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A shot in which the camera is on the same level as the subject of the picture. Also called Eye-level shot. Page 2. Low Angle Shot. A ...
Typology: Exams
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Camera-subject distance refers to the distance between where the camera is taking the picture and the subject of the picture. Before deciding on the distance it is necessary that students know what the subject of the picture is. You could have long-shot picture of cows grazing on the side of a mountain with a farm scene in the foreground. What is the subject: the cows, the mountains or the farm? Many times it won't make a difference, but sometimes it does. Be aware of it.
The subject of the picture is surrounded by other material which give it context. If the long shot is of a person , you will be able to see his whole body with background or foreground material around him.
Knowledge of the correct subject within a picture is important when deciding what is foreground and background material. The subject of a picture is given meaning by other material in the picture. For example, a child in a picture is given meaning by the run- down shack behind him or the three hundred dollar mountain bike in front of him. Through the foreground and background material, the subject of a picture is given context or meaning. The person analysing the picture, of course, must decide whether or not the foreground and background material truly defines the subject.
Foreground material is anything in the picture that is between the subject of the picture and the viewer of the picture. Or simply, anything in front of the picture's subject.
Background material is anything in the picture behind the subject.
How is the subject arranged in relationship with the foreground and background material? How does the foreground and background material define the subject? Our understanding of photographs is essential in media literacy. Facial expressions often give clues as to the subject's awareness of the camera. Photographs in advertisements are always either posed or aware of the camera. All pictures come under one of three categories:
The subject is arranged, set-up; there is no attempt at hiding the fact the subject is totally aware of the presence of the camera. This one gets a little more slippery when the subject seems to indicate the picture is natural but is in fact posing. Most family pictures are posed.
The subject is aware of the camera, but tries to create an illusion that the image captured is natural. Political figures and celebrities in the public eye are always aware of the presence of the cameras which affects their actions and words. Advertising attempts to create "reality snapshots" which many people buy into continuously. The media literacy rule here makes it easy: no matter how natural and real a picture looks in a TV or magazine ad, if the image is selling something, it is posed.
The subject is genuinely "caught" within a real context. Some news photos and sports shots may fall under this category. Some would argue that athletes are aware of cameras which dictates their behaviour on and off the field during a game; others argue that the presence of a camera would not affect "the game" or a news story such as a protest. But recent history has shown that the presence of the camera adversely affects human behaviour whether it is measurable or not. Just take a video camera out at a family function and see how the behaviour of those present changes when the camera is nearby.