Introduction-Pattern & Rhythm, Summaries of Art

Gateways to Art: Understanding the Visual Arts, Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields. Chapter 1.9 Pattern and Rhythm. ▫ Artists use.

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PART 1
FUNDAMENTALS
Gateways to Art: Understanding the Visual Arts, Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields
Chapter 1.9 Pattern and Rhythm
Artists use to bring order
to space, add visual interest, create area of focus, add
cultural/historical references and signal a time element
Patterns are created by the recurrence of an art element
In a work of art, the repetition of such patterns gives a
sense of unity
Rhythm arises through the repetition of pattern amongst
any visual element-fabrics, gestures, colors, shapes, etc.
The rhythm of a series of linked elements guides the
movement of our eyes across and through a design
Introduction-Pattern & Rhythm
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PART 1 FUNDAMENTALS

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Chapter 1.9 Pattern and Rhythm

 Artists use to bring order to space, add visual interest, create area of focus, add cultural/historical references and signal a time element  Patterns are created by the recurrence of an art element  In a work of art, the repetition of such patterns gives a sense of unity  Rhythm arises through the repetition of pattern amongst any visual element-fabrics, gestures, colors, shapes, etc.  The rhythm of a series of linked elements guides the movement of our eyes across and through a design

Introduction-Pattern & Rhythm

PART 1 FUNDAMENTALS

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Chapter 1.9 Pattern and Rhythm

The use of repetition in a work of art usually results in the creation of a pattern Artists often create unity in works of art by repeatedly using a similar shape, value, or color, for example An artist can use repetition of a pattern to impose order on a work Artists use alternating patterns to make a work more lively

The area covered by pattern is called the field

Pattern

PART 1 FUNDAMENTALS

Chapter 1.9 Pattern and Rhythm

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Suzanne Valadon,

The Blue Room

 Includes three contrasting patterns  The blue bed covering  The pattern in the woman’ s pajama bottoms  Above the figure is a mottled pattern  The differences in these patterns energize the work  Pattern influences much of Matisse’s work whose work is similar

Edouard Vuillard 1893 The Suitor

Henri Matisse The Robe 1937

Targets Vintage quilt piece 1950’s Unknown artist The motif is the square with the target in it. As it is repeated, it creates a field.

Self Portrait Chuck Close,, 1997. Oil on canvas MOMA, New York, 8’6” × 7’.

PART 1 FUNDAMENTALS

Chapter 1.9 Pattern and Rhythm

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Chuck Close,

Self Portrait

Uses motif to unify his paintings Uses a repeated pattern of organic concentric rings set into a diamond shape as the basic building blocks for his large compositions The motif that Close uses is the result of a working with grids and photographs PROSOPAGNOSIA

PART 1 FUNDAMENTALS

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Chapter 1.9 Pattern and Rhythm

R a ndo m n e s s

 The introduction of chance symbolizes-anti-order

 Artists who introduce randomness to a work try to avoid predictable repetition, symmetry, any mathematical construct like the Golden Triangle

 Works purposely contradict traditional methods

 http://www.youtube.com/watch?v=Quej7ZXNp1k

 Performance

 http://www.youtube.com/watch?v=WK2c0A5CDvk

 Random street art performance

PART 1 FUNDAMENTALS

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Chapter 1.9 Pattern and Rhythm

Rhythm

 Rhythm gives structure to the experience of looking, just as it guides our eyes from one point to another in a work of art

 There is rhythm when there are at least two points of reference in an artwork

 The intervals between elements provide points of reference for more complex rhythms

Laylah Ali. Untitled. 2000. 13 x 19 in. Gouache Ali often achieves a high level of emotional tension in her work as a result of juxtaposing brightly colored scenes with dark, often violent subject matter that speaks of political resistance, social relationships, and betrayal.

Bai-ra-Irrai, originally built1700 and periodically restored, c. Airai village, Airai State, Republic of Palau

1.158 slide 2: Detail of Bai-ra-Irrai

PART 1 FUNDAMENTALS

Gateways to Art: Understanding the Visual Arts , Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields

Chapter 1.9 Pattern and Rhythm

Rhythmic Design Structure

 How artists divide visual space into different sections to achieve different kinds of effect

 Lauren Vioers, Transparency  2007

Piet Mondrian 1942- Broadway Boogie Woogie Abandoned the representational in art “…destruction of natural appearance and construction through continuous opposition of pure means-dynamic rhythm” Rhythm, Music (jazz) irreverent and improvisational, echoing NY city streets. Use of purest, simplest shapes, and primary colors