Reflective Writing in Creative Writing Courses: Assessing Growth and Process, Study notes of Creative writing

An overview of reflective writing in the context of creative writing courses. Reflective writing allows students to assess their growth as writers by documenting their writing and revision process, struggles and successes, and past and future goals. Tips for drafting and revising, being specific about choices made as a writer, and focusing on the writer as an individual and specific pieces of writing. It also includes potential focus areas for reflective writing and prompts for writing consultations.

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Creative Writing: Reflective Writing 1
Creative Writing
Reflective Writing
A Brief Overview of Reflective Writing
Reflective writing allows writers to assess their growth–or room for growth–
within specific genres and pieces of writing. Reflective writing can take a
number of forms: it can be a letter to the professor, an essay about one’s
writing, or a formal artist’s statement.
In most creative writing classes, the purpose of reflective writing is to assess
your growth as a writer by documenting your writing and revision process,
your struggles and successes as a writer, and your past and future goals
for writing. Creative writing professors use these reflective pieces to better
understand you as a writer as well as to understand how the pieces you wrote
throughout the term have evolved.
Audience
Typically, your professor is your primary audience. However, other audiences
might include your classmates, readers of a portfolio of your work, and
yourself. Ask your professor or check your assignment sheet/syllabus for
specific information about the audience for your piece and the form it must
take (letter, essay, artist’s statement, etc.).
Writing Process Tips
Reflective writing is about you as a writer and your processes in creating a
piece (or number of pieces) of writing. Therefore, it’s important that you keep
track of your drafts and feedback (from classmates, professor, and others)
throughout the semester–you will need some way of reminding yourself about
the process you underwent before arriving at the final version(s) of your
piece(s). To ensure you can write the best reflection possible:
Draft and Revise
Draft and revise throughout the term; it stands to reason that the best
reflective narratives are those by writers who have developed their ideas over
time, documenting their processes and perspectives.
Write Full Drafts
Write full drafts of pieces to submit for workshops. The more you write for the
workshop, the more useful and specific feedback you can get–and the more
opportunity you have to try new things with your writing, which will give you
much more to say in your reflection. It is certainly valid in a reflective narrative
to talk about which pieces you developed and why, and which you decided
not to work on, and why. But it’s much more compelling–and reflects a greater
depth of thought–to write about things you experimented with in a single
piece, and rejected or developed along the way.
The purpose of reflective writing
is to assess your growth as a
writer and to determine how your
pieces have evolved throughout
the term.
It is important to keep track
of your drafts and feedback
throughout the semester. This
will help you in your reflective
writing.
Example Reflections
OK: “I turned it into workshop
unfinished and then people gave
me some ideas for the ending so I
tried one here but I don’t think it’s
working.”
Better: “I tried this and it didn’t work,
so I tried this, and then tweaked that,
and then....”
The latter example walks readers
through a more intricate--and
therefore more thoughtful--process.
This work is licensed under the Creative Commons Attribution 3.0 United States License. To view a copy of this license, visit http://creativecommons.
org/licenses/by/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.
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Creative Writing: Reflective Writing 

Creative Writing

Reflective Writing

A Brief Overview of Reflective Writing

Reflective writing allows writers to assess their growth–or room for growth– within specific genres and pieces of writing. Reflective writing can take a number of forms: it can be a letter to the professor, an essay about one’s writing, or a formal artist’s statement. In most creative writing classes, the purpose of reflective writing is to assess your growth as a writer by documenting your writing and revision process, your struggles and successes as a writer, and your past and future goals for writing. Creative writing professors use these reflective pieces to better understand you as a writer as well as to understand how the pieces you wrote throughout the term have evolved.

Audience

Typically, your professor is your primary audience. However, other audiences might include your classmates, readers of a portfolio of your work, and yourself. Ask your professor or check your assignment sheet/syllabus for specific information about the audience for your piece and the form it must take (letter, essay, artist’s statement, etc.).

