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Design Appreciation Study Guide | ITDS 1114, Study notes of Interior Design

Virginia Polytechnic Institute and State University (Virginia Tech)Interior Design
Prof. Marilyn D. Casto

All the lecture notes from before the First Exam. This is how I got an A. Material Type: Notes; Professor: Casto; Class: Design Appreciation; Subject: Interior Design; University: Virginia Polytechnic Institute And State University; Term: Fall 2008;

Typology: Study notes

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Uploaded on 10/23/2008

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Design Appreciation Study Guide
Test 1 Fall 2008
I. Color
a. Color Vision
i. Cones-Colors (blue, yellow, red)
ii. Rods-Neutrals (black, white)
iii. Color Blind=Less Cones
b. Theories of Color
i. Rene Des Cartes 1637
1. Prism Diagram
ii. Newton 1667
1. Theory of Color as a property of light.
2. Also tried mathematical calculations
3. Based Theory on Contrast
iii. Johann Goethe 1810
1. Psychology
2. Yellow-Weak, Positive; Blue-Dynamic
3. Subjective Cultural Issue
4. Interaction of Light and Dark
5. Color Wheel-Complements
6. Started concept of Color/Attitude relationship
iv. Michel-Eugene Cheureul 1864
1. Law of Simultaneous Contrast
2. Influential in Industry and Art
3. Complementary Colors (opposites) are harmonious
4. Shadows and AfterImages
v. Wilhelm Ostwald, Chemist 1918
1. Double Cone
2. Published in 1916
3. Psychological and Physical
4. Primaries-Red Yellow Blue and Green
5. 24 Hues
6. Harmony in Order
7. Gray Scale using Geometric Proportions
vi. Josef Albers 1963
1. “Interaction of Color”
2. Context of Seeing the Color
vii. Munsell System-Current
1. Primaries- Blue, Green, Purple, Red, and Yellow
2. Intermediaries-BG, PB, RP, YR, GY
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Design Appreciation Study Guide Test 1 Fall 2008 I. Color a. Color Vision i. Cones-Colors (blue, yellow, red) ii. Rods-Neutrals (black, white) iii. Color Blind=Less Cones b. Theories of Color i. Rene Des Cartes 1637

  1. Prism Diagram ii. Newton 1667
  2. Theory of Color as a property of light.
  3. Also tried mathematical calculations
  4. Based Theory on Contrast iii. Johann Goethe 1810
  5. Psychology
  6. Yellow-Weak, Positive; Blue-Dynamic
  7. Subjective Cultural Issue
  8. Interaction of Light and Dark
  9. Color Wheel-Complements
  10. Started concept of Color/Attitude relationship iv. Michel-Eugene Cheureul 1864
  11. Law of Simultaneous Contrast
  12. Influential in Industry and Art
  13. Complementary Colors (opposites) are harmonious
  14. Shadows and AfterImages v. Wilhelm Ostwald, Chemist 1918
  15. Double Cone
  16. Published in 1916
  17. Psychological and Physical
  18. Primaries-Red Yellow Blue and Green
  19. 24 Hues
  20. Harmony in Order
  21. Gray Scale using Geometric Proportions vi. Josef Albers 1963
  22. “Interaction of Color”
  23. Context of Seeing the Color vii. Munsell System-Current
  24. Primaries- Blue, Green, Purple, Red, and Yellow
  25. Intermediaries-BG, PB, RP, YR, GY
  1. 10 spaces between each major hue
  2. Hue is brightest at home value
  3. Sorted by Hue, Value, and Intensity (About 1500 chips) viii. CIE System
  4. Numerical Mathematical System
  5. Spectrophotometer ix. Pontane-Color Specification Company
  6. National Flags
  7. Gemstones
  8. Color of the Year (Iris 2008) x. White light becomes ROY G BIV
  9. Blue
  10. Red
  11. Green
  12. Yellow
  13. Orange
  14. Violet
  15. Indigo xi. Original Theories
  16. Spectrum of white light is similar to musical scale or mathematical process
  17. Ranging all Primary colors as a harmonious assortment
  18. Using the Value of hues as the primary determinant c. Color Divisions i. Primary=Red, Blue, Yellow ii. Secondary=Green, Orange, Purple iii. Tertiary=Blue Green, Yellow Green, Yellow Orange, Red Orange, Blue Purple, Red Purple iv. Additive=Red+Green=Yellow, Green+Blue=Cyan, Blue + Red=Magenta, Magenta
  • Yellow = Red, Cyan + Magenta=Blue, and Yellow + Cyan= Green v. Subtractive=Cyan=-R, Magenta=-G, Yellow=-B d. White Light and Wavelengths of Color i. Red 700nm ii. Orange 600 iii. Yellow 550nm iv. Green 500nm v. Blue 450nm vi. Violet 400nm e. Terms i. Achromatic-Without Color (white and black) ii. Chromatic-With Color iii. After Image-Color Complement of what it was-Successive Contrast

c. Line Movement includes Emotion d. Examples i. Curvilinear-Active Agitated

  1. Spirals-Draw people in ii. Baroque Style
  2. Dramatic, Space, Sweeping Curves, Impressive iii. Racoco Style
  3. Tiny little curves of particular type iv. Art Neoveau
  4. End of 19th^ Century
  5. Curved lines
  6. Modern