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elegiac poetry, Apuntes de Idioma Inglés

Asignatura: Literatura Inglesa I, Profesor: Gerardo Rodriguez Salas, Carrera: Estudios Ingleses, Universidad: UGR

Tipo: Apuntes

2013/2014

Subido el 20/06/2014

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Literatura Inglesa I, The Wanderer and The Wife’s Lament 1
Prof. Pilar Villar Argáiz
THE WANDERER AND THE WIFE’S LAMENT
Read The Wanderer and The Wife’s Lament (pages 111-114) and take into
consideration the following issues:
1. Make sure you can summarise the content of each poem.
2. Identify the elements which make each poem likely to be ascribed to the elegiac genre
(subject matter and tone).
3. How many voices (“narrators”) can you perceive in each text? How does each
contribute to our perception of the story they tell?
4. Look for the references to “fate” in each poem. How is it perceived?
5. Explain the formation and possible meaning of the following kennings:
water-way
heart’s coffer
hoard-case (of his mind)
wine-hall / mead-hall
gold-friend
winter-sad
middle-earth
storm-tossed (sea)
6. Find examples of reminiscences of the original alliterative rhyme in the translation.
7. What does the speaker of The Wanderer praise in a man? What, according to the
speaker, makes a man “wise”? Are the same virtues praised in a woman according to
The Wife’s Lament?
8. What can you infer of the position of women in Anglo-Saxon society from reading The
Wife’s Lament?
9. How is nature portrayed in both poems? Do they share common characteristics?
Comment on that.
10. Can you see Pagan and Christian elements coexisting in the poems? Comment on that,
making sure that you deal with the way each poem reflects the main important aspects
of Anglo-Saxon society.
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Literatura Inglesa I, The Wanderer and The Wife’s Lament 1

Prof. Pilar Villar Argáiz

THE WANDERER AND THE WIFE’S LAMENT

Read The Wanderer and The Wife’s Lament (pages 111-114) and take into consideration the following issues:

  1. Make sure you can summarise the content of each poem.
  2. Identify the elements which make each poem likely to be ascribed to the elegiac genre (subject matter and tone).
  3. How many voices (“narrators”) can you perceive in each text? How does each contribute to our perception of the story they tell?
  4. Look for the references to “fate” in each poem. How is it perceived?
  5. Explain the formation and possible meaning of the following kennings:
    • water-way
    • heart’s coffer
    • hoard-case (of his mind)
    • wine-hall / mead-hall
    • gold-friend
    • winter-sad
    • middle-earth
    • storm-tossed (sea)
  6. Find examples of reminiscences of the original alliterative rhyme in the translation.
  7. What does the speaker of The Wanderer praise in a man? What, according to the speaker, makes a man “wise”? Are the same virtues praised in a woman according to The Wife’s Lament?
  8. What can you infer of the position of women in Anglo-Saxon society from reading The Wife’s Lament?
  9. How is nature portrayed in both poems? Do they share common characteristics? Comment on that.
  10. Can you see Pagan and Christian elements coexisting in the poems? Comment on that, making sure that you deal with the way each poem reflects the main important aspects of Anglo-Saxon society.

Literatura Inglesa I, The Wanderer and The Wife’s Lament 2

Prof. Pilar Villar Argáiz

INFLUENCE OF THE ELEGIAC MOOD OF OLD ENGLISH POETRY IN

CONTEMPORARY LITERATURE

Read this poem by contemporary Irish woman poet Eavan Boland and discuss the influence that the elegiac mood exerts on this poem, published in 1971. Look particularly at how these are represented:

  1. The main character of the poem
  2. The weather
  3. Fate
  4. Exile
  5. Nature

“The Pilgrim” (by Eavan Boland, 1944-)

When the nest falls in winter, birds have flown To distant lights and hospitality. The pilgrim, with his childhood home a ruin, Shares their fate and, like them, suddenly Becomes a tenant of the wintry day. Looking back, out of the nest of stone As it tumbles, he can see his childhood Flying away like an evicted bird.

Underground although the ground is bare, Summer is turning on her lights. Spruce And large and massive chestnut will appear Above his head in leaf. Oedipus Himself, cold and sightless, was aware Of no more strife or drama at Colonus: He became, when he could go no further, Just an old man hoping for warm weather.

At journey’s end in the waters of a shrine, No greater thing will meet him than the shock Of his own human face, beheaded in The holy pool. Steadily he must look At this unshriven thing among the bells And offerings, and for his penance mark How his aspiring days like fallen angels Follow one another into the dark.