Writing Process Tips

Reflective writing is about you as a writer and your processes in creating a piece (or number of pieces) of writing. Therefore, it’s important that you keep track of your drafts and feedback (from classmates, professor, and others) throughout the semester–you will need some way of reminding yourself about the process you underwent before arriving at the final version(s) of your piece(s). To ensure you can write the best reflection possible:

Draft and Revise

Draft and revise throughout the term; it stands to reason that the best reflective narratives are those by writers who have developed their ideas over time, documenting their processes and perspectives.

Write Full Drafts

Write full drafts of pieces to submit for workshops. The more you write for the workshop, the more useful and specific feedback you can get–and the more opportunity you have to try new things with your writing, which will give you much more to say in your reflection. It is certainly valid in a reflective narrative to talk about which pieces you developed and why, and which you decided not to work on, and why. But it’s much more compelling–and reflects a greater depth of thought–to write about things you experimented with in a single piece, and rejected or developed along the way.

The purpose of reflective writing

is to assess your growth as a

writer and to determine how your

pieces have evolved throughout

the term.

It is important to keep track

of your drafts and feedback

throughout the semester. This

will help you in your reflective

writing.

Example Reflections

OK: “I turned it into workshop unfinished and then people gave me some ideas for the ending so I tried one here but I don’t think it’s working.” Better: “I tried this and it didn’t work, so I tried this, and then tweaked that, and then....” The latter example walks readers through a more intricate--and therefore more thoughtful--process.

This work is licensed under the Creative Commons Attribution 3.0 United States License. To view a copy of this license, visit http://creativecommons. org/licenses/by/3.0/us/ or send a letter to Creative Commons,  7  Second Street, Suite 300, San Francisco, California, 9405, USA.

Creative Writing: Reflective Writing 

Example: “I turned it into workshop unfinished and then people gave me some ideas for the ending so I tried one here but I don’t think it’s working” is honest. But it’s better to write more specifically about your process: “I tried this and it didn’t work, so I tried this, and then tweaked that, and then....” The latter example walks readers through a more intricate–and therefore more thoughtful–process.

Be Specific

Be very specific about the choices you made as a writer. It is one thing to describe the changes you made. It is quite another to explain why you made those changes and how you went about doing so.

Example: “Readers said it was slow so I cut out some parts” is fine, but consider how much more specific and reflective this is: “Classmate X mentioned, and several people agreed, that the story dragged in the middle scenes. I realized that the tone didn’t match the action. I had these wordy, long sentences while my characters were running from the police. The sentences made the writing feel slow and surreal, and that wasn’t what I was going for, so I trimmed the scene and changed some word choices.”

Potential Focus Areas The following questions facilitate reflection and can inspire ideas for writing a self-analysis. Try freewriting some answers to these prompts.

About You As A Writer

How has your writing changed throughout the semester? Where is there room for you to improve your writing? What are your goals as a writer overall? How do you feel about your use of language in your writing?

Related to a Specific Piece of Writing

Why did you choose to develop this piece over others? What were your goals for this particular piece? Did you achieve those goals? (For example, if you tried to emotionally captivate your readers, did it work?) How has this piece changed throughout its progression? Did you use different writing strategies in an attempt to gain readers’ interest? How do you feel about the end product? How might this piece improve if you were to continue working on it? What genre-related characteristics have you addressed? (Did you show awareness of the genre your work fits?) If you’ve left a piece unfinished or consider it “abandoned,” for what reasons did you leave it behind? (This helps show that you’ve considered the piece and have not just set it aside out of laziness, but rather have decided that it’s not going where you want it to, but perhaps was a nice attempt to get where you intended.)

Focus Areas

When writing reflectively, always consider focusing on: You as a writer Points of concern with a specific piece of writing Details about your writing process

Example Reflections

OK: “Readers said it was slow so I cut out some parts.” Better: “Classmate X mentioned, and several people agreed, that the story dragged in the middle scenes. I realized that the tone didn’t match the action. I had these wordy, long sentences while my characters were running from the police. The sentences made the writing feel slow and surreal, and that wasn’t what I was going for, so I trimmed the scene and changed some word choices.” The second statement is more specific and reflective.