekend

homes

3) the rent would total at least 25,000 rubles per year (enough to pay off the debts so the family

could keep the land and slowly regain some wealth)

Why Andreevna does not accept Lopakhin’s plan:

1) the orchard is mentioned in an encyclopedia

2) the orchard represents the family’s past glory

3) the river is where her little boy died

4) she can’t make decisions

5) she can’t believe that they can lose the estate

6) it’s too sordid

ACT I Interior ( A room still known as the Nursery.) SPRING

May. The cherry trees are in blossom. It is cold with a morning frost. Shortly before sunrise, there is

predawn light. Almost 2:00 a.m. The train is two hours late. Lopakhin is sleepy and yawning.

[Tempo is slow.]

During the scene the birds begin singing (which they generally do just before dawn and into dawn.)

SYMBOLS : Spring —season of new life and hope. Animals bear their young. Flowers bloom,

symbols of fertility. Days grow longer; more light makes plants grow.

Cold frost —kills the blossoms, which means no cherries. An empty nursery ; there are no young

passionate lovers; no newlyweds, no fiancés. We learn one of Ranyevskaya’s rooms is white and the

other is mauve. Towards the end of the act, “A long way away, beyond the orchard, a SHEPHERD

plays on a reed pipe.” Note it comes from beyond the orchard…at this time the lambs would have

been born and able to frolic about. A reed pipe is the type used by Pan.

ACT III

Horse (multiple times) Hungry dog

Tea A flower

Insect A stick

Brandy Anchovies

Kerch herrings Like the setting sun at the evening hour

THROUGH TEARS/CRYING/WEEPING:

ACT ONE (in Nursery) Lyubov’s first line: through tears Lyubov’s second speech: Weeps. Varya: through tears Varya: through tears Dunyasha: through tears (broke a saucer) Firs: weeps from joy. Lyubov: through tears Gaev: through tears (speech to honored bookcase) Varya: through tears (Petya arrives) Varya: weeps (Petya arrives) Trofimov: through tears (comforting Varya and Lyubov) Lyubov: weeps quietly (talking to Petya) Varya: weeps (If only God would help.) Gaev: through tears (to Anya)

ACT TWO (Exterior) Lyubov: wipes away tears (during life story)

ACT THREE (in drawing room) Varya: is weeping (quietly as she dances) Varya: in a gentle tone, in tears Lyubov: weeps (mentions death of son) Trofimov: through tears (to Lyubov) Gaev: wipes away his tears (as he enters) Lyubov: in tears (tell me, for God’s sake!) Lyubov: weeping bitterly Lopakin: in tears (speaking to Lyubov)

ACT FOUR (in Nursery) Dunyasha: weeps (Yasha is leaving her) Pishchik: through tears (learns they are all leaving) Varya: quietly sobs (Lopakin does not ask her to marry him) Varya: through tears (looking at the old galoshes) Gaev: breaking into tears (before saying goodbye) Lyubov and Gaev: sob quietly (saying goodbye)

[Numbers may be off slightly... taken from the Bristow translation]

Character ACT I speeches

ACT I

lines

ACT II

speeches

ACT II

lines

ACT III

speeches

ACT III

lines

ACT IV

speeches

ACT IV

lines Lopakin 309 27 103 30 67 8 56 32 83 Dunyasha 75 20 41 7 18 5 11 2 5 Yepikhodov 65 3 15 7 28 6 19 3 3 Anya 123 27 66 10 16 4 15 13 22 Lyubov 351 31 110 31 91 29 105 18 45 Varya 159 41 78 7 9 15 49 14 23 Gaev 178 32 107 22 37 1 6 12 28 Sharlotta 55 3 5 3 21 10 22 2 7 Pishchik 100 13 22 15 42 5 36 Firs 65 10 19 7 17 6 19 1 10 Trofimov 192 6 10 20 96 20 38 17 48 Yasha 54 8 15 9 14 11 25 Passerby 3 8 Station master 1 1

CAST SIZE:

Women Male Passerby/station master (same actor?) Lyubov 350 + Lopakin 300+ People at the party--- are they needed? Varya 150+ Trofimov 190+ Anya 120+ Gaev 170+ Dunyasha 75 Pishchik 100 Sharlotta 55 Yepikhodov 65 Firs 65 Yasha 50+