Clocks by Gillian Clarke analysis, Schemes and Mind Maps of English

An analysis of the literary techniques used in the poem, 'Clocks' by Gillian Clarke

Typology: Schemes and Mind Maps

2020/2021

Uploaded on 01/11/2021

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Clocks
‘Clocks’ is a poem by Gillian Clarke about the passage of time and the changes that takes place
with it, especially in children. It is presumably for her grandson Cai, as it explores the wonders
of growing up from a unique and different perspective. Clarke has made it memorable with the
use of imagery, diction and other literary devices.
REPITITION
“ffwff-ffwffs”
The fact that he is unable to pronounce the word ‘flowers’ shows how young and innocent the
child is. The repetition of this phrase emphasizes how the child has got so much to learn. It also
subtly indicates that even when Clarke is trying to teach him how to tell the time by dandelions
or about sounds, the child is still contemplating about the word he recently had learnt.
IMAGERY
“blows me a field of gold”
This is very strong visual imagery as the child measures his breath, not paying attention to
Clarke who is trying to teach him how to tell time. It also represents how he does not pay much
attention to Clarke who is trying to teach him something.
“sand’s soft treachery underfoot”
This phrase employs tactile imagery as the child tries to understand how the water takes away
the sand from under his feet. Due to his innocence, something as harmless as sand is scaring
him as the whole world is very new to him.
DICTION
“translucent”
In this context, it relates to how the child is in a middle phase as he is full of uncertainty. It
reflects the ideas of growing up and how change is a very natural process.
“treachery”
It is interesting to note how he is scared of harmless sand, and is unaware of the real horrors of
the world. It emphasizes how sometimes, ignorance is bliss.
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Clocks

‘Clocks’ is a poem by Gillian Clarke about the passage of time and the changes that takes place with it, especially in children. It is presumably for her grandson Cai, as it explores the wonders of growing up from a unique and different perspective. Clarke has made it memorable with the use of imagery, diction and other literary devices. REPITITION “ffwff-ffwffs” The fact that he is unable to pronounce the word ‘flowers’ shows how young and innocent the child is. The repetition of this phrase emphasizes how the child has got so much to learn. It also subtly indicates that even when Clarke is trying to teach him how to tell the time by dandelions or about sounds, the child is still contemplating about the word he recently had learnt. IMAGERY “blows me a field of gold” This is very strong visual imagery as the child measures his breath, not paying attention to Clarke who is trying to teach him how to tell time. It also represents how he does not pay much attention to Clarke who is trying to teach him something. “sand’s soft treachery underfoot” This phrase employs tactile imagery as the child tries to understand how the water takes away the sand from under his feet. Due to his innocence, something as harmless as sand is scaring him as the whole world is very new to him. DICTION “translucent” In this context, it relates to how the child is in a middle phase as he is full of uncertainty. It reflects the ideas of growing up and how change is a very natural process. “treachery” It is interesting to note how he is scared of harmless sand, and is unaware of the real horrors of the world. It emphasizes how sometimes, ignorance is bliss.

METAPHOR

“full blown moon” This is signifying how the child has finally understood the concept of flowers and is ready to move on as the cycle of learning is endless. It can also represent how children are always curious and willing to learn about everything new that attracts them. “dandelion” It is interesting how even though a dandelion is a weed and can hardly be described as golden, it symbolizes Clarke’s love for her grandson as it comes from him. This blinding of reality expresses the passionate love people share. ENJAMBMENT “a field of gold/from his palm” “then turn/his face” Enjambment is used in this poem to separate the child’s features and emphasize on the love she has for him. ALLITERATION “wary of waves” The child feels very small and insignificant before the monstrous waves of the ocean, which represent his pure innocence.