Classics Notes for you, Summaries of Classical Philology

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Typology: Summaries

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10.9.23
Ovid
1. P. Ovidius Naso (FYI)
a. Born in 43 BCE, Sulmo (mountain town east of Rome), equestrian
b. Quit Roman administrative politics to write poetry, much of which is extant
i. Heroides – letters from women of mythology
ii. Amores – Elegiac love poetry
iii. Medicamina Faciei Femineae – short parodic didactic poem on facial
cosmetics
iv. Ars Amatoria – 3 book mock-didactic poem teaching Romans how to
commit adultery
v. Remedia Amoris – mock-didactic “cure” for love
vi. Metamorphoses – epic in 15 books dealing with changes in shape in
mythology
vii. Fasti – 6 books of poetry following on themes of Roman calendar and
festivals
1. He was exiled around this time, losing alot of library access
c. Banished to Tomis in 8 CE (banished for a “carmen et error” – a poem and a
mistake)
i. We don’t know exactly what poem was the cause in Ovid’s mind, or what
the error was
ii. In exile he wrote the Ibis, Tristia, and Epistulae ex Ponto – books of poetry
dealing with Ovid’s exile, and pleas to be recalled to Rome
d. Died in exile c. 18 CE, four years after Augustus dies
2. Metamorphoses
a. Jupiter and the Deluge
i. Metamorphoses
1. Changes of shape. Change more broadly
ii. Jupiter calls meeting of the gods
iii. Milky way is a “street” the gods walk on to the road the house of Jupiter
“the thunderer” (jupiter tonans – on the capitaline)
iv. “Plebeian gods” live in another neighborhood
1. This idea portrays that even the gods have their patricians and their
plebeians
a. This is sortof a jokey take on the gods, meant to be a funny
fractured fairy tale
b. Take a commonly known story, and do it in a funny way,
with a twist
v. “I would not hesitate to call this enclave the Palatine of heaven’s ruling
class.”
1. Connection being made between Jupiter and Augustus, Jupiter
could be a symbol of Augustus
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Ovid

  1. P. Ovidius Naso (FYI) a. Born in 43 BCE, Sulmo (mountain town east of Rome), equestrian b. Quit Roman administrative politics to write poetry, much of which is extant i. Heroides – letters from women of mythology ii. Amores – Elegiac love poetry iii. Medicamina Faciei Femineae – short parodic didactic poem on facial cosmetics iv. Ars Amatoria – 3 book mock-didactic poem teaching Romans how to commit adultery v. Remedia Amoris – mock-didactic “cure” for love vi. Metamorphoses – epic in 15 books dealing with changes in shape in mythology vii. Fasti – 6 books of poetry following on themes of Roman calendar and festivals
  2. He was exiled around this time, losing alot of library access c. Banished to Tomis in 8 CE (banished for a “carmen et error” – a poem and a mistake) i. We don’t know exactly what poem was the cause in Ovid’s mind, or what the error was ii. In exile he wrote the Ibis, Tristia, and Epistulae ex Ponto – books of poetry dealing with Ovid’s exile, and pleas to be recalled to Rome d. Died in exile c. 18 CE, four years after Augustus dies
  3. Metamorphoses a. Jupiter and the Deluge i. Metamorphoses 1. Changes of shape. Change more broadly ii. Jupiter calls meeting of the gods iii. Milky way is a “street” the gods walk on to the road the house of Jupiter “the thunderer” (jupiter tonans – on the capitaline) iv. “Plebeian gods” live in another neighborhood
  4. This idea portrays that even the gods have their patricians and their plebeians a. This is sortof a jokey take on the gods, meant to be a funny fractured fairy tale b. Take a commonly known story, and do it in a funny way, with a twist v. “I would not hesitate to call this enclave the Palatine of heaven’s ruling class.”
  5. Connection being made between Jupiter and Augustus, Jupiter could be a symbol of Augustus

vi. Jupiter is angry about Lycaon – wants to destroy all human beings because of Lycaon vii. Turns Lycaon into a wolf (lucos) viii. Gods’ reaction to jupiter – either agreement or “mute assent” – although they feel sorry for humans

