Multi-Media Autoring Tools, Lecture notes of IP Multimedia Subsystems

Multi-Autoring Tools for information technology students

Typology: Lecture notes

2016/2017

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Fundamentals of Multimedia, Chapter 2
Chapter 2
Multimedia Authoring and Tools
2.1 Multimedia Authoring
2.2 Some Useful Editing and Authoring Tools
2.3 VRML
2.4 Further Exploration
1Li & Drew c
ī˜Prentice Hall 2003
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Chapter 2

Multimedia Authoring and Tools

2.4 Further Exploration2.3 VRML2.2 Some Useful Editing and Authoring Tools 2.1 Multimedia Authoring

Li & Drew

©c Prentice Hall 2003

2.1 Multimedia Authoring

Multimedia authoring

: creation of multimedia productions,

  • sometimes called ā€œmoviesā€ or ā€œpresentationsā€.

we are mostly interested in

interactive

applications.

as Adobe Premiere.such as Adobe Photoshop, and simple video editors suchFor practicality, we also have a look at still-image editors

  • Automatic Authoring– Multimedia Presentation– Multimedia Production – Multimedia Authoring MetaphorsIn this section, we take a look at:

Li & Drew

©c Prentice Hall 2003

Slide

Show

Metaphor

A linear presentation by default,

although tools exist to perform jumps in slide shows.

Hierarchical Metaphor

User-controllable elements are or-

applications.ganized into a tree structure — often used in menu-driven

Iconic/Flow-control Metaphor

Graphical icons are avail-

chart with icons attached (Fig. 2.1):able in a toolbox, and authoring proceeds by creating a flow

Li & Drew

©c Prentice Hall 2003

Fig. 2.1: Authorware flowchart

Li & Drew

©c Prentice Hall 2003

Card/Scripting

Metaphor

Uses

a

simple

index-card

hypertext or hypermedia; used in schools.structure — easy route to producing applications that use

Fig. 2.3: Two Cards in a Hypermedia Stack

Li & Drew

©c Prentice Hall 2003

Cast/Score/Scripting Metaphor

Time is shown horizontally; like a spreadsheet:

rows, or

tracks

, represent instantiations of characters in a multi-

media production.

Multimedia elements are drawn from a

(^) cast

(^) of characters,

and

scripts

are basically event-procedures or procedures

that are triggered by timer events.

Director,

by

Macromedia,

is

the

chief

example

of

this

metaphor.

Director uses the

Lingo

scripting language,

an object-oriented event-driven language.

Li & Drew

©c Prentice Hall 2003

Fig 2.4: Colors and fonts [from Ron Vetter].

Li & Drew

©c Prentice Hall 2003

(c)

A color contrast program

: If the text color is some triple

subtracted from the maximum (here assuming max=1):(R,G,B), a legible color for the background is that color

( R, G, B

R,

G,

B

a green background and mauve foreground.e.g., a pink background and forest green foreground, orSome color combinations are more pleasing than others;

Fig. 2.

shows a small VB program (

textcolor.exe

) in opera-

tion: āˆ’ā†’

Link to TextColor src.zip

Link to textcolor.exe

Li & Drew

©c Prentice Hall 2003

equal to (1-R,1-G,1-B):Fig. 2.6, shows a ā€œcolor wheelā€, with opposite colors

Fig. 2.6: Color wheel

Li & Drew

©c Prentice Hall 2003

Sprite Animation

The basic idea

: Suppose we have an animation figure, as in

Fig. 2.7 (a). Now create a 1-bit mask

M

(^) , as in Fig. 2.7 (b),

black on white, and accompanying

sprite

S

, as in Fig. 2.

Fig. 2.7: Sprite creation: Original, mask image(c).

M

(^) , and sprite

S

ā€œDukeā€ figure courtesy of Sun Microsystems.)

Li & Drew

©c Prentice Hall 2003

Video Transitions

Video transitions

: to signal ā€œscene changesā€.

  1. Many different types of transitions:

Cut

: an abrupt change of image contents formed by abut-

ting two video frames consecutively.

This is the simplest

and most frequently used video transition.

Li & Drew

©c Prentice Hall 2003

Wipe

a

replacement

of

the

pixels

in

a

region

of

the

viewport with those from another video.

Wipes can be

opening, swept out like the hands of a clock, etc.left-to-right, right-to-left, vertical, horizontal, like an iris

Dissolve

replaces every pixel with a mixture over time

ond. Most dissolves can be classified as two types:of the two videos, gradually replacing the first by the sec-

cross

dissolve

and

dither dissolve

Li & Drew

©c Prentice Hall 2003

Type II: Dither Dissolve

Determined by

α ( t ),

increasingly more

and more pixels in

video

A

will

abruptly

(instead

of

gradually

as

in

Type

I)

change to video B.

Li & Drew

©c Prentice Hall 2003

geometric pattern.Type II dissolve in which changing pixels follow a particularvideo A or B is black (or white). Wipes are special forms ofFade-in and fade-out are special types of Type I dissolve:

Build-your-own-transition:

Suppose we wish to build a spe-

video slides in to replace it: acial type of wipe which slides one video out while another

slide

(or

push

Li & Drew

©c Prentice Hall 2003