  1. Why was there no active disagreement with Jupiter, and only silence a. He will do what he wants anyway b. He will hate you for speaking against
  2. Hints of totalitarian regime a. Not new to ovid though, things like this are seen depicted in the Iliad, although this is pretty rare ix. Jupiter wants to incinerate humans, but decides to drawn them instead – leading into story of Deucalion and Pyrrha
  3. Throw rocks behind shoulders – they turn into humans, repopulates the earth x. If Jupiter = Augustus, what is Ovid hinting at here?
  4. Augustus as powerful as a god
  5. Tyrant?
  6. Want destruction? b. Echo and Narcissus i. Echo’s backstory
  7. Jupiter is getting with a Nymph, Juno is close to catching him
  8. Juno runs into Echo, Echo was told by Jupiter to keep her busy, so Echo keeps talking a. Juno Punishes Echo by making her repeat the last words someone says
  9. Echo dies for love of Narcissus
  10. Narcissus and his own image a. Usual story, he doesnt realize it’s him in the mirror b. Ovid is different c. Confusion of erotic roles – lover and beloved i. Narcissus is both sides of a classical greco-roman homosexual relationship d. “Would that I were able to secede from my own body, depart from what I love” e. Dies at the brook and becomes the Narcissus flower
  11. Aitia – causes c. Arachne i. She was poor but renowned for her weaving (sacred to Athena) – so good that nymphs came to watch her work ii. She denies Athena as her teacher – challenges the goddess to a contest

d. Usually the man is 10 to 20 years older than the woman in a marriage, because the man has to prove himself and get a good job first which takes time

  1. Augustus changes this from a private civil issue to a crime, punishable by death or exile (by girl’s father or husband) a. In augustus’ thinking, you are murdering the next generation by not having children
  2. Punishment of elder and younger Julias ii. Ovid proceeds to write three books (1-2 for men, 3 for women) about how to have an adulterous relationship iii. Not to be taken seriously – this is mock didactic poetry (teaching poetry) iv. Ovid casts himself as mythological teacher (e.g. Chiron) v. Does not invoke Muses, but experience – dangerous pose
  3. Basically admitting to have comit adultery while it is criminalized vi. Ovid sings venerem tutam (safe sex) and concessa furta (allowed sneaking around), so there is no crimen (criminal charge) in his poetry vii. First choose type of woman to love, then learn the places most favorable to lovers f. Topography of Love i. Porticus of Pompey
  4. This is where julius caesar was assassinated ii. Porticus Octavia
  5. Augustus built this for his sister iii. Porticus Livia
  6. Aug built this for his wife iv. Porticus of Danaids – attached to temple of Apollo on the Palatine v. Temple of Isis vi. Forum (law courts) vii. Temple of Venus Genetrix viii. Theater of Marcellus
  7. Aug built this for his early deceased son in law Marcellus g. Love at Races and Triumphs i. Roman seating ii. Circus Maximus – gigantic race course, still there though we have not excavated it yet
  8. Ask which horse she bets on
  9. Applaud loudly for statue of Venus
  10. Make sure she is comfortable – cushion, no knees in her back, fan or stool iii. Gladiatorial combat (no Colosseum yet) – wounded by love, naumachoi iv. Prophesied triumph of Gaius Caesar (Augustus’ grandson) over the Parthians
  11. Answer her questions (even if she doesn’t ask)
  1. If you don’t know, pretend that you do v. How do you think Augustus would react to all this?
  2. Triumph of his son is being used as a perfect place to pick up adulterous relationships
  3. Making a mockery of Augustus, calling him a joke
  4. Many people think the ars amatoria was what got ovid exiled
  5. This is considered perhaps the end of free speech